Marvel Comics Archives - Ramblin' with Roger

Julyish rambling: in search of meaning

That’s Life

HTETEOTW Chapter 3: Energy, Complexity, and Civilization

Inflation: Last Week Tonight with John Oliver

Pope apologizes for ‘catastrophic’ school policy in Canada

As Monkeypox Spreads, US Vaccine Access Is Pitifully Inadequate

How Much Household Income Is Required To Be Considered ‘Rich’ In These US Cities

Journalists Sense Turmoil in Their Industry Amid Continued Passion for Their Work

Five journalists covering the Internet in search of meaning, not viral trends

When Mixology Meets Medicine

LIVE: Around the World Cams / Beautiful Earth Webcam

The story we tell ourselves about today’s Stars and Stripes is a lie. The truth is much stranger.

John Green: Has this artist ever seen a baby?

Now I Know: The Herd Mentality That’s Actually Rather Democratic, and Maybe Monday Should Still Be the Weekend and The World Record That Will Definitely Stick and Hungry Hungry Hero Dog?

Defending democracy

Trump doesn’t have a side of the 1-6 story; there is no ambiguity

The Jan. 6 Hearings Utterly Embarrassed Trump and All Involved. The final January 6 hearing of the summer spotlighted Trump and allies like Kevin McCarthy and fist-pumper to fleeing coward Josh Hawley. It should serve as a reminder of their humiliating but dangerous thirst for power.

Mark Leibovich’s new book, Thank You For Your Servitude, pillories a party whose leaders remain (at least publicly) in the 45th president’s thrall. e.g., Elise Stefanik Attacks NYS Department of Education

The Secret Service Has Managed to Locate Only One Coup-Related Text Message

If Trump Wins in 2024, Christian Nationalism – which MTG has suggested for the GOP – Could Reign Supreme in Government. Also,
Authoritarianism 101: Trump Plot to Purge Civil Servants If Reelected Draws Alarm – “Do not underestimate the destruction this will cause”

Roberts’s Attempt to Keep “Roe” Intact Fell Apart After Alito’s Draft Leaked

Matt Birk (R-MN) Warns Abortion Leads to Women Having Careers and Claims Pro-choice Advocates Are Always Playing “the Rape Card”

“Pro-Life” Idaho Republicans Declare Women Should Be Left to Die to Save Fetuses

Primala Jayapal Shares Her Own Abortion Story — and Why Abortion Rights Are Vital

Why did Republicans vote against legal condom use?

Screenshot_of_Tweet_January_6_Audio_Clip

That’s Entertainment

Comic-Con 2022 Trailers

Marvel’s Movie Math: Comic Creators Claim It’s “Bait and Switch” On Payments

Kennedy Center Honors Will Fete George Clooney, Gladys Knight, and U2

Whatever happened to Sandy Duncan?

Discover the late Peg Lynch, a woman who, in the early days of television, wrote 11,000 scripts and starred in her own TV network hit sitcom for six years

Emma Allen, the New Yorker cartoon editor, makes history as the youngest and first woman in the role

Permanent JEOPARDY hosts and second chance contestants

How I Became the Fake Tom Cruise

There was a CBS-TV series called That’s Life (2000-2002) about “Lydia DeLucca, a 30-something, a blue-collar underdog who turns her life upside down when she ditches the guy she’s about to marry and goes back to college. Now, Lydia must juggle her classes, work, family, and friends, all the while trying to make ends meet.” I watched it because of Ellen Burstyn and Paul Sorvino, who played Lydia’s parents. Sorvino died at the age of 83.

