Hall of Fame Archives - Page 8 of 10

If I had a ballot for the Rock and Roll Hall of Fame

What I hope will happen is that they’ll pick the great guitarist Link Wray as an early influence, as they have done in the past with people who have shown up on the ballot, deserve to be enshrined, but who most people never even heard of.

From CNN: “Grunge groundbreakers Nirvana, disco dynamos Chic and the costume-clad, Gene Simmons-led pop metal band KISS are among 16 nominees up for election in the museum’s Class of 2014. The deep selection also includes ’70s and ’80s hitmakers Hall and Oates; college radio heroes the Replacements; New Orleans funkmeisters the Meters; sweet-voiced Linda Ronstadt; and pioneering gangsta rappers N.W.A.

“Completing the list: the Paul Butterfield Blues Band, Deep Purple, Peter Gabriel, LL Cool J, Cat Stevens, Link Wray, Yes and the Zombies.”

CBS News adds: “Nirvana, Linda Ronstadt, Peter Gabriel, Hall and Oates, and The Replacements are among first-time nominees to the Rock and Roll Hall of Fame.”

All eligible nominees released their first single or album at least 25 years before the year of nomination.

Fans can vote for up to five artists at rockhall.com and www.rollingstone.com and www.usatoday.com.

I’ve already made it clear that I would vote for Linda Ronstadt. Beyond that, there are probably seven artists for the other four slots. Pretty much a coin flip, my ballot would include:
Chic, which is newly chic, its sound still relevant.
Peter Gabriel, who was not only commercially successful in the 1980s, but put out great albums before that; if for the song Biko alone, which codified understanding of apartheid to the western world, he’d be deserving. I have a LOT of PG.
Hall & Oates, who not only had massive commercial success over a lengthy period – I am an unapologetic fan – but also are great proponents of music to this day. And though it ought not to matter in this context, I really love Daryl Hall’s solo album Sacred Songs.
Yes, in part as a paean to progressive rock, in hopes that King Crimson gets a nod next time out.

What I hope will happen is that they’ll pick the great guitarist Link Wray as an early influence, as they have done in the past with people who have shown up on the ballot, deserve to be enshrined, but who most people never even heard of.

The Meters, which helped beget The Neville Brothers, was essentially the house band for Allen Toussaint and played on a lot of other people’s albums, so I’m hoping that they’ll get picked in the sidemen category, as Leon Russell did a couple of years ago.

My other pick in these fan ballots was Butterfield, whose three Bs (Butterfield, Mike Bloomfield, Elvin Bishop) were also individually important in rock

Not picking Nirvana, on their first ballot, who will get in anyway. I like them well enough; have three or four of their albums and their sound defined the early 1990s.
Hope the Replacements get in someday – it was their first year as well.
I had quite a bit of Cat Stevens in the day, and I’d pick him if there weren’t people I preferred.
Have the greatest hits of the Zombies, and I’m just not sure a few hits plus one great album warrants the band’s inclusion.
I know N.W.A. is massively influential, despite its limited output, but not feeling it yet.
Never cared for KISS.
Loved the hits of Deep Purple, but guess I don’t know the oeuvre well enough to decide if they merit inclusion.
Know LL Cool J better as an actor than a musician.

Which five artists would YOU vote for?

Linda Ronstadt for the Rock and Roll Hall of Fame

Linda was as eclectic as musical shapeshifters like David Bowie and Neil Young, but because she didn’t write her own stuff, she’s been dismissed.

One of my friends, remembering her popularity in the late 1970s, both musically and visually – posters of her image were on more few dorm room walls – wrote: “Now that we know Linda Ronstadt is living with Parkinson’s, can we please finally put her in the Rock’n’Roll Hall of Fame?”

Not sure about whether induction there really matters; it certainly does not diminish her remarkable talent over decades. Still, I support the notion of her getting into the Hall, and if it takes a sympathy vote because she no longer can sing to achieve it, so be it. But I think she has enough bona fides to get there without pity.

She had tremendous commercial success in the folk-rock milieu in the 1970s, yet ventured off to do the Pirates of Penzance; two albums of music of her Mexican father, in Spanish; three albums of standards arranged by Nelson Riddle; some great duets with Aaron Neville and Emmylou Harris, among others; the Trio albums with Dolly Parton and Emmylou, and much more.

Linda was as eclectic as musical shapeshifters like David Bowie and Neil Young, but because she didn’t write her own stuff, she’s been dismissed. You’ll find her on albums as varied as Randy Newman’s Faust and Philip Glass’s Songs of Liquid Days; from the latter, here is Forgetting, also featuring the Roches and the Kronos String Quartet. She’s one of the great backup vocalists, with Neil Young on Heart of Gold, and Paul Simon on Under African Skies, e.g.

