Sidney Lumet

Lumet “directed seventeen different actors in Oscar-nominated performances… Four of them won for those Lumet-supervised performances.”

There’s an IMDB filmography for film director Sidney Lumet, who died last week at the age of 86. I thought I’d note the movies I saw, or wish I had.

12 Angry Men (1957) – A great cast, led by Henry Fonda. I must have seen this on TV originally, but it was so impactful, the whole notion of whether things are the way we thought, in a great courtroom drama, that I’ve gotten it on DVD.

Serpico (1973) – Found this movie about the one honest cop riveting, intense and rather sad by its (appropriate) cynicism.

Dog Day Afternoon (1975) – I’ve meant to see this. Actually came across the first 10 minutes on YouTube fairly recently.

Network (1976) – By far, the best movie of 1976, Rocky’s Academy Award win notwithstanding. In fact, it’s #64 on AFI’s top 100 movies. Also, Evanier tells a great story about a screening he attended. I remember the Oscars for that year quite well, when Peter Finch’s widow picked up his well-deserved award for Best Actor.

The Wiz (1978) – Definitely did NOT view this in the theater, though I’ve seen scenes on TV.

The Verdict (1982)– I’ve been a sucker for both law dramas and movies about redemption. This movie starring Paul Newman, as a lush of a lawyer I recall really enjoying when I saw it in the theater, though I haven’t viewed it since.

I probably also ought to see Long Day’s Journey Into Night, Equus and Running on Empty.

Evanier notes that Lumet “directed seventeen different actors in Oscar-nominated performances: Katharine Hepburn, Rod Steiger, Al Pacino, Ingrid Bergman, Albert Finney, Chris Sarandon, Faye Dunaway, Peter Finch, Beatrice Straight, William Holden, Ned Beatty, Peter Firth, Richard Burton, Paul Newman, James Mason, Jane Fonda and River Phoenix. Four of them won for those Lumet-supervised performances. A pretty impressive record.” Kevin Marshall wrote a nice piece about Lumet.

March Ramblin’

Carol and I got to see an amazing percussionist, Dame Evelyn Glennie, with the Albany Symphony Orchestra at the Troy Music Hall, performing a piece written by Academy Award-winning composer, John Corigliano (“The Red Violin”).


For my birthday this year, I had come across this Facebook thing whereby people could contribute $10 in my name to the American Red Cross. I picked them specifically, not only because they do good things, but because they helped me possibly save a life. Back in May of 1995, I successfully performed the Heimlich maneuver on an older woman in my church at the time who was choking on some meat, without breaking her ribs. I learned that at a Red Cross training that I took in high school.

Anyway, some people did this, some people were confused by how to do it electronically and instead gave me checks. Hey, it’s all good.

And that was before the Japan earthquake, and aid organizations such as the Red Cross in whatever country you are in can use your help even more.

Still, I got a couple of gift cards, one from Amazon, one from Borders. So I got my fix of new music for a while. From Borders, I got the greatest hits albums of the Guess Who (my previous copy had disappeared), and Peter, Paul, and Mary (I saw Peter and Paul at Proctors in the fall of 2010). And I was really pleased with myself with my Amazon purchase. I looked at my wish list and noted that a Sheryl Crow album had gone down from whatever to under $5. A Madeleine Peyroux album was down at least $3 to around $10. And Judy Collins’ cover album of Leonard Cohen songs, used to be $16+ but was down to under $11. The grand total was $25.15, plus 84 cents tax, for a total of $25.99, minus the GC for a massive charge of 99 cents to the credit card. ($25 was the minimum to get free shipping.) Oh, I may have purchased newish albums by Robert Plant, Mavis Staples, and R.E.M. as well.

Carol and I got to see an amazing percussionist, Dame Evelyn Glennie, with the Albany Symphony Orchestra at the Troy Music Hall, performing a piece written by Academy Award-winning composer, John Corigliano (“The Red Violin”). Thanks to our friends Philip and Marilyn who couldn’t use the tickets. In the same week, we also saw The Lion King at Proctors in Schenectady, which was great.

