Tag: Joan Baez

Review: Joan Baez I Am A Noise

Also: Stop Making Sense

 
I know much about Joan Baez, a preeminent folk singer of the 1960s and beyond. But seeing the new documentary Joan Baez I Am A Noise, I discovered I didn’t realize the half of it.

 Early in the film, we see an intriguing quote from Gabriel Garcia Marquez: “Everyone has three lives: a public life, a private life, and a secret life.” While I knew a lot about her public life, her private life, including her relationships with her parents and two sisters and a romance I had not heard about, was revelatory.

As for the secret life, THAT was a heady and sometimes painful exploration.

 To understand Joan, the moviemakers took illustrations and diary entries of her at 13. The teen, who grew up with a Quaker background, experienced a fair amount of prejudice growing up with Mexican heritage on her paternal side. Young Joan wrote: “When I think of God, I think of the earth as a very small thing then I think of myself as hardly a speck…might as well spend time making the less fortunate specks in the world enjoy themselves.”

So, when she started experiencing some success, she may have appeared calm and serene. Inside, she felt conflicted by guilt from her fame when so many others were far less fortunate. At the same time, it was fun, especially when she realized that her music was an entree into the activism she felt she needed to participate in.

Of course, there’s the Bobby Dylan section. Most folks don’t recall that she vouched for him on the music scene. They appeared together at the March on Washington in August 1963, but he was far less well-known then.
Save the world
Ultimately, she was addicted to activism in many forms. Her relationships with like-minded folks like David Harris (m. 1968-1973) could not work. She acknowledges that her son suffered from her being on the road so often.

One of the fascinating elements in her helping to develop the story was a shed full of tapes she visits. You can see it in this CBS Sunday Morning segment.

She eventually grew closer to her older sister Pauline (d. 2016) and younger sister Mimi (d. 2001), even as they investigated unpleasant fragments of their growing up. At 82, Joan Baez is more at peace now, accepting the lower range of her voice.

38 of 39 Rotten Tomatoes reviews were positive. The outlier was Mick Lasalle of the San Francisco Chronicle” “The impression that comes through is that the filmmakers were too in awe of Baez to press her — or to seek alternate opinions — and so we’re left with a sense of not getting the whole truth.” I do not know what film he saw.

The audience score was only 80% positive because I believe this was not entirely the feel-good film they may have been expecting. Young Joan once wrote in a journal, “I am not a saint. I am a noise.”  My wife and I saw the film at the Spectrum Theatre in Albany.
This ain’t no disco.
During the same week, and at the same venue, we also saw Talking Heads’ 1983 concert film Stop Making Sense. I cannot reasonably review this movie.

As I’ve said numerous times, that tour, which included a stop at the Saratoga Performing Arts Center about 30 miles north of Albany, proved to be one of my two most extraordinary musical experiences.

But I had never seen the Jonathan Demme film before. I can say that the first half of the movie transported me back four decades, with the attendant awe, from Byrne’s solo Psycho Killer to the pieces with the full band, including Alex Weir, Bernie Worrell, and Steve Scales. Honestly, I was joyfully exhausted by the band and backup singers Edna Holt and Lynn Mabry’s energy.

I met Lynn when she and my first niece Rebecca Jade sang backup for Sheila E. at the New York State Fair in Syracuse in 2019. It was all I could do to contain myself from rambling to Lynn about how great the show was that I’d seen 36 years earlier.

The next venue in the film brought me back to mere enjoyment, but it ended strong.
 

Kennedy Center Honors on TV June 6!

Dick, Minori, Joan, Garth, Debbie

Kennedy Center Honors 2020Usually, the Kennedy Center Honors take place in early December. They are then edited and broadcast between Christmas and New Year’s Eve. It’s one of our family traditions.

But because of COVID, the ceremonies were postponed, and I lost track of the event. My wife said she recorded CBS This Morning this past week because Dick Van Dyke was on. Even though I knew Dick was one of the honorees, since I didn’t watch the news segment, I didn’t make the connection.

It wasn’t until I saw this interview of DVD by Al Roker that I decided to see, “When is the KCH airing anyway?”

It’s June 6, 8 pm EDT on CBS! Per the New York Times: “The ceremony, usually held and televised in December, was moved to May, and split over several days. Then the organizers and producers began stitching together a mixture of recorded at-home tributes and in-person performances across the center…

“If the Kennedy Center Honors had to be stripped of much of its glamour this month to accommodate rapidly changing coronavirus health guidelines, the subdued ceremony offered a chance for the honorees to help usher in the reopening of the nation’s cultural institutions after a grueling year for the arts.”

The honorees

Debbie Allen: I first knew her from the TV musical-drama Fame (1982-1987). She played dance teacher Lydia Grant – great first name, that – and choreographed much of the program.

She produced more than half of the episodes for The Cosby Show spinoff A Different World (1988-1993).

Since 2011, I’ve watched her in her recurring role as Dr. Catherine Avery on Grey’s Anatomy, for which she is also an executive producer/director.

