Led Zeppelin Archives - Page 2 of 2

Jimmy Page is 70

I just ODed on Stairway to Heaven, I’m afraid. Still leaving it off the list would be an injustice.

ledzeppelin.kch — Robert Plant, John Paul Jones, Jimmy Page

Noticed that, of the 18 folks inducted into the Rock and Roll Hall of Fame more than once, the list includes Crosby, Stills, Nash AND Young; three Beatles; and three guitarists for the Yardbirds: Eric Clapton, Jeff Beck, and Jimmy Page.

Since I never bought a Yardbirds album until after the group broke up, I wasn’t really familiar with Page until the group that evolved from the Yardbirds, Led Zeppelin, came out with its first album in 1969.

Here’s an interesting, and applicable, quote of Jimmy Page about what “he wanted Led Zeppelin to be, from the very beginning:
“‘I had a lot of ideas from my days with The Yardbirds. The Yardbirds allowed me to improvise a lot in live performance and I started building a textbook of ideas that I eventually used in Zeppelin. In addition to those ideas, I wanted to add acoustic textures. Ultimately, I wanted Zeppelin to be a marriage of blues, hard rock, and acoustic music topped with heavy choruses – a combination that had never been done before. Lots of light and shade in the music.”

And so it was.

I’ve already discussed my affection for, and irritation with, Zeppelin, especially Page and vocalist Robert Plant, so I guessed I’d list my 20 favorite songs by the group, not the best ones necessarily. Except…

Strange that my affection for songs by Led Zeppelin usually depends on what I’ve listened to most recently. Except for the #20 song, the ranking here is fairly arbitrary.

Links are to all songs, which WERE working at the time of compilation. Citations are to the albums I, II, III, IV, Physical Graffiti (PG), and Houses of the Holy (HotH)

20. Stairway to Heaven (IV) – yeah, I know that it has that building energy, a great Page guitar intro, it’s technically impressive. But I just ODed on it, I’m afraid. Still leaving it off the list would be an injustice. You would think it was released as a single, but oddly, only as a promo.

19. Houses of the Holy (PG). Strangely left off the Houses of the Holy album, it shows up on the next album. I find the beat seems to change on me. Something about the groove is infectious.

18. Babe, I’m Gonna Leave You (I) – starts off as a sweet song, actually, that reportedly is a paean to Joan Baez, who had recorded a version. Then moves to the more plaintive, driving sections. Back and forth – think I like the schizoid nature of the performance.

17. Celebration Day (III) – bluesy in an off-balanced manner.

16. Trampled Under Foot (PG) – lives on the funky bottom. This was released as a single and actually got to #38 in 1975.

15. Immigrant Song (III) – a slab of unrelenting metal that starts a generally more quiet and reflective album. Notably, it has no guitar solo, which allowed it to be released as a single and get up to #16 in early 1971.

14. Gallows Pole (III) – I knew this song first as performed by Leadbelly. Love the guitar, and the musical interlude.

13. Rock and Roll (IV) – actually a loud blues number, and often used as the band’s concert opener. Only got to #47 as a single in 1972.

12. The Ocean (HotH)- a great outlet for the bass/drum combo of John Paul Jones and John Bonham.

11. Black Dog (IV) – “Hey hey, mama, said the way you move, gonna make you sweat, gonna make you groove.” Went to #15 in early 1972.

10. In My Time of Dying (PG) – rather like putting church through the heavy metal grinder. At 11 minutes, their longest song

9. Whole Lotta Love (II) – a great hook, great vocals. Nicked a Willie Dixon song, which wasn’t uncommon for them. Tom Skulan of FantaCo used to describe the pronunciation of his last name from the second line of this song, “I’m gonna send ya back to schoolin'”. Their biggest single, it went to #4 in the beginning of 1970.