Burt Metcalfe, Producer on Every Season of ‘MAS*H,’ Dies at 87

Mary Alice, Actress in ‘A Different World, I’ll Fly Away, Sparkle, and much more, dies at 85

Alan Grant, Legendary Batman, Lobo, Judge Dredd Writer, Has Died

Actor David Warner has died

Aaron Latham, Screenwriter, Journalist Dies at 78. Husband of CBS News’s Lesley Stahl

Taurean Blacque, Det. Neal Washington on Hill Street Blues, Dies at 82

MUSIC

There’s a guy named Maxwell Frost (D-FL) running for Congress. Every time I see his name, I think of this song by Mann and Weil

Coverville 1407: Cover Stories for Imagine Dragons and Joan Osborne and a Fast Times Tribute and Coverville 1408: The Don Henley Cover Story

Jan A.P. Kaczmarek’s score to Finding Neverland

Audra McDonald sings Climb Ev’ry Mountain from the 2013 televised version of The Sound of Music

Playing for Change: King Clave featuring Mickey Hart

All That Jazz – Bob Fosse Tribute, with scenes from Chicago, Cabaret, and Sweet Charity

Celluloid Heroes – Blackmore’s Night

We Both Reached For The Gun from the show Chicago in Korean

The Music Man with a partially deaf cast

Joni Mitchell Surprises Fans With Her First Full Concert In Nearly 20 Years

The “good death” of Carl Reiner

Denny O’Neil, David Mazzucchelli, and me

**It appears that Carl Reiner had a good death on June 29. The 98-year-old was productive and vital until the very end.**

This is very clear as I was watching If You’re Not In the Obit, Eat Breakfast, the 2017 documentary for which Reiner was nominated for an Emmy. I caught it on July 3.

He “tracks down several nonagenarians [and older] to show how the twilight years can be rewarding.” The participants included Fyvush Finkel, who died before the release; the recently deceased Kirk Douglas; Betty White; Dick Van Dyke, with his much younger wife Arlene; Norman Lear; and naturally, his friend of 70 years, Mel Brooks. Here’s the preview.

I’m pleased to note that my daughter has watched all five seasons of The Dick Van Dyke Show, which Carl Reiner created, and which I love. Of course, he played the irritable TV star, Alan Brady, as well as the budding English anti-existentialist Yale Sampson, and several other annoying characters.

Not like his characters

But as Mark Evanier noted: “Carl Reiner was the friendliest, most talented person in show business… He was a guy I admired not just for his fine work as a writer, producer, director, and performer but for just the way he was as a person. Every time I was around him, he was an absolute delight – funny, engaging, willing to talk with anyone about anything. He was just what you’d want an idol to be. He was a role model for how to be truly successful and sane in show business.”

Yes, Carl Reiner was an actor (Ocean’s 11 franchise, Hot in Cleveland) and director (Oh, God; The Jerk; All of Me). But mostly he was a writer, going back to 1950s television, with Sid Caesar and Dinah Shore. He co-wrote and directed Dead Men Don’t Wear Plaid (1982) and The Man with Two Brains (1983).

I had wished he would have been selected for the Kennedy Center Honors, like his friends Mel Brooks had been in 2009 and Norman Lear in 2017. It may be that he was underappreciated as the straight man, such as the interviewer of Brooks’ 2000 Year Old Man.

Other recent deaths of note

Dennis O’Neil, who died June 11, was a comic writer who I admired greatly. His Green Lantern/Green Arrow with Neal Adams made the book relevant. He also did work on Iron Man and The Amazing Spider-Man.

Somewhere in my possession is a photo of O’Neil, David Mazzucchelli, Augustus Manly (Matt at the time), me, and a fifth person at the comic book store FantaCo in Albany. Denny and David were working on Daredevil at the time, so this had to be 1984 or 1985. He was quite pleasant, but I might have been a bit awestruck.

Hugh Downs, who passed away on July 1, was a constant presence in my television watching the last third of the 20th century. He hosted the game show Concentration (1958-1968), which BTW I was very bad at. Downs also co-hosted The Today Show (1962-1971).

With Barbara Walters, he co-hosted the news show 20/20 from 1978 until his retirement in 1999. In 1984, “he was certified by the Guinness World Records as holding the record for the greatest number of hours on network commercial television (15,188 hours).”