Joan Baez: Someone who was a HUGE part of my growing up, as I noted here when she turned 70. She was inducted into the Rock and Roll Hall of Fame in 2017. The website notes: “Joan Baez breathed new life into folk music in the 1960s, powering rock music’s turn toward social and political consciousness.

“Baez’s unwavering dedication to activism shows that volume isn’t the only way to be loud—and totally rock and roll.” As Joan said in December 2016: “As part of the folk music boom, which contributed to and influenced the rock revolution of the sixties, I am proud that some of the songs I sang made their way into the rock lexicon.”

Garth Brooks: He is a MASSIVELY successful artist, ostensibly country but with crossover appeal. He has nine albums that have sold over 10 million copies each. “According to the RIAA, he is the best-selling solo albums artist in the United States with 156 million domestic units sold, ahead of Elvis Presley, and is second only to the Beatles in total album sales overall.”

He was inducted into the Songwriters Hall of Fame in 2011, and the Country Music Hall of Fame the following year. Out of curiosity, I bought a box set of a half dozen of his studios; it was under $25. While I didn’t love them all, there were some solid songs I enjoyed.

Not a fiddle

Midori: Sometimes, there’s a KCH awardee I know much less well than the others. In this case, it’s this concert violinist. From her website: “Midori is a visionary artist, activist, and educator who explores and builds connections between music and the human experience and breaks with traditional boundaries which makes her one of the most outstanding violinists of our time.

“As a leading concert violinist for over 35 years, Midori regularly transfixes audiences around the world, bringing together graceful precision and intimate expression.”

Dick Van Dyke: Him I know about. I’ve written about his seminal TV show, which I own on DVD, so I know more than bupkis about the series.

I never saw Mary Poppins until late 2011.

He appeared in the late Carl Reiner’s documentary If You’re Not In the Obit, Eat Breakfast in 2019.

I had forgotten this about the early career of Walter Cronkite: he had a “tenure as a morning show newsreader having dialogues with a lion puppet and Dick Van Dyke.”

2017 Rock and Roll Hall of Fame nominee fan vote

That first Steppenwolf album I listened to constantly

the_cars_-_the_essentialsFor the past couple of years, you, the popular music fan, have been allowed to select up to five Nominees you think should be Inducted into the Rock & Roll Hall of Fame, from the admittedly flawed list of candidates. The aggregate vote gets tallied as one vote, along with the experts.

Last year, I rooted for Chicago, Chaka Khan, Los Lobos, The Spinners, and Yes. Chicago, which won the fan vote last year made it into the Hall, though popularity there did not assure induction. Los Lobos and the Spinners are not even on the ballot this year.

The 2017 Nominees are:

Bad Brains– heard of, but only barely. Hardcore punk band of the 1970s and beyond.
Chaka Khan – for both her music with Rufus and her solo material. And we share the same birth month.
Chic -I’ve said three years running that “its sound still relevant, though if Nile Rodgers and the late Bernard Edwards got in as non-performers (songwriter/producer), I could accept that.”
Depeche Mode – I like their moody electronic sound. Eventually, I say.
Electric Light Orchestra (ELO) – the group’s been around for a long time, back to 1970. I could vote for them, though if Jeff Lynne got noted for writer/producer, that’d be sweet, too

The J. Geils Band – another band that’s been around longer than I realized; Peter Wolf is seven years to the day older than I, so you’d THINK that would move my needle of support, but it did not
Jane’s Addiction – a group I’ve heard of, and have a couple of songs on compilations. But they started in 1985, and they can wait.
Janet Jackson – nominated last year, possibly one of the most worthy. Yet, because she’s relatively young, I think she’ll get in eventually.
*Joan Baez – an odd choice. She’s not a real rock person. I mean I LOVE Joan. An early album of hers was massively important to me. But though she was a contemporary of Dylan, I still would peg her musically more like an early influence, in the same category as Pete Seeger or Woody Guthrie. But I’m voting for her anyway.
Joe Tex – I know who the late Joe Tex was. I saw his album covers on the inner sleeves of those Sam & Dave and Aretha Franklin albums my sister and I bought in the 1960s. But I never owned his music.

Journey – for a time in the early 1980s, they were ubiquitous, and not in a good way
Kraftwerk – their influence is reportedly legendary, yet I have none of their music
MC5 – They put out one of their albums that was huge for me. They were a legendary live band.
Pearl Jam – I have three of their albums. Still, they’re too recent for me to even consider. Naturally, they’ll get in on their first year of eligibility.
Steppenwolf – that first Steppenwolf album I listened to constantly

The Cars – I found their music incredibly catchy. They were third in the public voting last time out.
The Zombies – I like their hits quite a bit, and they put out one legendary album, essentially after they broke up. They’re worthy, but when I have five to pick out of 19, I haven’t picked them
Tupac Shakur – another artist I know by name, and reputation, and how he died in 1996, but not really his music
Yes – inexplicably, they weren’t even nominated until last year, when they came in second in the public voting. The dearth of progressive rock in the Hall is quite astounding. Now that Yes mainstay Chris Squire, unfortunately, passed away this past year, maybe THAT will sway the voters.

