Lionel Richie Archives - Ramblin' with Roger

Songs: All Night Long

or All Nite Long

In response to a query, I’ve checked Joel Whitburn’s Top Pop Singles, 1955-2018, and discovered several songs entitled All Night Long, which are not covers but are said to be distinctly different. I found two more in Whitburn’s Pop Memories, 1890-1954.

I’ve never heard of most of them.

Ada Jones and Billy Murray, #7 in 1913

Faith Evans, #9 in 1999, was also #3 RB for two weeks. The track features Puff Daddy and samples “I Hear Music In The Streets” by Unlimited Touch.

Joe Walsh, #19 in 1980

Rusty Bryant, #25 in 1954; “This rockin’ ‘live’-sounding performance of the famous Jimmy Forrest tune by jazz saxman Bryant was first issued in 1953 on the Carolyn label under the title ‘Nite Train,’ but was later picked up by Dot and retitled ‘All Nite Long’ for their 1954 reissue.” This song is familiar.

Sandy Nelson, #75 in 1962. Also familiar.

Billy Squier, #75 in 1984. Co-produced by Jim Steinman

Jo Stafford, #99 in 1956

Mary Jane Girls, #101 in 1983

Rainbow, #110 in 1980

Demi Lovato, #124 in 2011

Jerry Lee Lewis, classic in 1957

Motown

The best-known version is more accurately called All Night Long (All Night)

Lionel Richie, #1 in 1983. It went from #14 to #7 on October 15, then to #5, #3, and #2. Then, it switched places with Islands In The Stream by Kenny Rogers and Dolly Parton on November 12, staying at #1 until it was supplanted by Say Say Say by Paul McCartney and Michael Jackson. It remained in the Top 10 through the January 7, 1984 charts.

Arthur wrote about this song last year, from which I shall purloin the following:

“The official music video was produced by Mike Nesmith (formerly of The Monkees and an extensive solo career.) It was directed by American film director Bob Rafelson who was also a creator of The Monkees TV series….

“All Night Long (All Night)” reached Number One in Australia, Number One in Canada (Platinum), 4 in New Zealand, 2 in the UK (Platinum), and Number One on the USA’s “Billboard Hot 100” [for four weeks], “Hot Black Singles” [for seven weeks], and “Adult Contemporary” [for four weeks] charts, as well as Number One on Cash Box “Top 100”; it was certified Gold in the USA.

Then there is the spelling variation on the theme, All Nite Long, none of which received much chart action on the pop, country, RB, or AC charts.

Billy Vaughn, #102 in 1959. This IS the same tune as the Rusty Bryant song!

Robert Parker, #113 in 1959

A.L.T., #121 in 1994 – parental advisory

There are also at least four songs called All Night, an All Nite, and an All Nite (Don’t Stop).

Rock Hall noms – who to pick?

Sweet Dreams Are Made of This

The Rock Hall noms popped up on my email feed recently. While I was pleased with many picks on last year’s ballot, I’m unclear which five to pick this time. Here’s music from each nominee. The top five finishers in the popular tally collectively receive a vote.

Beck (first-time nominee) – worthy, and I have a couple of his albums thanks to a certain party, but I’ll not vote for him because he’s newer to the music scene than some of the other nominees.

Pat Benatar – I don’t think I have any of her albums. Actually, I was won over by this CBS Sunday Morning interview that highlighted both her accomplishments and her “I don’t care” attitude. It’s also a love story with Neil Giraldo, dubbed Rock’s Romeo and Juliet, except that they’re very much alive and well.

Kate Bush – surely I don’t know enough about her body of work, though I own one of her albums.

DEVO – I voted for them last year, and I’m doing it again, at least in part because of the subsequent body of work of the brothers Mothersbaugh, Mark and Bob. I have at least four of their albums.

Duran Duran (first-time nominee) – worthy, I suppose, though I own none of their music.

Eminem (first-time nominee, first-year eligible) – clearly worthy, though I own none of his music; too new to pick. But he’ll probably get in.

Eurythmics – an easy yes, for them and for Annie Lennox’s solo stuff too, which I own, and maybe for her art.

Judas Priest – not my cuppa, but I hear they’re good.

Who the heck was Fela Kuti?

Fela Kuti – a massive international star. “Fela Aníkúlápó Kuti also known as Abami Eda, was a Nigerian multi-instrumentalist, bandleader, composer, political activist, and Pan-Africanist.” He “died on 3 August 1997, in Lagos, at the age of 58, from complications related to AIDS.” I may not have heard of him before 2009 or so, when Fela! the musical was on Broadway. Last year, his fan base came out to vote and he ended up second in the fan vote to Tima Turner.

MC5 – I like them, have one or two of their albums.

New York Dolls – ditto.

Dolly Parton (first-time nominee) – damn, I’m hoping that she gets picked for musical excellence for her impact on the industry, for which she is utterly worthy. I bought the complete Trio albums just last year.

Rage Against The Machine – significant, not just musically, but socially; have none of their work.

Lionel Richie (first-time nominee) – I ended up voting for him, as a member of the Commodores and as a songwriter; if he got picked in the musical excellence category, that’d be fine by me. I have a Commodores’ greatest hits CD.

Carly Simon (first-time nominee) – yeah, yeah, not rock, which is true of at half of the nominees. I’m a big fan, and I have maybe a half dozen albums.

A Tribe Called Quest (first-time nominee) – Hugely significant, though I don’t own their music.

Dionne Warwick – I love her body of work and have at least two of her albums.

The easy picks for me were Benatar, DEVO, and Eurythmics. EVERYBODY else except Beck, Bush, Eminem, and Judas Priest were on my “I’d consider them.” Ultimately, I picked Richie and rotated the fifth vote.