The reference to the “good death”, incidentally, comes from Paul McCartney explaining the song The End of the End from his 2007 album Memory Almost Full.

Joltin’ Joe Sinnott (1926-2020)

the greatest inker for Marvel Comics

I was working the front counter of the FantaCo comic book store in Albany on November 2, 1982. Joe Sinnott had driven the 45 miles from Saugerties to buy 10 copies of Life of the Pope, John Paul II, which he had inked. He wanted to have copies to give to family and friends.

I’m sure we gave him a deep discount. But I wish I could have just given them to him. It’s because, as everyone who has written about him has noted, he was the sweetest man in the comic book business. In fact, he might have been the kindest person I’ve known, period.

Joe, as most comic fans know, was the primary inker for Jack “King” Kirby on the Fantastic Four. Read this quote from Joe’s Wikipedia page. “Sinnott was a master craftsman, fiercely proud of the effort and meticulous detail he put into his work. That slick, stylized layer of India ink that Sinnott painted over Kirby’s pencils finished Jack’s work in a way that no other inker ever would. Comic fans had never witnessed art this strange and powerful in its scope and strength.”

However, Joe worked on a multitude of titles, before, during, and after his stint on the FF, including Thor, Silver Surfer, The Avengers, and the Defenders. He “retired” from full-time work for Marvel in 1992 but inked the Spider-Man newspaper feature until 2019.

Pettigrew for President

On my occasional treks to the Albany Comic-Con, I’d always stop by Joe’s table and talk with him. Or try. The line to see him was always the longest in the place.

As I noted in 2017, my friend Mark got the chance to meet Joe. Mark also discovered a fairly obscure Sinnott credit. “A bi-monthly comic book called the Treasure Chest of Fun & Fact was distributed in Catholic parochial schools. The Treasure Chest was intended as a remedy to the sensationalism of traditional comics.”

Joe Sinnott died this month. Mark Evanier shares his history, but also what a swell guy he was. Check out Joe’s official page for photos, samples of his art, and more.

I’m mentioned in Kirby & Lee: Stuf’ Said!

Jack Kirby expressed his dismay to the interviewer over Marvel’s uncompensated reuse of his Fantastic Four animation storyboards to make a ‘new’ Lee/Kirby story in Fantastic Four #236.”

Stuf' Said My friend Rocco, who is as responsible for me blogging – he told me about Fred Hembeck’s blog – emailed me recently. “I am reading the new book titles Stuf’ Said! about Jack and Stan. They quote you from FF Chronicle. The book is great.”

Huh, what? There is something called Jack Kirby Collector. Number 75 is a double-sized publication called Kirby & Lee: Stuf’ Said! “The complex genesis of the Marvel Universe, in its creators’ own words.”

Here’s an early paragraph: “As the 1960s wore on, Jack was doing more of the work via the ‘Marvel method,’ where the ‘artist’ was responsible for much/most/all of the plotting and pacing of the stories, while the ‘writer’ concentrated on the words in the caption boxes and balloons, after the drawn pages were completed and the story totally fleshed out.

“But Kirby was seeing [the late Stan] Lee get most of the credit – and since Lee was the editor, he had final say in masking changes to Kirby’s stories, even tales he had minimal or no involvement with from the outset. It lead to irreconcilable differences between them…”

In 1981, FantaCo put out a magazine called the X-Men Chronicles; I edited the 32-page magazine, even though I had never undertaken such a project. It was successful, selling out of 50,000 copies.

Apparently, Marvel Comics was suitably impressed and allowed FantaCo to use its logo, for free, on the next two titles, about the Fantastic Four, edited by me, and Daredevil, edited by Mitch Cohn.