My wife was confounded as to what to get me for my birthday. She thought about getting a bicycle. But, using the $100 from the CSN stores I got from Lily Hydrangea, I bought a Mongoose myself for $59 additional. She thought to buy me a TV, to replace the one we have with only two volumes, inaudible and LOUD; but then my friend Uthaclena and his wife offered their spare set when they showed up with their daughter as a surprise on my birthday weekend; the following weekend, he brought up the set.

And the wife did buy me a book, the autobiography of Ed Dague, the local newsman I admire, but a friend from work had already given it to me.

So she let me have a card party, specifically a HEARTS party, on March 19. There was a period in the 1980s where a group of us would play hearts once, twice, even thrice a week, always at the home of our charismatic and maddening friend Broome and his “this woman is a saint” wife, Penny.

At the card party, I got to see my old friends such as Orchid, who I goaded by e-mail – “You HAVE an A game?”; Jeff and Sandy, Jendy, and of course Broome. As they say, a splendid time was had by all.

So it’s been a pretty good birthday month, thanks to many of you. Well, except for some major computer problems at work, but that’s finally fixed.

Second place in this crossword contest, by my boss, is not bad, especially when the winner was a ringer.

The Cheap Flights song, complete with dancing. And subtitles?

Lots of Elizabeth (“I hate being called Liz”) Taylor tributes out there; here’s the one from Arthur.

In answering my questions, Jaquandor says something shocking about Richard Nixon. Worse, I’m inclined to agree with him.
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My buddy Steve Bissette writes about D.W. Griffith’s two Biograph caveman movies, Man’s Genesis (1912) and Brute Force (1914), with a link to the latter.
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Diagram For Delinquents Kickstarter project:

“This is a documentary film about the most hated man in comics history: psychiatrist Fredric Wertham.

“Beginning in the late 1940s, Wertham began publishing articles linking comic books to juvenile delinquency. This work culminated in his now-infamous 1954 book, Seduction of the Innocent. Burnings of comics were reported across the United States, and Congress held hearings into the matter, which helped spur the creation of the self-censoring body the Comics Code Authority…”
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Google Alert finds – other people named Roger Green:

Roger Green Pt 1/5 ‘Feng Shui & Building Biology’ ‘Conversations with Robyn’
Roger has a background in Chinese Medicine and was a pioneer in introducing the ancient knowledge of Feng Shui to the western world.
This clip also shares some info on the harmful effects of wireless broadband on our health and sleeping patterns.

Custom Knives Created By Roger Green

Patients who walk through the doors of Dr. Roger Green’s clinic are eagerly greeted by Izzy, Green’s 5-year-old Basset hound.

One of those passengers at Narita Airport in Tokyo, on flight No. 276, next in line on the runway when the earthquake hit, was the Rev. Roger Green, longtime pastor at Grace Baptist Church in Middletown.

MOVIE REVIEW: Blue Valentine

This movie is best known for the fact that it was initially slapped with an NC-17 rating by the MPAA, a commercial kiss of death.

My wife and I wisely passed on seeing Blue Valentine on Valentine’s Day. Instead, we watched it on Presidents Day.

It is about love gone sour, and the flashbacks to a happier time, when love was fresh and exciting and not stifled by the routine or pathology. Michelle Williams, Oscar-nominated for this film, and Ryan Gosling, who could have been, are also executive producers of the film, which suggests that the actors really believed in the story. The film makes it easy to tell when the film is in the present-day and when it’s in flashbacks. Much of it is well done.

From John Rodat’s essay in Metroland: “Much of the dialogue of Blue Valentine was improvised, and the actors went to some lengths to develop a real-life closeness to facilitate the conversation. Early scenes of the meeting and courtship were filmed first, with later scenes of their married life waiting until after the stars had rented a house together, living and shopping on a budget appropriate to the circumstances of their characters, and learning to bicker.”

Yet we both found the film depressing as all get out.  There’s no “if only he did this” or “she did that.” Love just dies. I admit I looked at my watch when one more reminder of what was once good flashed across the scene.

This movie is best known for the fact that it was initially slapped with an NC-17 rating by the MPAA, a commercial kiss of death, not that it’s going to generate boffo box office. The ruling was successfully appealed, and the simulated oral sex scene which had generated the original ruling didn’t seem any more provocative to me than any other simulated sex scene in an R-rated film.

