Kinks Archives - Ramblin' with Roger

Music, October 1971: Families of rock stars

Nostalgia could sell quite well,

Clockwise from top left: Zappa, Cocker, Crosby, Clapton

The book Never A Dull Moment by David Hepworth notes a photo display in LIFE magazine in the fall of 1971 called “Rock Stars and their parents.” Among those families represented: the Jackson Five, Frank Zappa, Ginger Baker, Joe Cocker, Grace Slick, and David Crosby.

“Eric Clapton was pictured with his grandmother Rose Clapp, who had raised him on behalf of her sixteen-year-old daughter. There was no mention of his actual birth mother. the public wasn’t ready for the complexity of a nonnuclear family.”

While photographer John Olson noted that the rock stars were “uniformly” well-behaved around their parents, they weren’t temperamentally suited for domestic life, having spent years on the road. Moreover, unannounced fans would try to show up on the doorsteps of Bob Dylan, Pete Townsend and others. Paul McCartney was the exception, as he and Linda lived in rural Scotland.

Often even these musicians of means still thought of themselves as creators first, people with homes second. Among the folks with studios actually in their abodes were George Harrison, James Taylor and Graham Nash. Other musicians were impulsive buyers of eccentric structures. Keith Moon’s house had five pyramids. Jimmy Page and John Lennon both needed others to stay in their residences.

As for musical families, the Kinks put out my favorite of their albums, Muswell Hillbillies, Donny Osmond and his brothers were strong on the charts all year since One Bad Apple copped the style of the Motown family’s J5.

The Beach Boys made the cover of Rolling Stones, a wildly successful singles band in the early ’60s who, aside from Pet Sounds, were not particularly successful album artists in the latter part of the decade. They were perceived as uncool.

Fortunately, they pieced together the often magnificent Surf’s Up, in a way a tribute to the band’s aura. “Van Dyke Park, who had co-written the title song five years earlier correctly predicted if they used that title, they could pre-sell 150,000 extra copies.

Eventually, though, it was the old songs, first with the Who’s 1971 Meaty Big and Bouncy, then the defunct Beatles, followed by the Beach Boys, post 1973’s American Graffiti, that showed that nostalgia could sell quite well, thank you.

Listen to:

Surf’s Up – the Beach Boys
Coat Of Many Colors – Dolly Parton
Superstar – Carpenters
Old Man – Neil Young
Muswell Hillbilly – The Kinks
Peaches En Regalia – Frank Zappa
Will the Circle Be Unbroken – Nitty Gritty Dirt Band
Tired of Being Alone – Al Green

I Go To Sleep

The Pretenders released I Go To Sleep as the fifth single from their second studio album Pretenders II

I’d written this really LONG blog post, so long that it ended up in two parts, and it was emotionally exhausting. So I took a nap. Napping is not something I do well. Often, waking up, I feel more tired, or disoriented.

This time, though, I was feeling reflective when I awoke. I got to think about this song by the Pretenders called I Go to Sleep. So when I woke up fully, I started to find various versions of the song.

The Kinks (1965): Ray Davies wrote the song, as any obsessive/compulsive liner note/LP label reader would know. But I didn’t even realize this version existed. It’s a demo, and it sounds like it, but it’s sweet, though too fast, with choppy vocals, compared with the version I knew best. It was included, I learned, as “a bonus track on the reissue of their second studio album Kinda Kinks.”

The Applejacks (1965 single). Has this metal clanging throughout, which I found really annoying.

Cher (1965, on her debut album All I Really Want to Do.) She sings it OK, but the arrangement messes with the major/minor chordal structure in the bridge, not to its benefit.

Peggy Lee (1965, from the album, Then Was Then, Now Is Now.) I love Peggy Lee, but not this, which seemed oddly parochial.

Marion (1967, released as a single in Germany and the U.K.) Marion Maerz was a German singer of the ’60s. This was apparently a significant version, as it got a special section in Wikipedia. It is string-heavy on the bridge, and thereafter. The background vocals do not particularly enhance.

The Pretenders (1981, released as the fifth single from their second studio album Pretenders II) The gold standard, three minutes of perfection.

Sia (2008: Sia Furler, on her album Some People Have Real Problems. Sia’s cover charted at number thirty-two on the Australian Singles Chart.) This is about the same length as the Pretenders’ version, yet feels rushed, somehow. However, this Sia version, at 3:30, and with a harmony vocal, is very nice.

