Lenten music Friday: Leonard Bernstein’s Mass

Was Leonard Bernstein’s Mass a “brilliant failure”?

leonard.bernsteinIt started with an e-mail I sent to Dustbury about some guy complaining that a piece of sacred music that sounds like the theme of My Little Pony; Dustbury wrote about this. He then replied to me, “I imagine he also didn’t like Leonard Bernstein’s 1971 Mass, and especially this [LISTEN].

I agreed that the original writer was unnecessarily fussy. “He probably hates the mass in the vernacular. But the church has tried to be with it.” Saint Thomas of Lehrer, e.g. [LISTEN].

But that taste of Bernstein’s Mass made me have to LISTEN to the whole Mass. (The version of the excerpted bit above starts at 55:00.) It is fascinating, strange.

Someone told me recently that the Mass was a “brilliant failure.” I’m not sure I LIKE it, exactly/entirely, and I’d be hard-pressed to sit through the whole thing in one sitting because a little of it sometimes goes a long way. But as Dustbury noted: “Even a revised ritual is still a ritual.”

Those televised Young People’s Concerts for CBS-TV, conducted by Bernstein, were huge for my appreciation of classical music when I was growing up. And, of course, I adore West Side Story. I have a lion named Lenny, whose mane reminds me of the late conductor’s hair.

One last thing: the full Mass is part of something called the Proms. I would have had no idea what that meant except that I had read something from Melanie on that very topic, that she listens to them on BBC Radio.

J for Jewish History Museum

 

I saw a segment on CBS Sunday Morning earlier this year about the National Museum of American Jewish History, which opened in November 2010. I was unfamiliar with the facility, but I assumed it was somewhere in New York; I assumed incorrectly.

It is in fact located in Philadelphia, not far from Independence Hall. This was deliberate, a reflection of, initially, a “tiny minority [who] sought, defended, and tested freedom—in political affairs, in relations with Christian neighbors, and in their own understanding of what it meant to be Jewish.” Then “the migration of millions of immigrants who came to the United States beginning in the late 19th century and who profoundly reshaped the American Jewish community and the nation as a whole.”
“On the Museum’s first floor, the Only in America® Gallery/Hall of Fame illustrates the choices, challenges, and opportunities eighteen Jewish Americans encountered on their path to remarkable achievement.”

The first eighteen individuals to be featured in the Only in America® Gallery/Hall of Fame are:
Irving Berlin
Leonard Bernstein
Louis Brandeis
Albert Einstein
Mordecai Kaplan
Sandy Koufax
Esteé Lauder
Emma Lazarus
Isaac Leeser
Golda Meir
Jonas Salk
Menachem Mendel Schneerson
Rose Schneiderman
Isaac Bashevis Singer
Steven Spielberg
Barbra Streisand
Henrietta Szold
Isaac Mayer Wise

How many of the 18 can you identify? I knew 12.

And for no particular reason, here are:
America from West Side Story
There’s No Business Like Show Business, sung by Ethel Merman
A pivotal scene from Close Encounters of the Third Kind
Give Me Your Tired, Your Poor


ABC Wednesday – Round 9

Ramblin' with Roger
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