Hall of Fame Archives - Page 7 of 10

If I Had a Ballot for the Rock and Roll Hall of Fame

The band Yes was both a commercial AND critical success, so it made no sense to exclude them from the Rock and Roll Hall of Fame.

Last year, I specifically complained about the Rock and Roll Hall of Fame failing to even nominate Yes, Chicago, Moody Blues, and Todd Rundgren. Then, this year, the former two are on the roster.

Last year, two of my picks, The Paul Butterfield Blues Band and Joan Jett & the Blackhearts, actually got in.

The nominees for induction into the Rock and Roll Hall of Fame in 2016:

“To be eligible for nomination, an individual artist or band must have released its first single or album at least 25 years prior to the year of nomination. The 2016 nominees had to release their first recording no later than 1990.”

The Cars – worthy
Chic – what I wrote last year when I voted for them, still holds: “its sound still relevant, though if Nile Rodgers got in as a non-performer (songwriter/producer), I could accept that.”
*Chicago – those first two albums were great, and some of their later stuff was decent. They’ve gotten nicked for being too “commercial”, I suspect.
Cheap Trick – probably worthy
Deep Purple – when they got nominated a couple of years back, I admit not knowing them beyond their hits

Janet Jackson – possibly one of the most worthy. Yet, because she’s relatively young, I think she’ll get in eventually, if not this year.
The J.B.’s – James Brown’s backup group, and they should get in in THAT category, not here.
Chaka Khan – for both her music with Rufus and her solo stuff. And we share the same birth month.
Los Lobos – a friend said they are “such a watershed group” long before they “crossed over” to the Anglo market
Steve Miller – definitely worthy

Nine Inch Nails – sure, they’re influential and nominated last year.
N.W.A – also nominated last year, and with the Straight Out of Compton movie, this may well be the year they get in
The Smiths – likewise nominated last year, surely would vote for them down the road
*The Spinners – Motown did NOT know what to do with them, and they didn’t really click until they moved to Atlantic. I LOVE the Spinners. Nominated last year.

*Yes – The problem with the R&R HOF, as Chuck Miller noted, “is that so many deserving ‘rock’ artists were left behind in favor of inducting whoever [Rolling Stone magazine founder] Jann Wenner felt was more deserving.” Some of this had to do with the sense that “commercial is bad,” overcome somewhat by the induction of Hall & Oates last year.
But Yes was both a commercial AND critical success that, unless all of “progressive rock” was being punished, it made no sense to exclude them. Now that long-time bassist Chris Squire has died, it’s well past time for the group’s inclusion. I’d go as far as to suggest his passing affected their nomination, and I hope, their inclusion.

So, in part because of ageism, I’m going with Chicago, Chaka Khan, Los Lobos, The Spinners, and Yes. Especially YES. If I had a sixth vote, it’d probably be Steve Miller.

Which five artists would YOU vote for?
***
Harry Nilsson has been eligible almost as long as the Hall has been open, but he’s never even been nominated.

X is for Estelle Axton

I believe Estelle Axton ought to be in the Rock and Roll Hall of Fame.

Jim Stewart was inducted into the Rock and Roll Hall of Fame in 2002. Here’s part of his bio:

Jim Stewart and sister Estelle Axton were the co-founders of Memphis-based Stax Records. Stax and Motown were the two most important record labels in America in terms of bringing black music into the mainstream during the Sixties and Seventies.

Stax recorded some of the greatest acts in the history of soul music – Otis Redding, Wilson Pickett, Sam and Dave, Johnnie Taylor, Booker T. & the MG’s, Carla Thomas, and Eddie Floyd, among them.

If Motown was “the Sound of Young America,” then Stax/Volt was “Soulsville, U.S.A.” Between 1959 and 1975, Stax and its affiliated labels released 300 albums and 800 singles. Among the latter, 167 were bonafide hit singles.

Now here’s part of Estelle Axton’s 2004 obituary:

In late 1958, her younger brother, Jim, appealed for financial help to develop Satellite Records, which he had set up to issue recordings of local Memphis country and rockabilly artists.