8. Communications Breakdown (I) – there is a guy named Lefty Brown who used to organize a mixed CD exchange. I started one of the discs with this song – this feels so urgent – followed by Barabajagal by Donovan, featuring Jeff Beck. I think they go well together.

7. The Battle of Evermore (IV) – a softer side of the group, with a mandolin (I think), which would have fit on the third album.

6. How Many More Times (I) – it’s a fascinating pastiche of rocking blues, which segues into some psychedelic thing. I remember my copy of the original LP listed the running time as 3:30, reportedly so that radio DJs would play it before realizing it was five minutes longer.

5. Kashmir (PG) – it has this exotic sound, peculiar meter, awash with strings and horns. I’ve seen this song on lists of the best LZ song, and it may well be.

4. What Is, and What Should Never Be (II) – like many of my favorite LZ songs, it changes moods, from contemplative to rocking.

3. Good Times, Bad Times (I) – the first song from the first album hooked me instantly. As a single in 1969, before the album was released, it got only to #80 on the charts.

2. Friends (III) – this is the second song on the album after Immigrant Song suggested that the group was going to have another album rather like the first two. Instead, they went into a more melodic direction which led to the album being their worst seller. But I always liked it a lot.

1. Four Sticks (IV) – the song drives about in hypnotic fashion, changing time signatures frequently, from 5/4 to 6/8 to who knows what. The lyrics are banal, but it’s the beat that hooked me.

35th Annual Kennedy Center Honors

I have four or five solo albums by Robert Plant, his duos with Page and with Alison Krauss, and even a cassette of Plant’s group The Honeydrippers.

The television program I always watch between Christmas and New Years is the Kennedy Center Honors; it is generally quite entertaining. “The Honors recipients [are] recognized for their lifetime contributions to American culture through the performing arts-whether in music, dance, theater, opera, motion pictures, or television…” The event took place on Sunday, December 2. The Gala will be broadcast on CBS on December 26, 2012, at 9:00-11:00 p.m., ET/PT.

The awardees this year are Buddy Guy, Dustin Hoffman, David Letterman, Natalia Makarova, and Led Zeppelin.

I admit not knowing much about ballerina/choreographer Natalia Makarova.

The selection of talk show host David Letterman really surprised me. I like him well enough, but his gift just didn’t seem to be at the level of many of the past selections. Maybe it’s that it seems premature; in another decade. Maybe.

Historically, the choices tend to be people such as Buddy Guy, who is a blues pioneer. He has “been a tremendous influence on virtually everyone who’s picked up an electric guitar in the last half-century, including [Eric] Clapton, the Rolling Stones, Jimi Hendrix, Jimmy Page, Slash, ZZ Top, Stevie Ray Vaughan, and John Mayer.” Here he is playing Sweet Home Chicago. I have only two or three of his albums.

Speaking of Jimmy Page, I have a LOT of albums from Led Zeppelin: the first four albums, and some others, on vinyl; a box set on CD. Additionally, I have four or five solo albums by Robert Plant, his duos with Page and with Alison Krauss, and even a cassette of Plant’s group The Honeydrippers.

It’s Dustin Hoffman, though, who, like Buddy Guy, is the archetypical selection. A LONG career with a lot of success. Hoffman movies I’ve seen:
The Graduate, 1967 – the only one I saw on video, and only in the last four years; I’ve owned the soundtrack for decades.
Midnight Cowboy, 1969 – I saw this four times in the first year or so after its release. Has one of my favorite quotes: “I’m WALKING here!”
Lenny, 1974 – much of what I first knew of Lenny Bruce, i learned from this
All the President’s Men, 1976 – the Watergate film which gave me hope about a free press since dissipated
Kramer vs. Kramer, 1979 – the first “divorce movie” I recall
Tootsie, 1982 – apparently, Hoffman was a PITA making this film, which he poured into the Michael (pre-Tootsie)character
Death of a Salesman (TV movie), 1985 – first version of this I ever saw
Rain Man, 1988 – possibly Tom cruise’s best role, plus a great soundtrack
Wag the Dog, 1997 – a faux war made plausible
Finding Neverland, 2004
I Heart Huckabees, 2004 – did not love this
Meet the Fockers, 2004
Stranger Than Fiction, 2006 – definitely the best film I’ve seen that Will Farrell made

It’s all about the music: Ride, Zombies, Thunder…

One of my daughter’s “new” favorite songs is almost a half century old. She heard it on a Glee album, so I had to play it for her by the original artist.

