Mary Wilson Archives - Ramblin' with Roger

The obscure Supremes albums

inroads

I started thinking about the obscure Supremes albums partly because Diana Ross is turning 80 on March 26, and the late Mary Wilson would have turned 80 on March 6.

By obscure, I mean the albums that didn’t contain the hits. These recordings, at least early on, were designed to showcase the broad commercial range of the group. Yet some of the LPs did well.

I used to own many of them before they were stolen from my grandmother’s house c. 1972.

Meet The Supremes (1962) – this was obscure because they weren’t that popular yet. I didn’t buy it until after the reissue cover was used in 1965. Your Heart Belongs To Me. Did not chart pop or RB.

Where Did Our Love Go (1964) – NOT obscure, as it had three #1 hits. #2 for four weeks pop, #1 RB.

A Bit of Liverpool (1964) – It contains five Lennon-McCartney songs. You Can’t Do That is probably the best. #21 pop, #5 RB.

The Supremes Sing Country, Western, and Pop (1965) I rather liked this one. It starts with Willie Nelson’s Funny How Time Slips Away. #79 pop.

We Remember Sam Cooke (1965) – It’s one of the better-themed albums. (Ain’t That) Good News, with the late Florence Ballard on lead vocals.#75 pop, #5 RB.

More Hits by The Supremes (1965) – with two #1 hits, not obscure. #6 pop, ##2 for six weeks RB.

Merry Christmas (1965) – I never owned this album, but tracks appeared on Motown compilation albums. Twinkle, Twinkle, Little Me. #6 Xmas

Live!

The Supremes at the Copa (1965) – a live album. “Playing the club was seen by Motown CEO Berry Gordy as an in-roads into the conservative white middle-America market.” It wasn’t my cuppa. Put on a Happy Face. #11 pop, #2 RB.

I Hear a Symphony (1966) – While a hit-laden album, it also contained standards such as Stranger In Paradise.

The Supremes A’ Go-Go (1966) – the album went to #1 pop for two weeks, the first album by an all-female group to reach number one on the Billboard 200 album charts. #1 for four weeks RB.

The Supremes Sing Holland–Dozier–Holland (1967). – a silly title in that they sang a lot of H-D-H at the time. It contains two of my favorite non-hit tracks by the group, Remove This Doubt and Going Down For The Third Time. #6 pop, #1 for three weeks RB

The Supremes Sing Rodgers & Hart (1967) – When my albums were stolen, this one survived. Perhaps it was dropped. I learned to appreciate the composers’ work and its import because I initially heard those songs here. Mountain Greenery.#20 pop, #3 RB.

Diana Ross and the…

At this point, Florence Ballard left the group, Cindy Birdsong joined, and Diana Ross got top billing.

Reflections (1968). #18 pop, #3 RB.

Diana Ross & the Supremes Sing and Perform “Funny Girl” (1968). This album, which I never owned, was a commercial failure.#150 pop, #45 RB.

Live at London’s Talk of the Town (1968) – released the same day as Funny Girl, with a combination of standards and Supremes hits. This is not THE recording of You’re Nobody ‘Til Somebody Loves You, but it has elements. #57 pop, #22 RB.

Diana Ross & the Supremes Join the Temptations (1968) – this worked, with a #2 hit. The first song is Try It, Baby, a Berry Gordy song originally performed by Marvin Gaye. #2 pop, #1 for four weeks RB.

Love Child (1968) Increasingly, Mary and Cindy were supplanted by Motown session singers The Andantes. #14 pop, #3 RB.

Let the Sunshine In (1969) – the commercial and artistic decline. #24 pop, #7 RB.

Together (with The Temptations) (1969) – I own the LP, but nothing sticks out in my mind. #28 pop, #6 RB.

Cream of the Crop (1969) – didn’t buy. #33 pop, #3 RB

G.I.T. on Broadway (1969) – a TV special with Temptation. Eh. #38 pop, #4 RB.

Farewell (1970) – the live farewell at a Las Vegas club, where Jean Terrell was introduced as Diana’s replacement as DR went solo. It’s a good place to stop. #46 pop, #31 RB.

Supremely sad: Mary Wilson, RIP

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The story goes that elementary school girls Mary Wilson and Florence Ballard entered a talent contest. By 1959, they became part of a group called the Primettes, along with a couple of other girls from the Detroit projects, Diane Ross and Betty McGlown. McGlown was replaced by Barbara Martin.