Estelle convinced her husband [Everett Axton] that they should remortgage their house and, in February 1959, she joined Satellite as an equal partner, contributing $2,500 – at a time when Everett was earning just $18 a week. She kept her bank job, but took a keen interest in Satellite’s fortunes, enjoying pop music and working with young people.

By 1960, Jim and Estelle had found the Capitol Theatre, in a black Memphis neighbourhood, that they turned into a recording studio. To help defray the rent, she opened a record shop in the foyer, and left the bank to work there. She and Everett remortgaged for another $4,000 to refurbish the cinema…

The studio’s location meant a wealth of aspiring local black talent began dropping in, Estelle’s record shop encouraging them to hang out and play popular songs. “The shop was a workshop for Stax Records,” she explained. “When a record would hit on another label, we would discuss what made it sell.”

Also in 1960, Estelle’s son, saxophonist Charles “Packy” Axton, provided Satellite with its first million-seller when his group, the Mar-Keys, put out their debut single, Last Night. According to Estelle, her brother had not been interested in releasing the record until she pleaded, cried, and swore at him. Then he bet $100 that it would never be a hit. [It was.]

Satellite was forced to change its name after it was discovered that a Los Angeles label already owned the title. Taking the first two letters from Jim and Estelle’s surnames, Stax Records was born…

Over the years, many of Stax’s musicians recalled that it was Estelle who encouraged them, then forced her brother to sign them up. “You didn’t feel any back-off from her, no differentiation that you were black and she was white,” noted Isaac Hayes. “Being in a town where that attitude was plentiful, she just made you feel secure. She was like a mother to us all.”

From Jim and Estelle’s Memphis Music Hall of Fame induction page:

At Stax, Estelle ran the front of the house – the record store – and Jim ran the back – the studio. Many of the label’s stars first came in as her customers – Booker T. Jones, William Bell, and Albert King among many (in the early years, she also employed Steve Cropper). Her store would serve as both a respite from the studio, and perhaps more importantly, as a library and research facility for the songwriters and musicians.

From Wikipedia:

Estelle was the founder of the Memphis Songwriters Association in 1973. The Memphis Songwriters Association was formed in order to foster the education and advancement of local area songwriters. There was a focus on the development of the songwriting craft with the intentions of producing commercially viable songs and improving performance skills.

After her split from Stax, Axton went on to found the Fretone label, which launched Rick Dees’ 1977 novelty smash “Disco Duck.”

Clearly, Estelle Axton was the ears and heart, and soul of STAX in the 1960s, helping move the label from its rockabilly roots to become a soul powerhouse. In spite of Disco Duck, I believe Estelle Axton ought to be in the Rock and Roll Hall of Fame.

ABC Wednesday – Round 16

Baseball Hall of Fame: if I had a ballot

My final Hall of Fame vote was going to to Roger Clemens. But there’s a recent rule change.

Recently, the National Baseball Hall of Fame and Museum’s Golden Era Committee failed to select anyone to the Hall, with Dick Allen and Tony Oliva coming tantalizingly close, much to my chagrin, especially for Tony O., who was my favorite American League player not on the Yankees when I was growing up.

Once again, time for me to think about the players, who will be voted on by the baseball writers, the results of which will be announced on January 6. “To be enshrined, players must be named on at least 75% of the Committee members’ ballots.”

Here are the players on the ballot. Last year, three players were inducted – Tom Glavine, and Greg Maddux, pitchers for the Atlanta Braves, and Frank Thomas, first baseman for the Chicago White Sox. Still, there are lots of quality picks available. The sportswriters who vote can select up to 10 players, though, clearly, most do not.

These are my picks if I had a ballot:

1. Lee Smith, who had more saves than anyone when he retired in an era when relievers often pitched more than one inning. 13th year on the ballot. He got 29.9% of the vote last year, much worse than the year before. I’ve supported his selection for years.

2. Craig Biggio. Second basemen aren’t usually expected to be selected for power, but for defense. Yet thrice he won both the Gold Glove (for fielding) and the Silver Slugger (for hitting) in the same season. 3rd year on the ballot. Last year, he got 74.8% of the vote, when 75% was the threshold.