Sally Ride, the first American woman in space, died a couple days ago at the too-young age of 61, after battling pancreatic cancer. According to the timeline on her website, she wasn’t even able to attempt to go into space until 1977 “when NASA conducts a national search for new astronauts and, for the first time, allows women to apply.” The next year, she was “selected by NASA as an astronaut candidate — one of six women among 35 trainees chosen,” the same year she received a “Ph.D. degree in physics from Stanford University.” On June 18, 1983, she “becomes the first American woman to fly in space, when she “serves as mission specialist… aboard space shuttle Challenger.” She had a second mission aboard Challenger in 1984, and was scheduled for a third flight when the Challenger exploded in 1986, after which she was “appointed to the Presidential Commission investigating the Challenger disaster.”

Arthur gives his POV, specifically about her posthumous coming out.

The song that’s stuck in my brain is the great Wilson Pickett’s live version of Mustang Sally. As the chorus goes, “Ride, Sally, Ride.” A true American hero.
***
While I had read about this sentiment since the shootings in Aurora, Colorado, I actually heard someone in a physician’s office Tuesday morning, complaining to one of her colleagues, that neither President Obama nor Mitt Romney have said Word One about gun control. By contrast:
“Colin Ferguson snuck a handgun and 160 rounds of ammunition onto a commuter train in New York and shot more than two dozen people, killing six of them. His rampage dominated the news and stirred a national outpouring of shock and grief not unlike what we’re now seeing.

“It also prompted an immediate call from a Democratic president for a legislative response. Declaring that the epidemic of gun violence in America had ‘gotten so serious we should consider a lot of things that we haven’t done in the past,’ Bill Clinton made an explicit call for gun control on the day after the December 1993 massacre…

“Clinton’s subsequent push netted results, with the Democratic-controlled Congress passing an assault weapons ban in 1994. And just before the Long Island shootings, he’d signed the Brady Law, which mandated a five-day waiting period for the purchase of a handgun.” Unfortunately, the assault ban ran out in 2004, and the idea of bringing it back does not seem to be in the political wind.

The song that popped into my head is Lawyers, Guns, and Money by Warren Zevon; here’s the less-radio friendly version.
***
From yesterday’s Los Angeles Times: “Sherman Hemsley, best known for playing George Jefferson on… “All in the Family” and its spinoff “The Jeffersons,” has died. Hemsley was 74…”The Jeffersons,” which ran on CBS from 1975 to 1985, was the first series about an upscale African American couple in prime time… Hemsley earned Emmy and Golden Globe nominations for his role as the irascible business owner.”

Wasn’t always a fan of the show, but always LOVED the Jeffersons theme, which told the narrative of the series in an entertaining way.

We had a very busy weekend. So I was quite tired Monday night, and went to bed at the amazingly early hour (for me) of 10 p.m. Then at about 11 p.m., the Wife and I heard incredible thunder, and saw lightning so bright, it lit up the room, even with the shades down and my back to the window; it went on for 15 or 20 minutes, yet the Daughter slept right through it. Lightning Strikes by Lou Christie popped into my head, though if I could have found a version by the Albany band Blotto beyond this snippet, I would have gone that route.

A very talented young cellist at my church belongs to some cello consortium. They will be playing, I learned from one of my fellow parishioners, the song Kashmir. I got the distinct impression that most of them had no idea what tune that was. It’s a song by Led Zeppelin, originally on the Physical Graffiti album, and sounds like THIS.