I had called Jack Kirby in California and THOUGHT he understood that I wanted to do an interview with him about his Fantastic Four participation. We pitched the titles to the distributors and highlighted the Kirby coup. At the time, there were several companies to solicit, including Seagate (Brooklyn) and Capital City (Madison, WI), not just Diamond.
However, when I sent the questions, he declined to respond to a number of them, so I came up with alternate queries. He DID mention the FF. From Stuf’ Said: (p. 130): “He also expressed his dismay to the interviewer over Marvel’s uncompensated reuse of his Fantastic Four animation storyboards to make a ‘new’ Lee/Kirby story in Fantastic Four #236.”

From my interview: “The trouble is that ‘Marvel wants it all.’ It worked that way in the past. But we would like to see a more equitable future where deals can be worked out to the benefit of all who work for sales.”

I had a Kirby interview but clearly not what I expected. FantaCo had two options: use the interview, or dump it. The latter would certainly mean we would have to resolicit FF Chronicles. AND it would also have an effect on the Daredevil collection, since they were being printed two up.

We obviously took the former path, printing 80,000 of FF and 90,000 of DD. A few days after they were back from the printer, the phone rang, and Mitch Cohn answered it. It was a profanity-laden tirade from Marvel editor Jim Shooter saying, essentially or possibly literally, “WTF were you thinking?”

He threatened to have Marvel sue FantaCo – which didn’t happen – and they revoked our use of Marvel logo, which was fine by us. So I spent $17 just to read “‘Questions and Answers with Jack Kirby, Version Two,’ interview by Roger Green.”

Movie review: Black Panther

Its actors, its costume design, its music, and countless other facets of the film are drawn from all over the continent and its diaspora.

Has ANYONE seen the movie Black Panther for the first time in a theater later than I? Taking off a day from work, I finally trekked out to the Regal Cinema in Colonie Center, near Albany on April 30, three days after the new Avengers movie, Infinity War opened.

I so seldom go to the mainline theaters that I had forgotten how many commercials there were, BEFORE the seven movie trailers, including for the aforementioned Avengers film.

Seeing it so late, after it had recorded $688 million domestically and $645 million overseas, I’m not sure what I’d add to what my friend Alan David Doane wrote: “Millions of African-Americans and others… found in the recent Black Panther film an inspirational culture in which they could see themselves and their own history.”

I will say that I spent time collecting articles that remained unread until after I saw the film. Check out a couple articles from Medium, 5 Lessons from Black Panther That Can Save Our Lives — and Transform Black Politics and Why ‘Black Panther’ Is a Defining Moment for Black America. From the latter: “Ryan Coogler’s film is a vivid re-imagination of something black Americans have cherished for centuries — Africa as a dream of our wholeness, greatness and self-realization.”

So naturally, when black people are feeling that, as Democracy for America put it, the flick is “a refreshing reminder of the power of representation in media,” some other folks feel somehow threatened. I mentioned this some weeks ago, and people seemed genuinely surprised; they don’t read enough right-wing literature.

I highly recommend reading The Tragedy of Erik Killmonger. The article contains major spoilers, none of which I will post here.

“Black Panther is a love letter to people of African descent all over the world. Its actors, its costume design, its music, and countless other facets of the film are drawn from all over the continent and its diaspora, in a science-fiction celebration of the imaginary country of Wakanda, a high-tech utopia that is a fictive manifestation of African potential unfettered by slavery and colonialism.

“But it is first and foremost an African American love letter, and as such it is consumed with The Void, the psychic and cultural wound caused by the Trans-Atlantic slave trade, the loss of life, culture, language, and history that could never be restored.”

The subtitle of the Atlantic article is: “The revolutionary ideals of Black Panther’s profound and complex villain have been twisted into a desire for hegemony.” That’s how certain people, certainly not I, chose to view it.

I am hoping that, even though it came out with a the non-prestige February release date, it gets some Oscar love. As others have noted, Michael B. Jordan as Killmonger (Creed), and the lead women, may have more screen charisma than Chadwick Boseman (42) as the title character, T’Challa.

Before Black Panther, I had seen only one Marvel Cinematic Universe movie since 2011, Ant-Man (2015). Seems that I probably need to catch up at some point.