3. And if you put in one of the Astros’ B-boys, why not power-hitting first baseman Jeff Bagwell. Last year, he got 54.3% of the vote; this will be his fifth year on the ballot.

4. Mike Piazza. A good hitting catcher, who was never specifically accused of taking performance-enhancing drugs (PED), but everyone who bulked up in that period was suspected by some. There’s no reason to believe it so. Last year, in his second year of eligibility, he got 62.2% of the vote.

5. Randy Johnson, along with Roger Clemens, THE dominant pitcher of his era, mostly with the Seattle Mariners and Arizona Diamondbacks. Definitely should be elected on his first year on the ballot.

6. What the heck, his pitching com-padre with the Diamondbacks, Curt Shilling, who also won the World Series with the Boston Red Sox. For some reason, don’t much like him much, but it does not cause me not to support him. He got 29.2% of the vote last year, but I’m wondering if Johnson on the ballot will help him the third time out.

7. Pedro Martinez is another first-timer I’d support, a pitcher with the Expos, Red Sox, and Mets, among others. Usually the ace of the staff.

8. If he had been eligible last year, first-timer John Smoltz might have been picked with his pitching teammates Glavine and Maddux.

9. Now, we get to the Steroid Era players. No one would argue that Barry Bonds wasn’t the best position player on the ballot and in fact one of the best players ever. The steroids weren’t specifically banned at the time he probably took them. Last year, he got 34.7% of the vote, and in his third year, he’s likely to do no better.

10. My final vote was going to Roger Clemens. But there’s a recent rule change:

On July 26, 2014, the Hall announced changes to the rules for election for recently retired players, reducing the number of years a player will be eligible to be on the ballot from fifteen years to ten. Three candidates presently on the BBWAA ballot (Lee Smith, Don Mattingly, Alan Trammell) in years 10-15 will be grandfathered into this system and remain under consideration by the BBWAA for up to the full 15 years.

So, now Mark McGwire is not in the 9th of 15 years, but the 9th of 10, which seems like an unfortunate bait-and-switch. With 11% of the vote, it’s incredibly unlikely he’ll make it this year or next.

On the other hand, I wouldn’t vote for suspected PED user Gary Sheffield in his first year.

So I’ve left off Tim Raines (in his eighth year, who I supported last year), Jeff Kent and Mike Mussina (both in their second years), as well as PED-tainted Clemens and Sammy Sosa (both in their 3rd year).

Who would you pick?

If I Had a Ballot for the Rock and Roll Hall of Fame

Last year, three of my picks, Linda Ronstadt, Peter Gabriel, and Hall and Oates actually got into the Rock and Roll Hall of Fame,, so I’ll put the other two on this year’s ballot.

I realize more and more each year how meaningless the Rock and Roll Hall of Fame is. When I look at the list of artists NOT in it (Chicago, Moody Blues, Todd Rundgren, Yes, to name a few), I sigh.

Still, I play the game, because it’s fun for me.

Cleveland (October 9, 2014) — The nominees for induction into the Rock and Roll Hall of Fame in 2015 are:

The Paul Butterfield Blues Band
Chic
Green Day
Joan Jett & the Blackhearts
Kraftwerk
The Marvelettes
N.W.A.
Nine Inch Nails
Lou Reed
The Smiths
The Spinners
Sting
Stevie Ray Vaughan
War
Bill Withers

To be eligible for nomination, an individual artist or band must have released its first single or album at least 25 years prior to the year of nomination. The 2015 nominees had to release their first recording no later than 1989.

Ballots will be sent to an international voting body of more than 700 artists, historians and members of the music industry.

Last year, three of my picks, Linda Ronstadt, Peter Gabriel, and Hall and Oates actually got in, so I’ll put the other two on this year’s ballot:

Paul Butterfield Blues Band, whose three Bs (Butterfield, Mike Bloomfield, Elvin Bishop) were also individually important in rock. East-West, from 1966, is one of my favorite albums. Here are the two instrumentals, Work Song and the title cut.
Chic, its sound is still relevant, though if Nile Rodgers got in as a non-performer (songwriter/producer), I could accept that.