Speaking of Zeppelin, here’s a cover of the song The Ocean (track #8) by Kurt Hoffman’s Band of Weeds, which I own on a 4-song EP from Hello Records, which I happened upon in my collection.
***
Also from yesterday’s LA Times: “Apple reported disappointing third-quarter results today that caused its stock price to plunge in after-hours trading. The technology giant said profit rose 21% to $8.8 billion on revenue of $35 billion, up 22% year over year. The results were less than what analysts had expected. Shares plummeted in after-hours trading, falling $34, or nearly 6%, to $566.78.” A 21% profit means falling stock prices.

The song: Oscillations by Silver Apples, from 1968, which I own on vinyl.
***
One of my daughter’s “new” favorite songs is almost a half-century old. She heard it on a Glee album, so I had to play it for her by the original artist. It is She’s Not There, the first single by the British group The Zombies, which went to #12 in the UK and #2 on the US Billboard charts and in Canada. “Rolling Stone magazine ranked “She’s Not There” No. 297 on their list of the 500 Greatest Songs of All Time.” I love it because the harmony vocals in the chorus keep changing the song from the major to the minor mode. It was famously covered by Vanilla Fudge, which doesn’t sound like the Glee version at all.

After the Zombies broke up, Rod Argent formed a group called Argent, which had a big hit in 1972 with Hold Your Head Up, which I’m TRYING to do, because I’m still a bit fatigued.

Making Music, Literally

It’s just my pushback against W.W.C.T.G.Y.T.B.N.C.O.S.Y.A.O. – the World Wide Conspiracy To Get You To Buy New Copies Of Stuff You Already Own.

I used to occasionally buy music from Amazon. But since I canceled my Amazon credit card – because the issuing bank was going to slap on some minimum payment every month even if I had no balance – thus denying me access to some Amazon points I’d get from purchasing from them, I’ve been less inclined.

Still, I occasionally need new music. Or music that is new again to me. I have a bunch of LPs in the attic I cannot access because the area is under long-delayed refurbishing, including insulating.

The thing to do: go to the library, take out albums I already have on vinyl, copy them, then listen to them. Understand that I have absolutely no guilt about doing this.

I have purchased the music; I still have the music in my possession. It’s just my pushback against W.W.C.T.G.Y.T.B.N.C.O.S.Y.A.O. – the World Wide Conspiracy To Get You To Buy New Copies Of Stuff You Already Own.

These are some of the albums I’ve checked out, and copied, recently:

Pinups – David Bowie. This is an album of covers of songs made noteworthy by the Who, the Yardbirds, the Pretty Things and more. LISTEN to Friday On My Mind, originally done by the Easybeats.

Diver Down – Van Halen. The only VH I ever owned, it shares a common song with Pinups: Where Have All the Good Times Gone? , a Kinks song. It also features Dancing in the Street and the Roy Rogers theme, Happy Trails. LISTEN to Big Bad Bill (is Sweet William Now), a song from 1924.

Everybody Knows This Is Nowhere – Neil Young. Two very long songs dominate this album. But LISTEN to the minor hit single Cinnamon Girl.

Fresh Cream – Cream. The debut album from the group featuring Jack Bruce, Eric Clapton and Ginger Baker. LISTEN to I’m So Glad, a Skip James blues tune from the 1930s; they would perform this live to greater effect on the Goodbye album.

Greetings from Asbury Park, N.J. – Bruce Springsteen. Oddly, I couldn’t find any studio recordings on YouTube from this album except a couple that were lousy recordings. I was planning on using Blinded by the Light, which was covered successfully by Manfred Mann.

Led Zeppelin III. Always liked this largely acoustic album with songs such as Friends and Tangerine. LISTEN to Gallows Pole, a cover of a Leadbelly song.