The group changed its name from the Primettes to the Supremes. Martin left, and they went forward as a trio. They were immediately…not very successful. A half dozen songs, none of which cracked the pop Top 40. They were the “no-hit Supremes.”

The group was offered a song the Marvelettes didn’t want, Where Did Our Love Go, written by Holland-Dozier-Holland. They were resistant to recording someone else’s rejects. It went to #1, as did several more tracks. They were the second most successful group on the singles charts in the 1960s.

And the Supremes were the epitome of style with appearances on the Ed Sullivan a dozen times, plus several other music shows. They were not just singers but role models, with their hair, makeup and outfits fastidiously tended to.

But Diana, who had changed her name at the beginning of their successful run, was now getting virtually all of the leads. Mary and Flo were doing a lot of background vocals, which got a bit boring.

By 1967, the billing changed to Diana Ross and the Supremes, to Flo’s dismay. Very long story short, Florence was replaced by Cindy Birdsong. But it was clear that Diana was considered the singular star.

Mary and Cindy didn’t even appear on seven later singles including I’m Livin’ in Shame, The Composer, and Someday We’ll Be Together, though, of course, they appeared on the live version of the latter.

Post-Ross

Jean Terrell took Diana’s slot, but Mary got more chances to sing lead. And she kept the “new” Supremes together, with a rotating cast of members, until 1977.

After a series of legal wranglings, Mary Wilson became the keeper of the Supremes’ flame, writing four books with the word “Supreme” in the title. The one in 2019 was Supreme Glamour.

In 2003, she was “named a US cultural ambassador by the State Department, touring the world and talking to young people about the dangers of HIV and AIDS…

“The family asked that friends and fans support the United Negro College Fund or the Humpty Dumpty Institute. The latter group helps in landmine clearance projects around the world. Wilson… was a spokesperson for the group.”

Some songs

Mary Wilson sang or shared the lead on these, and a few others:

1962: Baby Don’t Go (from Meet The Supremes)
1965: It Makes No Difference Now (From The Supremes Sing Country, Western, and Pop)
1966: Come and Get These Memories (from The Supremes A’ Go-Go)
1967 Falling in Love with Love (from The Supremes Sing Rodgers and Hart)
1969: Can’t Take My Eyes Off You (from Together -Diana Ross and the Supremes, and The Temptations)
1972: A Heart Like Mine (from Floy Joy)
1972: I Keep It Hid (from The Supremes, Produced and Arranged by Jimmy Webb)
1975: Early Morning Love (from The Supremes)
1975: You Turn Me Around (from The Supremes)
1976: Til The Boat Sails Away (from High Energy)

She was a March Pisces like I am, so I had a certain particular affection for her. Here’s my post from Mary’s 70th birthday in 2014, with links to more familiar Supremes fare.

Mary Wilson of the Supremes is 70

Maybe the choreography, with the STOP hand gestures, was corny, but I loved it.

Also used for Round 15 of ABC Wednesday, S is for Supremes.

They were the Primettes, a sister group of the pre-Temptations Primes. Shortly after they became the Supremes in 1961, Barbara Martin left the quartet, and they became a trio: Mary Wilson, Florence Ballard, and Diana Ross. The nickname around Motown, unfortunately, was the “No-Hit Supremes” in 1962 and 1963 with A Breath Taking Guy their biggest hit (#75 in 1963). Their fate seemed to be backup singers. (LISTEN to Can I Get A Witness by Marvin Gaye from 1963.)

Suddenly, starting in mid-1964, a string of #1 hits, including five in a row, and eventually an even dozen.

I loved the Supremes, and I bought even their oddball albums that Berry Gordy had them do to show their range, such as A Bit of Liverpool; The Supremes Sing Country, Western, and Pop; We Remember Sam Cooke; and The Supremes Sing Rodgers and Hart. Among other things, it allowed Mary and Flo to take an occasional lead vocal.

Around the time the powerhouse songwriting team of Holland-Dozier-Holland left Motown c. 1967, the Supremes became Diana Ross and the Supremes, with Cindy Birdsong replacing Florence, who would die less than a decade later of cardiac arrest. The hits slowed, though they did some interesting work with the Temps, and Diana became a solo act by 1970.

The group persevered with Mary, Cindy, and Jean Terrell, then a series of other singers, as noted on Mary Wilson’s webpage. Here’s a 2011 interview with Mary.