Still, I just can’t imagine seeing this movie again, unless I have a burning need to be in a melancholy mood.

Movie Anagrams

These aren’t necessarily who I want to win – I’d take Rush over Bale, for one – but who I THINK will win.


During the trivia contest in which a friend regularly participates, one of the categories was ‘movie title anagrams’. Since it’s Oscar week, see how many you can get in the same allotted ten minutes.

1. The Rave Bra
2. That Mixer
3. Tiger Rut
4. Haled Wirer
5. Local Rattle
6. Whale on Plate
7. Mayfly Raid
8. Pan Tool
9. New Tramp Toy
10. Greet a Pest Ache

I won’t approve any quiz answers for the first 24 hours, so everyone will be on equal footing.

I had written about my early Oscar picks here four weeks ago. I had intended to see several more films in the intervening time, but life (and death) got in the way. The only full-length movie I’ve seen since then is Blue Valentine, about which I will write soon. So I guess I’ll let my picks from last month stand: Firth, Bale, Portman and Steinfeld in the acting categories; The Social Network and The King’s Speech in the screenplay categories; The King’s Speech for Best Picture. Which means I have to actually make a selection for Best Director, and my gut says The Social Network’s David Fincher over The King’s Speech’s Tom Hooper, with the Academy spreading the wealth. These aren’t necessarily who I want to win – I’d take Rush over Bale, for one – but who I THINK will win.

The Best Picture vote uses Instant Runoff Voting. What does that mean? See HERE.

Film Review-Oscar shorts, live action

It was Valentine’s Day. The wife and I had a long-standing commitment for a child sitter, and movie passes for The Spectrum Theatre in Albany. Obviously, my grandiose plan to see more Academy Award films had put aside in the past two weeks, so seeing a nominee was my preference. But what? She didn’t want to see True Grit. Watching Blue Valentine, a movie about a disintegrating romance, didn’t seem quite right. Nor did seeing separate movies – she wants to see The Social Network, I The Black Swan.

So we decided to see five movies instead, those Oscar-nominated for best live action short films. The descriptions are from Oscar.com.

The Confession – Tanel Toom (UK-25 minutes)
“A young boy preparing for his first confession worries that he has no sins to report, so he enlists a friend’s help in committing one.”
And it’s a pretty minor one, actually, but one that has consequences. Moody, with a bunch of pointed symbolism, well acted, especially the lead boy. I’m told it’s got the Oscar buzz. A brief clip.

Wish 143 – Ian Barnes and Samantha Waite (UK-24 minutes)
“When a terminally ill young boy is granted a wish by a charitable foundation, he makes a surprising request.”
Actually, he’s an older boy, though not an adult, and what he wants is not to die a virgin, which is a bit of a conumdrum to his priest friend. It has humor and pathos, and it was my favorite of the five. A clip.

Na Wewe– Ivan Goldschmidt (Belgium-19 minutes)
“In 1994, as the Rwandan genocide spills over into neighboring Burundi, a bus is attacked by a group of rebels.”
Very tense; I was awaiting the slaughter, yet imdb called it a comedy? Well, maybe a subtle comedy. Na Wewe means You Too in Kirundi. Looks like the kind of film the Academy would like. A clip.

The Crush -Michael Creagh (Ireland-15 minutes)
“Eight-year-old Ardal has a crush on his teacher and is devastated to learn she has a fiancé.”
And Ardal finds the fiancé unworthy and calls him out. My wife’s favorite film. A clip.


God of Love – Luke Matheny (US-18 minutes)
“A love triangle between two musicians and a young woman takes a surprising turn when one of them finds a collection of magical darts.”
Appropriate for Valentine’s day, though probably the most lightweight of the five. Feels Woody Allenesque somehow. The trailer.

Unsurprisingly, all of the filmmakers are first-time nominees. “The Academy’s entire active membership is eligible to select Oscar winners in all categories, although in five – Animated Short Film, Live Action Short Film, Documentary Feature, Documentary Short Subject, and Foreign Language Film – members can vote only after attesting they have seen all of the nominated films in those categories.”

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