It’s also true that I like Linda Ronstadt – not personally – based on what I’ve heard about her. I hear she’s a big donator to repertory theater in Tucson, for instance. Her birthday is the same as my wife’s (Linda’s a bit older, though).

She inspired a buycott by me. A buycott, as described by Arthur, is “to go out of my way to support businesses that support the issues I care about instead of boycotting the ones that oppose those issues.” In 2004, she was escorted from a Las Vegas casino after she had dedicated a song to the filmmaker Michael Moore. Her ejection and the attitude of the audience annoyed me so much that I soon ordered from Amazon The Linda Ronstadt Box Set, which is great, especially discs three, “Collaborations, ” and four, “Rarities.” Though the collection ignores her hits such as Heat Wave, Tracks of My Tears, That’ll Be the Day, It’s So Easy, and most of the Hasten Down the Wind album, it was a very satisfying purchase.

Traditions of baseball, comic books, and film

I hadn’t read the Comic Buyer’s Guide regularly since 1994, but I would usually buy a copy on Free Comic Book Day each May, just to check out what was new

I lost a dollar this week. A blogger I know bet that no one would be elected to the Baseball Hall of Fame, and regrettably, he was right. Even allowing the “punishment” of those who allegedly took performance-enhancing drugs, there were plenty of qualified candidates (starting pitcher Jack Morris, the totally undervalued reliever Lee Smith, for two). This was an unfortunate outcome, and not so incidentally, will be lousy for tourism in Cooperstown this year.

Now, ironically, baseball will be expanding its drug-testing program.
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To my surprise, I was quite sad to read that Comics Buyer’s Guide is folding in March. The usual reasons were stated: “decline in advertising and free content online.”

CBG was “started by Alan Light as The Buyer’s Guide for Comic Fandom [in 1971], publishing monthly at first, then twice a month, then weekly…” By the time the newsprint magazine was acquired by Krause Publications in 1983 and changed its name, it had become the bible of the industry. It was like Variety was for entertainment or Billboard for music. Especially under Krause, the level of professionalism increased tremendously.

I started collecting comics in 1972, and when the Crystal Cave comic book store opened c. 1975 in New Paltz, I would buy the publication, scouring the ads for the best prices in back issue comics. That’s also where I first saw the classic comic renderings by my friend-to-be, Fred Hembeck.

When I started working at FantaCo in 1980, and we started publishing comic-book-related material, including material by Hembeck, we would dutifully mail our press releases to Don and Maggie Thompson. Sometimes they would use it, but often they would not. This was discouraging to some in the store, but it made me more determined to keep sending more and more info to them. Eventually, we became so “legitimate” that they would almost always report on our publication schedule. Indeed, I think that’s generally a lesson in dealing with the media: keep trying.

There was a lovely editorial written by Michael T. Gilbert shortly after Raoul Vezina, the artist who worked at FantaCo, had died in late 1983. I have that somewhere in the attic.

I hadn’t read CBG regularly since 1994 when I sold my collection, but I would usually buy a copy on Free Comic Book Day each May, if a copy could be found, just to check out what was new. It won’t be around for the next FCBD, though.

Mark Evanier has his own recollections.
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I start my quixotic attempt to see most of the films nominated for an Academy Award in the major categories. I’ve seen three of the nine nominees for best picture: Argo, Les Miserables, and Lincoln. Beasts of the Southern Wild came and went, and I don’t know if Life of Pi is still around.

Almost certainly, the next film we’ll see will be Silver Linings Playbook, which would take the count of best actor, best supporting actor, and best supporting actress nominations I will have seen from two to three each; best director from one to two; and best actress from zero to one.

Baseball Hall of Fame in the Steroid Era

Who WILL get in, I really don’t know, though I’ll guess Piazza, Schilling, Bagwell, and Morris.

The ballot for the 2013 inductees to the Baseball Hall of Fame has been announced. Two of the greatest players ever, outfielder Barry Bonds and pitcher Roger Clemens, are on the ballot for the first time; both have been implicated as users of performance-enhancing steroids. Sammy Sosa, a great home run hitter, is also in this category.

These are the other first-time nominees: Craig Biggio, Curt Schilling, Mike Piazza, Kenny Lofton, David Wells, Julio Franco, Shawn Green, Steve Finley, Roberto Hernandez, Jose Mesa, Mike Stanton, Sandy Alomar Jr., Jeff Cirillo, Reggie Sanders, Jeff Conine, Royce Clayton, Ryan Klesko, Aaron Sele, Woody Williams, Rondell White, Todd Walker.

The following players received between 5 and 74 percent of the BBWAA vote in 2012 and have appeared on no more than 14 previous BBWAA ballots, making them eligible to return to the 2013 ballot: Jeff Bagwell, Edgar Martinez, Don Mattingly, Fred McGriff, Mark McGwire, Jack Morris, Dale Murphy, Rafael Palmeiro, Tim Raines, Lee Smith, Alan Trammell, Larry Walker, and Bernie Williams.