Plus:
Joan Jett & the Blackhearts – because I have a bias for women rockers.
The Marvelettes – …and “girl groups”.
*The Spinners – because I LOVE the Spinners.

I dismissed, at least for the time being, both Lou Reed and Sting, because their groups Velvet Underground and The Police, respectively, are in the hall.

This is Stevie Ray Vaughan’s first year of eligibility, and I DO love his music; I hope he does get in, and he may this year.
Green Day has a couple of albums I like. And I love their NAME. Maybe down the road.
I know I SHOULD put Kraftwerk on the list; very important group.
My ignorance of the music of Nine Inch Nails is inexplicable, but there it is.
As I wrote last year, “I know N.W.A. is massively influential, despite its limited output, but not feeling it yet.”
If I had a sixth vote, or if the Chic folk get in as non-performers and I had another selection, it might well be for The Smiths.
Pretty sure I supported War’s induction before. With a seventh vote, would pick them.
Bill Withers had some great songs, but not enough for me to pick.

Which five artists would YOU vote for?

Baseball Hall of Fame 2014: my ballot

I had to leave off players for the Baseball Hall of Fame I most definitely would have considered:

Now that Tony La Russa, Bobby Cox and Joe Torre, who rank third, fourth and fifth, respectively, on the career list of managerial victories, have been “elected unanimously to the Hall of Fame [on December 9] by the expansion-era committee,” it’s time for me to think about the players, who will be voted on by the baseball writers, the results of which will be announced on January 8. “To be enshrined, players must be named on at least 75% of the Committee members’ ballots.”

Here are the players on the ballot. Last year, NO players were inducted – which was too bad – so now, with new players being retired for five years, there’s a real backlog. The sportswriters who vote can select up to 10 players, though most apparently do not.

These are my picks:

1. Jack Morris. It’s his 15th and final year on the ballot. He got 67.7% of the vote last year; put him in.

2. Lee Smith, who had more saves than anyone when he retired in an era when relievers often pitched more than one inning. 12th year on the ballot. He got 47.8% of the vote last year, but this year, I fear he’ll do worse. I’ve supported his selection for years.

3 and 4. Greg Maddux and Tom Glavine. Both pitchers are worthy, and Maddux should be a lock with over 350 wins; Glavine had 305, and 300 has been the threshold for years, probably too high in the five-man rotation. It would be nice if they could go in with their longtime Atlanta manager Cox. Both 1st year on the ballot.

5. Frank Thomas. They didn’t call him The Big Hurt for nothing. He hit 500 home runs, yet also batted over .300 for his career; power hitters often sacrifice average for power.

6 and 7. Barry Bonds and Roger Clemens. Now we come to the Steroid Era players. No one would argue that these aren’t the best position player and pitcher, respectively, on the ballot, and in fact two of the best players ever. The steroids weren’t specifically banned at the time they were allegedly taken them. Last year, I understood why Bonds only got 36.2% and Clemens, 37.6% of the votes; the writers didn’t want them to go into the hall on the first ballot. But they still belong, even cutting their numbers by 25%.

8. Mike Piazza. A good hitting catcher, who was never specifically accused of taking performance-enhancing drugs (PED), but everyone who bulked up in that period was suspected by some. There’s no reason to believe it so. Last year, in his first year of eligibility, he got 57.8% of the vote. Some writers who didn’t want him in in his first year might vote yes in his second.

9. Craig Biggio. Second basemen aren’t usually expected to be selected for power, but for defense. Yet thrice he won both the Gold Glove (for fielding) asnd the Silver Slugger (for hitting) in the same season.

10. Tim Raines. I’ve become convinced that being the second-best leadoff hitter in his era, after Rickey Henderson, is worthy of the Hall. He had over 800 stolen bases in his career.

I had to leave off people I most definitely would have considered: Mark McGwire and Sammy Sosa, whose home run race in 1998 reengerized the baseball fan after the 1994 strike, both tainted by PED use; first baseman Jeff Bagwell, pitcher Mike Mussina, and pitcher Curt Schilling, who I dropped in favor of Raines. Probably three or four others I would have picked in another year.