I’ve been voting consistently for Chaka Khan, Joan Baez – can’t have too many women in a sometimes boys club – The Cars, and, of course, Yes. My fifth vote, I scattered between MC 5 and Steppenwolf, before deciding on ELO.

I STILL would like to see:

Estelle Axton to be selected in the non-performer award, now known as the Ahmet Ertegun Award. Her brother Jim Stewart, the co-founder of STAX records with her, was inducted way back in 2002!

Billy Preston to be selected in the sideman category, now known as the Award for Musical Excellence. They got Leon Russell and Ringo Starr in under that mantle. Also in that designation, put in the members of the Wrecking Crew not already in there, including Glen Campbell, Carol Kaye, and Tommy Tedesco.

Yes, there are plenty of artists that haven’t gotten in that should, including, but not limited to, the Moody Blues, Link Wray (pick him in the Musical Excellence category), and Warren Zevon.

That Big Box of Vinyl

Tosy and Cosh is a blogger that I used to enjoy reading, before he went on sabbatical back in 2009. I just discovered that he is back writing. Somehow, though, I missed his brief return from March to May 2011, during which time he did this piece That Big Box of Vinyl. It was really depressing, because it was subtitled “music you remember your parents listening to.” It included songs such as Colour My World by Chicago, which was his mother and father’s wedding song; it was also the song of my high school prom. Talk about feeling old.

I’ve previously shared some of the singles in my father’s collection. So here are some albums.

Harry Belafonte, as noted, was a huge influence on my father’s time as a singer of folk songs. From this Belafonte discography, I discovered the albums Dad owned. The album links have 30-second clips of each song.

The most important album for him had to have been My Lord What A Morning, from 1960. He performed most of the songs, especially Buked And Scorned. In fact, it was SO important that, just this year, I bought copies of it for the older of my sisters and for me. From Streets I Have Walked (1963), he got the arrangement of This Wicked Race. Dad also owned An Evening With Belafonte/Makeba (1965) and In My Quiet Room (1966).

I noted, a long while back, the importance of Pete Seeger’s “We Shall Overcome” album “recorded live at his historic Carnegie Hall Concert, June 8, 1963″. I found a four-song EP, featuring If You Miss Me at the Back of the Bus; Little Boxes; I Ain’t Scared of Your Jail; and We Shall Overcome. I also discovered a too-trimmed version of Tshotsholosa (Road Song). I own a version by Ladysmith Black Mambazo, and just this summer, I heard a performance by Peace Train, a South African pair of women, one white, one black, singing this tune.

Finally, Joan Baez, and specifically, the oddly-named Best of Joan Baez, from the early 1960s, was huge. Here’s So Soon in the Morning, with Bill Wood, which my father, sister and I used to perform together.

Joan Baez


This fall, I finished watching some program on the DVR, and the TV defaulted back to the PBS station. I wasn’t really paying attention, but, even with my back turned, I knew INSTANTLY that the speaking voice I was hearing was that of Joan Baez. It turned out to be a rebroadcast of Joan Baez: How Sweet the Sound, “American Masters explores fifty years of folk legend and human rights activist Joan Baez,” which originally aired in October of 2009.

There was an album in our household that was played quite often when I was growing up, the oddly-named The Best of Joan Baez from 1963, an edited version of Folksingers ‘Round Harvard Square from 1959. The original came out before her “official” first release, “Joan Baez” on Vanguard Records in 1960. The Best of album, in fact, was the template the Green Family Singers (my father, my sister and I) used when we sang So Soon In the Morning.

Watching the PBS show, I was reminded how some people now may not have known that when she hit the national spotlight, it was her fame and connections that helped popularize her boyfriend for a time, Bob Dylan. She performed several of his tunes over the years, including a whole album, originally released as 2 LPs, called Any Day Now, which I own.

But it wasn’t just her beautiful and distinctive soprano that made her iconic. She believed that music could be used as a tool for change in the areas of civil rights, nonviolence, and worker’s rights. She (and Dylan) performed at the March on Washington in August of 1963, just one of a string of events where she put her voice, and occasionally her body, on the line for issues of justice.

I remember in the mid-1970s when I was at the home of one of my professors. He was playing Joan’s then-new album Diamonds and Rust. I was half listening to A Simple Twist of Fate, a Dylan song, when, at about 2:19, she breaks into this wicked Dylan impression. I howled with laughter.

She performed at the Troy Music Hall in the fall of 2010. I didn’t get to go, as the show sold out quickly. But I hear it was a great performance. The only time I KNOW I saw her perform live was August 9, 1998 in Saratoga Springs, NY as part of the Newport Folk Festival along with Lyle Lovett, Bela Fleck and the Flecktones, Nanci Griffith, Marc Cohn, Lucinda Williams and others; THAT was for sure a great show.

Anyway, Joan is 70 today, and I thought I needed to acknowledge that. Here’s one of the relatively few songs she wrote, the title tune to the aforementioned Diamonds and Rust album.

“Action is the antidote to despair.” – Joan Baez

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