YOU can vote for your favorites here daily until April 29th.

Singer Lionel Richie turns 70

He has sold over 90 million records worldwide

Lionel Richie grew up on the campus of Tuskegee Institute where his grandfather worked. He attended the Alabama school on a tennis scholarship.

I knew him initially as a member of the soul group the Commodores. Early on, their songs were quite danceable. But eventually, Richie wrote and sang more sometimes syrupy ballads. It was probably inevitable that he’d become a solo artist in 1982, and he became even more commercially successful.

“Over the course of his musical career, Richie has sold over 90 million records worldwide, making him one of the world’s best-selling artists of all time. He has won four Grammy Awards including Song of the Year in 1985 for ‘We Are the World’ which he co-wrote with Michael Jackson…”

He composed “Lady” for Kenny Rogers, which hit #1 pop and CW in 1980 and he wrote and produced “Missing You” for Diana Ross (#10 Pop, #1 RB) in 1984.

“In 2016, Richie received the Songwriters Hall of Fame’s highest honor, the Johnny Mercer Award.” He received one of the Kennedy Center Honors in 2017, which he threatened to boycott if the White House resident attended.

I haven’t watched American Idol for over a dozen years. Yet I’m oddly pleased that he has been one of the judges for the past couple seasons. He is still touring; his “epic 33-date Hello Tour across North America” started May 10th and runs through August.”

Lionel Richie turns 70 on June 20.

Commodores

Brick House – #5 pop, #4 RB in 1977
Easy – #4 pop, #1 RB in 1977
Three Times A Lady – #1 pop AND RB for two weeks in 1978

Solo

Endless Love, with Diana Ross – #1 for nine weeks pop, #1 for seven weeks RB in 1981
All Night Long – #1 for four weeks pop, #1 for seven weeks RB in 1983
Hello – #1 for two weeks pop, #1 for three weeks RB in 1984
Say You, Say Me – #1 for four weeks pop, #1 for two weeks RB in 1985, won the Oscar for Best Song, from the movie White Nights
Dancing on the Ceiling – #2 for two weeks pop, #6 RB in 1986

Plus

We Are The World – USA for Africa, #1 for four weeks pop, #1 for two weeks RB in 1985, sold over four million copies in the US

TD Ameritrade TV Commercial, ‘All Evening Long’

His official website

(RB – soul/rhythm and blues; CW – country; stats from US Billboard charts)

Kennedy Center Honors: Lear, Estefan, Richie…

The Kennedy Center Honors, which took place on Sunday, December 3, will be aired on CBS-TV on Tuesday, December 26 from 9-11 p.m., EST.

When the announcement of this year’s Kennedy Center Honors were first announced, I was afraid it might not take place at all. When Kennedy Center President Deborah Rutter called [Norman] Lear a few months ago to tell him about his selection, “Lear said he’d be thrilled to have it (at last!)”

But the television pioneer “just couldn’t abide the idea of standing in the White House shaking Trump’s hand. Days after the Kennedy Center announced this year’s honorees, Lear told reporters that he would boycott parts of the event.”

As it turned out, on August 19, 2017, “the White House announced that the President of the United States and the First Lady will not participate in 2017 Kennedy Center Honors activities.” The KCH reps were “grateful for this gesture.”

Norman Lear is the honoree I’m most familiar with. He was the creator and producer of several successful and groundbreaking TV sitcoms in the 1970s including All in the Family, Maude, Good Times, The Jeffersons, Sanford and Son, and Mary Hartman, Mary Hartman, all of which I watched for most or all of their runs. And, at 95 he’s STILL working, putting out a new version of One Day at a Time, this iteration with a Hispanic cast.

I did not recognize the name Carmen de Lavallade, but I am quite familiar with two of her cohorts. She “is a multifaceted dancer, choreographer, actor, and teacher… De Lavallade brought [the late] Alvin Ailey to the studio for his first ballet class, which began a long career of collaboration between the two dance world giants.” Her late husband Geoffrey Holder “would choreograph works for [her], including her signature solo Come Sunday.” Here’s a recent profile of her on CBS Sunday Morning.

Lionel Richie has been a massively successful singer-songwriter, first with the group The Commodores (Easy, Brick House, Three Times a Lady) then as a solo artist (Truly, All Night Long, Hello). His duet with Diana Ross, Endless Love, spent nine weeks at #1 on the Billboard charts in 1981. He wrote Lady for Kenny Rogers, which reached #1 in 1980, and co-wrote the benefit single We Are the World in 1985. Richie was a staple on MTV in its early days.

In 2018, my wife and I will be seeing the musical On Your Feet at Proctors Theatre in Schenectady about the lives of Gloria Estefan and her husband Emilio. Their group, the Miami Sound Machine, was big in Latin America but took a bit longer to break into the US market. When the band recording more in English, they started charting with won radio DJs over, and had massive success with songs like Conga!, Anything for You, 1–2–3, and Bad Boy. Theirs is a story of Cuban immigrants who “brought a Latin-infused sound to the American mainstream.”

I was a little surprised to see LL Cool J on the list. It’s not that he hasn’t been enormously successful as a hip hop artist that has crossed over to the mainstream with songs like Around the Way Girl, Hey Lover, Doin It, Luv U Better and Control Myself. It’s that his name doesn’t usually pop up on the list of the best or most influential hip-hop artists. Still, he has segued that musical success into a thriving acting career. He currently appears on NCIS: Los Angeles, which I must admit I’ve never seen.

The Kennedy Center Honors, which took place on Sunday, December 3, will be aired on CBS-TV on Tuesday, December 26 from 9-11 p.m., EST.