1972: the Easter break

Kentucky State College Concert Choir

Robert Yates.Aaron Yates.Audrey
Robert, Aaron, Audrey Yates on Easter Sunday (April 2), 1972 at 29 Ackley Avenue, Johnson City, NY, home of Les and Trudy Green

In the 1972 annals, I had totally forgotten that the Okie came home with me for Easter break, beginning March 28. She drove us from New Paltz to Johnson City, near Binghamton. She met our family friends the Pomeroys.

The next day, we went to my old high school, Binghamton Central, and talked with my friend Carla [we’re still in touch] who yelled to me from a third-story window until a teacher closed it. Also, Amy H. [recently reconnected] and others [who I’ve lost track of]. Saw one of my favorite teachers, John Kellogg [RIP].

March 31 – My good friend Carol and her then-beau drove the Okie and me up old Route 11 from Binghamton to Syracuse to see the new movie The Godfather. [Was it not yet playing locally? Possibly.] Other films I had seen in March 1972: The Importance of Being Earnest; Gimme Shelter; Billy Jack; 2001: A Space Odyssey; and Performance, which I described as “weird”.

April 1 – My cousin Robert Yates, his wife Audrey, and their two-year-old son Aaron came to visit. Robert was my mother’s first cousin. But she was born in 1927, and he in 1946, so he was actually closer to my age. Robert, Audrey, my sister Leslie, and I went bowling at two different venues, in JC and the Vestal Plaza, a total of six games.

Easter Sunday

April 2- A bunch of returning college students, including me, were acknowledged at church. Inspired sermon by Rev. A.C. Bell. After dinner, lots of card games (whist, hearts) with Robert and Audrey, who returned to NYC that day, my parents, the Pomeroys, and me. The Okie also left for her parents’ house.

[Young Aaron was murdered – shot or stabbed, I understand – when he was 18 or 19. This devasted his parents, of course, but Robert became a great father figure, not just to his nieces and nephews, but to kids in the neighborhood. He died in 2016.]

April 3 – I was “supposed to meet some people @ Bing. Pub. Library… but no one showed. Someone mistaking me for an employee I assisted w/ card catalog.” [I did work there as a page two or three years earlier.] Saw familiar faces, including Vito [RIP, 1991], Michael Butler, Don Wheeler, and others.

Later, I interviewed my father for my economics paper.

April 4 – participated in a memorial for MLK, with participation by my church’s choir. Later, my mom’s bowling team won the championship. The US recognized Bangladesh.

KSCCC

April 5 – Adam Clayton Powell died yesterday, and baseball DIDN’T start today.

A concert by the Kentucky State College Concert Choir (KSCCC) was held at First Presbyterian Church. Rev. Roberts, the father of my HS friend Catherine Carson, gave the invocation. The Broome County Urban League officers, which probably included my father, were introduced.

“Guys in black tuxes with white shirts. Gals with pink blouses and light purplish long skirts. They sang four very beautiful classical numbers; I liked to listen to them with my eyes closed. Then a Slavic song and a chant-like song they had done last year. Males sing semi-spirituals and a female soloist sang an operatic song and another piece…

“Mom and I noticed that dad didn’t applaud at all for Motherless Child. Perhaps it means too much for him.” Someone announced that my sister Leslie “has won a scholarship to KSC.” [No, she did not end up going there.]

“Four spirituals with African drums… After the standing ovation, they sang Ain’t A That Good News (like it’s supposed to be sung) and The Battle Hymn of the Republic with a piano intro full of discords, which dad dug.”

Afterward, some co-ed seemed to be flirting with me, which was both awkward and nice. “Leslie auditioned sans choir as the audience like I had last year. [I have no recollection of that happening in 1971.] She sang a capella I Wish I knew How It Would Feel To Be Free rather well. She went with the KSCCC to a party at the Treadway Inn.”

Note that KSC, an HBCU, became Kentucky State University in 1972.

Review: The Worst Person in the World

Verdens verste menneske in Norway

The Worst Person in the World (film)A couple of months ago, my wife and went to the Spectrum Theatre. there was a poster for the then-upcoming The Worst Person in the World. “Have you heard of it?” my wife asked. “Nope.”

Then on a date night in March, we went to see the film there. Julie (Renate Reinsve) is, like a lot of young adults, trying to figure out what she wants to do with her life in terms of work and love. Early on, she is in a substantial relationship with Aksel (Anders Danielsen Lie), a comic book artist, and a cultural icon in Oslo. She learns a lot from being with him. But is that all SHE is?

And how much flirting is allowed, she and Eivind (Herbert Nordrum) ask each other?

I imagine that The Worst Person in the World (Verdens verste menneske) could be remade into a not-too-appealing American rom-com. But this take is engaging. Even the tropes and there are a few, seem fresh. The decision to break the story into a dozen chapters allows transitions not bound by traditional storytelling. And, for the most part, they work.

NOT the worst

I think the worst thing about the movie is the title. Julie is hardly a terrible person, but one who I could definitely relate to. In the Hollywood Reporter,  David Rooney wrote: “It’s rare to encounter a romantic comedy as fresh, insightful and alive with bittersweet tenderness as this reflection on the fumbling mistakes we make as we figure out who we are. That’s due in part to the luminous Renate Reinsve as Julie, but especially to the wisdom and compassion of director Joachim Trier and regular co-writer Eskil Vogt’s screenplay.