Works Progress Administration (2009, on their self-titled debut album WPA). I rather like this one, with the harmony on the bridge.

Anika (2010, on her debut album Anika.) I was reading the YouTube comments. Some people don’t understand why everyone wouldn’t like this. But I’m in the other camp that found the beat very annoying, with the voice somewhat of a monotone. I did like the idea of what’s being attempted here more than the execution.

Rasputina (2011: on their collector’s album “Great American Gingerbread: Rasputina Rarities & Neglected Items”), This is live, with two cellos, and despite a clunky note or two, I rather enjoyed it.

Other versions:
2011: Camilla Kerslake on her second album Moments
2011: Kraus
2013: Rachael Leahcar on her second album Romantique

Here are the lyrics to I Go To Sleep.
***
Going to Sleep [New Timelapse Video].

Arthur is sleepy.

Ray Davies of the Kinks is 70

The Kinks Ultimate Collection showcased the songs I always associated with other bands: Dandy, which I own by Herman’s Hermits, and Stop Your Sobbing, covered by the Pretenders;

ALSO for ABC Wednesday, Round 15, D is for Davies

I loved the early Kinks hits, but I didn’t buy many singles, of anyone. After buying Muswell Hillbillies and the subsequent Everybody’s In Show Biz LPs, I STILL had no Kinks hits collection, and I just don’t know why, because there were plenty of them out there. Got a couple albums from the early 1980s (Give the People What They Want and State of Confusion), and Lost & Found, a live album from 1991.

It wasn’t until early in the 21st century when I finally got The Ultimate Collection. Not only did it have the hits I knew, but it also showcased the songs I always associated with other bands: Dandy, which I own by Herman’s Hermits, and Stop Your Sobbing, covered by the Pretenders; the Pretenders’ lead singer Chrissie Hynde was going out with the chief singer/songwriter of the Kinks, Ray Davies, for a time, and they had a daughter together.

He was inducted into the Songwriters Hall of Fame just last week.

Here’s my post about Ray Davies from five years ago. Listen to the first 75 minutes of Coverville 1034 for 19 Kinks covers, a couple featuring the birthday boy himself.

Favorite Kinks songs

The ones cited as MH were linked previously; the ones starred (*) are linked here.

25. Skin and Bones, from MH

24. Give the People What They Want, from Give the People What They Want (1981) – a kicking song about consumerism, and how the people get harder to please.

23. Holiday, from MH

22. Better Things from GtPWTW – an optimistic ending to an angry album.

21. (Wish I Could Fly Like) Superman, from Low Budget (1979) – hey, I had to have the comic title on here, did I not?

20. Complicated Life, from MH

19. Where Have All the Good Times Gone, from The Kink Kontroversy (TKK) (1965)

18. Who’ll Be the Next In Line, b-side of Ev’rybody’s Gonna Be Happy single.

17. Oklahoma U.S.A., from MH

16. Don’t Forget to Dance, from State of Confusion (1983). I think this is quite the sweet song.

15. I’m Not Like Everybody Else, b-side of Sunny Afternoon single (1966). I didn’t know this song until I bought the greatest hits collection.

14. Destroyer from Give the People What They Want (1983). Story is sequel to Lola, and borrows from a couple more Kinks songs as well.

*13. Tired of Waiting for You’ From: Kinda Kinks (KK) (1965)

12. Apeman, from Lola Versus Powerman and the Moneygoround, Part One (1970). There’s a song called The Monkey, by Dave Bartholomew, and in different ways, it seems to be the same message.

*11. ‘Till the End of the Day’ from TKK

10. Come Dancing, from SoC.

*9. Lola, from LVPatMPO

*8. Waterloo Sunset, from Something Else by the Kinks (1967)

7. Alcohol from MH

*6. Victoria, from Arthur (Or the Decline and Fall of the British Empire) (1969)

*5. Sunny Afternoon, from Face to Face (1966)

*4. You Really Got Me, from Kinks (1964)

*3. A Well Respected Man, single (1965)

*2. Celluloid Heroes, from Everybody’s in Show-Biz (1972)

*1. All Day and All of the Night, single (1964)

Will the Kinks re-form? Maybe.
***
Gerry Goffin died. He wrote a lot of songs you know.

K is for the Kinks: Muswell Hillbilles

For WAY too long, I used to go around saying, “Why is life so COM-Plicated?”