Favorite Supremes songs – LINKS to all:

25. You Can’t Hurry Love (from Supremes A’ Go-Go, 1966.) One of those “Lesson” songs. Listen to your mama! #1 for 2 weeks in 1966

24. Come See About Me (from Where Did Our Love Go, 1964.) One of those breakthrough early hits, #1 for 2 weeks in 1964.

23. When the Lovelight Starts Shining Through His Eyes (from WDOLG). The group’s first Top 40 hit, #23 in 1964.

22. Baby Love, from WDOLG. Loved “been missin’ ya, miss kissin’ ya.” Another #1 in 1964.

21. Am I Asking Too Much (from The Never-Before-Released Masters, 1987). This is one of those compilation CDs I got that has a bunch of songs from 1961 to 1969, including a bunch of Disney songs from an abortive album. This song was written by R. Dean Taylor and the late Deke Richards; the latter co-wrote Love Child and the early Jackson 5 hits, so this probably was recorded c. 1968.

20. Nathan Jones (from Touch, 1971) – this post-Ross song I didn’t really get into until it appeared on the soundtrack for the 1988 film Rain Man. Went to #16 in ’71.

19. I’ll Try Something New (from Diana Ross & the Supremes Join the Temptations, 1968). This song only went to #25 in 1969 (I’m Gonna Make You Love Me was the big hit), but I love how the voices trade-off here.

18. It Makes No Difference Now (from The Supremes Sing Country, Western and Pop, 1965). I like how the lead vocals are traded.

17. My World Is Empty Without You (from I Hear A Symphony, 1966). This song is so flexible, it was re-recorded as a tribute to Berry Gordy. The hit was #5 in ’66.

16. Going Down For The Third Time (from The Supremes Sing Holland-Dozier-Holland, 1967). My favorite album, almost certainly, and this album cut has that wonderful “Praise be!” from Mary and Flo.

15. Up the Ladder to the Roof (from Right On, 1970). At some level, I REALLY wanted the post-Ross Supremes to succeed, and this first single, #10 in 1970, seemed like a good start.

14. Try It Baby (from DR&SJT). This cover of a Marvin Gaye song starts with the wonderful bass voice of Melvin Franklin, reason enough to like it.

13. Some Day We’ll Be Together (from Cream of the Crop, 1969). The group was already readying for the next transition. The song is Diana with anonymous backup singers, though Diana, Mary and Cyndi do eventually sing it live on the Farewell album months later.

12. Honey Bee (from Love Child, 1968). I’m a sucker for songs featuring the pollinators. Tom Petty has a similarly named song.

11. Love Child (LC). A #1 song from 1968, I appreciated the fact that Mary and Cindi got to sing “scorned by”, instead of merely echoing everything Diana sang.

10. I Want A Guy (Meet the Supremes, 1962). Their first single as The Supremes in 1961, it went nowhere, but I loved the organ especially.

9. You Keep Me Hangin’ On (from SSH-D-H). A #1 single in late 1966, weird stereo of the time threw the sound from one speaker to the other. It was such a compelling storyline, Vanilla Fudge covered it on its eponymous first album.

8. Reflections (from Reflections, 1968). Their first single after Cindi replaced Flo, the single came out in 1967, going to #2, months before the album was released. On some Motown album, Mary described it as a “weird, weird song,” referring to the intro. I fell in love with it again when it was used as the theme for the TV show China Beach.

7. Where Did Our Love Go (from Where Did Our Love Go, 1964). The first hit single (#1 for two weeks in 1964) from the first hit album (#2, probably blocked by some Beatles LP). There is a wonderful purity of sound that’s so attractive.

6. Keep An Eye (from LC). “There used to be three of us seen all over town…” Great song of warranted paranoia.

5. Remove This Doubt (from SSH-D-H). Elvis Costello covered this, but I prefer the original. Breaks my heart.

4. Stop! In the Name of Love (from More Hits by the Supremes, 1965). Maybe the choreography, with the STOP hand gestures, was corny, but I loved it. Also that ascending organ line before the vocals. #1 for two weeks in 1965.

3. I Hear A Symphony (from I Hear A Symphony, 1966). While I love the songs that depend on the bass line, and the Supremes have a bunch of those, I also love this change-of-pace tune, which hit #1 for two weeks in 1965.

2. Buttered Popcorn (from MTS). Another non-hit single from 1961, with Florence Ballard on the wonderful lead vocals.

1. Love Is Like an Itching in My Heart (from SAGG). A massively successful album (#1 for two weeks), though the single only went to #9 in 1966. But I’m a sucker for its bottom sound.