Q: Are we not men? A: We Are Devo!-Devo. This is the premiere album of the group, which featured Mongoloid, Uncontrollable Urge, and functionally, the title song, Jocko Homo. LISTEN to (I Can’t Get No) Satisfaction, a cover of the big Rolling Stones hit.

Legalize It – Peter Tosh. LISTEN to the title track of the 1975 reggae album by one of the seminal figures in the genre.

Songs for Beginners – Graham Nash. Nash’s first solo albums, after his time with the Hollies and while he was still with Crosby, Stills, and (sometimes) Young. LISTEN to Chicago/We Can Change the World, which has hints of sounding quite current.

Z is for (Led) Zeppelin 1969

The Dixon composition was so similar that Led Zeppelin reached a settlement with Dixon over the royalties for the song, and credited Dixon as the writer when this appeared on Led Zeppelin’s How The West Was Won live DVD

I have such mixed feelings about the band Led Zeppelin.

Their eponymous first album I loved. I recall quite clearly the day I first heard it. It was a sunny and warm day in late May or early June 1969, when I was 16.

I was riding a borrowed bicycle and was riding over from the First Ward to the South Side of Binghamton, NY, along with my very good friend Carol, to visit friends. The bike had hand breaks, which I had never had on any of my bikes; one “broke” by putting one’s foot back. Got down Front Street without having to slow down, but crossing the bridge, I was gaining on Carol, and couldn’t stop, so I put my foot to the ground to slow down, flipped the bike, and crashed to the ground. I got a nasty gash on my right forearm. Carol said, “Are you OK?” and I lied, “Sure.” And that’s when I learned about hand breaks.

We rode the rest of the way, talked with our friends, had some food, and someone played that LZ album. I was immediately entranced by the opening chords of Good Times, Bad Times.

Then my friend Lois noticed the gash on my right forearm, just above the elbow, and she, Carol and Karen started removing gravel from the abrasion. It hurt, a lot actually, and left a scar that remained until the vitiligo obliterated it only a couple years ago. But it didn’t matter, because I’m really enjoying this music. My first favorite song was Communications Breakdown.

When I bought the album shortly therafter, I noticed it had two songs by the blues legend Willie Dixon, You Shook Me and I Can’t Quit You Baby, and attributed as such. The biggest deception was the 3:30 running time for How Many More Times, which was more like 8:30, apparently a trick to try to get radio stations to play it.

Led Zeppelin II was even more entertaining, but ultimately it became problematic for me. The first song, Whole Lotta Love was attributed to the band, Jimmy Page, Robert Plant, John Paul Jones, and John Bonham. But I discovered a few years later that it bore a distinct similarity to You Need Love as performed by Muddy Waters, which was a song written by Willie Dixon. As described here, the Small Faces had nicked the song even before Zeppelin.

“Another blues classic on Led Zeppelin II became famous as The Lemon Song. Derived directly from Howlin’ Wolf’s “Killing Floor”, there is also the infamous quote about squeezing lemons that comes from Robert Johnson’s “Traveling Riverside Blues.” Chester Burnett, a.k.a. Howlin’ Wolf, received no credit for The Lemon Song. In the early ’70s, Arc Music sued Led Zeppelin for copyright infringement. The suit was settled out of court.

But the most egregious theft, I thought, was Bring It On Home. As described here: This was influenced by a song of the same name recorded by Blues great Sonny Boy Williamson and written by Willie Dixon. The Dixon composition was so similar that Led Zeppelin reached a settlement with Dixon over the royalties for the song, and credited Dixon as the writer when this appeared on Led Zeppelin’s How The West Was Won live DVD. Plant’s beginning vocal even imitates Williamson’s.

I just don’t understand the need for misattribution. Yet, which album did I ultimately buy on CD? You guessed it: LZ II.

I have other Zeppelin albums, but that’s enough for now, except for this
Republican congressman quoting the group on the floor of Congress. Oy.