The Kinks, commercially, went from being a rather successful rock band, to not so much, several times in its career arc. One of the latter was the 1971 album Muswell Hillbillies, “named after the Muswell Hill area of North London, where bandleader Ray Davies and guitarist Dave Davies [his younger brother] grew up and the band formed in the early 1960s.” I have alluded to this album so often I figured I must have written about it before, but I had not.

It was their ninth album, but their first for RCA. It was also the first one I ever bought. Even though it came from a particularly English POV, there was something quite universal about the feelings of alienation. It’s also sonically quite diverse.

Also in the band at that time were original drummer Mick Avory, bassist John Dalton (who had replaced Peter Quaife off and on for years), and pianist John Gosling, who joined the band in 1970, a year before the album’s release. Also new, the brass section, “The Mike Cotton Sound, which included Mike Cotton on trumpet, John Beecham on trombone and tuba, and Alan Holmes on clarinet.”

Side one starts with 20th Century Man [LISTEN], “I’m a 20th century man, but I don’t want to be here.” That’s followed by Acute Schizophrenia Paranoia Blues

But it’s five of the next six songs that really sold me. A more eclectic bunch of songs I’ve seldom heard: the out of time Holiday [LISTEN]; the swing of Skin and Bone [LISTEN] (“stay away from carbohydrates”); Alcohol [LISTEN] (a boozy “Oh, demon alcohol”); and Complicated Life [LISTEN]. For WAY too long, I used to go around saying, “Why is life so COM-plicated?”

Side two starts with Here Come the People in Grey, and that’s followed by the very proper-sounding Have a Cuppa Tea [LISTEN]; my sister sells teas currently, and that’s a bonus for my enjoyment. After Holloway Jail comes Oklahoma U.S.A., which I DID write about before. Then Uncle Son and the title song. The 1998 CD re-issue bonus tracks were Mountain Woman and Kentucky Moon, which did not particularly enhance the enjoyment for me.

There was a 2CD extended package that came out in 2013, which I won’t get because what I already have is just perfect.

More about the Kinks and some of the Kinks’ better-known songs around June 21, when Ray Davies turns 70.

ABC Wednesday – Round 14

The day they knocked down the Palais

Around 1987-1989, I was living in this nifty apartment in the West Hill section of Albany. I loved this building.

I’m listening to the Kinks recently, not surprising since Ray Davies’ birthday was June 23. The song Come Dancing came on, and, oddly, I got all melancholy.

The lyrics begin:
They put a parking lot on a piece of land
Where the supermarket used to stand.
Before that they put up a bowling alley
On the site that used to be the local Palais.

It reminded me of things as they once were, which are not anymore. My elementary/junior high school, where I spent ten years of my life, was torn down years ago to build some housing that just didn’t mesh with the character of the neighborhood. My grandmother’s house, a few blocks away, where I came home for lunch every day for a decade, is also long gone. My high school merged with the other public high school; I get these nostalgia solicitations to remind me that I went to Binghamton High School. Except that I didn’t; until 1982, it was Binghamton CENTRAL, the Bulldogs, not the Patriots. There are actually a LOT of those places that used to be in my hometown, replaced by highways, or nothing at all.

But what triggered this nostalgic wave occurred considerably later, around 1987-1989, when I was living in this nifty two-family apartment in the West Hill section of Albany. I loved this building. It had two apartments, and when I walked down the hall and inside, I was in the kitchen! The bedroom was next to it. The living room, and the spare room, where I kept my comic books at the time, were in the front of the building. The best thing, though, is when I moved in, I could put all my books and records on the enclosed back porch, taking my time to unpack them without having to trip over them. The landlord, Steve, was pretty OK, too, now that I remember. It was my favorite place living by myself for a lot of reasons.

I’ve been riding my bicycle partway home, and I always ride down North Lake Avenue, but I decided to veer off to pass by the old homestead. It was all boarded up, with the grass around it all overgrown. My heart sank a bit. I know the neighborhood had deteriorated since I was there; still, this made me more than a bit sad. I suppose I could buy it for $31,300, but I fear what renovation would be required.

And that Kinks song, imperfect match though it was, ran through my head. Though I was in my thirties by then, it was as though “Part of my childhood died.” It was, if not my best self, a period when I was quite contented.

Listen to Come Dancing by the Kinks.