The ones in italics above won’t get the 5 percent to get on the ballot next year. Sandy Alomar could be on that list too, though his brother was a Hall of Famer and that might help him just hit the threshold. Julio Franco (played a LOT of years), Shawn Green, Mike Stanton, and Steve Finley could go either way. I think the others will get at least 5% including David Wells, if only because he once pitched a perfect game.

Here’s some information on all the candidates. If I were voting, I would not vote for any of the steroid suspects in the first round, but might in subsequent rounds.

My ballot:
Mike Piazza- one of the best hitting catchers of his time
Curt Shilling – pivotal in World Series wins for two different teams (2001 Arizona, 2004 Boston)
Craig Biggio and Jeff Bagwell – I like the idea of two of the Houston Astros’ Killer B’s getting in together
Mark McGwire – he’s also been tainted by the enhanced performance brush. But it wasn’t banned until afterward. And it’s his 7th time on the ballot, so yes.
Larry Walker – my bias against playing in a mile high stadium where the hit ball carries better (Denver) has been overcome by his decent play away from home
Lee Smith – a one-time career saves leader; should have been in years ago

Now I have to think about the last three. As a Yankees fan, I’m biased against former Yankees Mattingly and Williams, because their predecessors were so great. Edgar Martinez was primarily a designated hitter, and I STILL hate the DH rule. But I might vote for all of them down the road. I’ll pick three players who’ve been on the ballot a long time: Alan Trammell (12th year on the ballot); Jack Morris (14th, and I would have voted for him before); and Dale Murphy (15th and final shot).

Who WILL get in, I really don’t know, though I’ll guess Piazza, Schilling, Bagwell, and Morris, two first-timers, and two who’d been up before.

There’s also a separate ballot for the Pre-Integration Era, six players, three executives, and one umpire from the origins of the major leagues through 1946. I’d pick:
pitcher Tony Mullane, who “won 284 games in 13 major league seasons from 1881-1894”
St. Louis Cardinals executive Samuel Breadon, who “created the blueprint for the modern farm system with minor league clubs owned or controlled by the parent club. Presided over nine pennant winners and six World Series championships”
executive Jacob Ruppert, who owned the New York Yankees from 1915-1939, with his teams winning six World Series titles and nine American League pennants during his ownership.” He purchased Babe Ruth’s contact from the Red Sox, and “led the construction of Yankee Stadium”
Hank O’Day, who was major league umpire “from 1888-1927, officiating 10 World Series, tied for second-most in history. Was selected to umpire the first World Series in 1903. Also played and managed in the majors, as a pitcher from 1884-1890”

The announcers’ awards are also out, but I have no opinion.

One of my Facebook friends wrote: “I’m going to argue that before any of these guys get in, how about considering inducting John R. Tunis, Charles Schulz, and the guy who invented Little League“; that would probably be Carl Stotz. “It’s about time that some of the people who used their talents to promote baseball also get their due in the Hall.” Last I was there, a Peanuts cartoon exhibit WAS in the Hall.

Baseball union leader Marvin Miller died recently. I agree that he belongs in the Baseball Hall of Fame as well.

Summer song: Summer, by War

Vocalist and founding member of War Howard Scott said that they were “cranking out gold records when” the Beastie Boys “were still in diapers.”

War was a long-running funk-rock band from southern California, who was commercially viable, at least into the 1990s. Eric Burdon, formerly of The Animals, was the lead vocalist on their first hit, Spill the Wine, back in 1970, but others took the reins shortly after that.

On the Billboard 100, the very peaceful tune called Summer, which was appropriately released on June 21, 1976, debuted on the chart on July 10 and spent 16 weeks there, eventually getting to #7. On the soul charts, it also started moving on July 10, and spent 14 weeks, reaching #4. It was declared a gold record, selling over 500,000 units.

Here is Summer, by War. The band “is not happy about being slighted for a spot in the Rock and Roll Hall of Fame. The band was nominated but lost out… War is most annoyed about losing a spot to The Beastie Boys.

“Vocalist and founding member of War Howard Scott told TMZ, ‘We were cranking out gold records when they were still in diapers. How could the Beastie Boys get in before us when they sampled War’s music on their first album?! I’ll eat their platinum records!’ and added, ‘Felt like I was kicked in the back of my britches.'”
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Sad to read about the death, at the age of 68, of composer Marvin Hamlisch. Writer Mark Evanier said: “I can’t recall ever hearing a bad word about Marvin Hamlisch, not even from Theater People… He was the guy who wrote the tunes for A Chorus Line, after all. And so many other fine works. The first time I saw him or heard his name was when he was Groucho’s pianist for those sad one-Marx shows near the end of the comedian’s career.” To paraphrase a song of his: Nobody did it better.