This film concludes Joachim Trier’s Oslo Trilogy, but not seeing the previous films won’t diminish your viewing. I hope it wins the Best Original Screenplay Oscar. It’s also up for Best International Film. Check out the trailer. On Rotten Tomatoes, 96% of the critics and 86% of the audience agree it’s a fine movie. I should note, I suppose: yes, there are subtitles.

An off-year for the Oscars and me

see The Queen Of Basketball and The Long Goodbye

Historically, 1) I would see lots of movies in the theater throughout the year, and 2) I’d try to see whatever movies I’d missed after the Oscars were announced. This year, though, is an off-year for the Oscars and me.

For one thing, I saw far fewer movies in an actual cinema, always my preferred venue. For another, I’d make dates with my wife to watch some films on a streaming service, but the plans would fall through. I DID see a few online by myself, but I just didn’t have the mojo for doing that too often.

What DID I see that were nominated? I linked to my reviews in the BEST PICTURE category, or elsewhere if not nominated there.

ACTOR IN A LEADING ROLE
JAVIER BARDEM in Being the Ricardos, which I watched a day ago and requires a full review
ACTOR IN A SUPPORTING ROLE
CIARÁN HINDS in Belfast
TROY KOTSUR in CODA. Based on all of the other awards, I’d think Kotsur is a near lock, which is fine by me.
J.K. SIMMONS in Being the Ricardos

ACTRESS IN A LEADING ROLE
PENÉLOPE CRUZ in Parallel Mothers
ACTRESS IN A SUPPORTING ROLE
ARIANA DEBOSE in West Side Story                                                                            JUDI DENCH in Belfast. I was pulling for Caitríona Balfe, who played the mom in Belfast, but she wasn’t nominated

ANIMATED FEATURE FILM
FLEE – Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie

CINEMATOGRAPHY
WEST SIDE STORY – Janusz Kaminski
COSTUME DESIGN
WEST SIDE STORY – Paul Tazewell

Auteur

DIRECTING
BELFAST – Kenneth Branagh
DRIVE MY CAR – Ryusuke Hamaguchi
LICORICE PIZZA -Paul Thomas Anderson
WEST SIDE STORY – Steven Spielberg
I saw all except Jane Campion for THE POWER OF THE DOG. Of the four, I’d pick Branagh.

DOCUMENTARY (FEATURE)
ATTICA – Stanley Nelson and Traci A. Curry. Just saw this. Very thorough but greatly unsettling.
FLEE – Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen and Charlotte De La Gournerie. Has there been an animated film nominated as a doc feature? Powerful. More soon.
SUMMER OF SOUL (…OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) – Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent, and David Dinerstein, which was splendid

DOCUMENTARY (SHORT SUBJECT)
THE QUEEN OF BASKETBALL – Ben Proudfoot. You can watch it at this link. I didn’t write about this because I expected to see the others in this category. The IMDB description: “an electrifying portrait of Lucy Harris, who scored the first basket in women’s Olympic history and was the first and only woman officially drafted into the N.B.A. Harris has remained largely unknown – until now.” I found it quite informative and touching. Also sad, since Lucy recently died.

FILM EDITING – NONE

INTERNATIONAL FEATURE FILM
DRIVE MY CAR (Japan)
THE WORST PERSON IN THE WORLD (Norway) – just saw this; worthwhile. More in days to come.

MAKEUP AND HAIRSTYLING – NONE

MUSIC (ORIGINAL SCORE)
PARALLEL MOTHERS -Alberto Iglesias
MUSIC (ORIGINAL SONG)
DOWN TO JOY from Belfast; Music and Lyric by Van Morrison.
I’m rooting for DOS ORUGUITAS from Encanto; Music and Lyric by Lin-Manuel Miranda

The big category

BEST PICTURE
BELFAST – Laura Berwick, Kenneth Branagh, Becca Kovacik and Tamar Thomas, Producers
CODA – Philippe Rousselet, Fabrice Gianfermi, and Patrick Wachsberger, Producers
DRIVE MY CAR – Teruhisa Yamamoto, Producer
LICORICE PIZZA – Sara Murphy, Adam Somner and Paul Thomas Anderson, Producers
WEST SIDE STORY – Steven Spielberg and Kristie Macosko Krieger, Producers
Not having seen DON’T LOOK UP, DUNE, KING RICHARD, NIGHTMARE ALLEY, or THE POWER OF THE DOG, I’d pick CODA, though BELFAST would be a fine choice.

PRODUCTION DESIGN
WEST SIDE STORY – Production Design: Adam Stockhausen; Set Decoration: Rena DeAngelo

SHORT FILM (ANIMATED) – NONE
SHORT FILM (LIVE ACTION)
THE LONG GOODBYE – Aneil Karia and Riz Ahmed A powerful film that you can watch here or here

SOUND
BELFAST -Denise Yarde, Simon Chase, James Mather, and Niv Adiri
WEST SIDE STORY – Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson, and Shawn Murphy

VISUAL EFFECTS
SPIDER-MAN: NO WAY HOME – Kelly Port, Chris Waegner, Scott Edelstein and Dan Sudick

WRITING (ADAPTED SCREENPLAY)
CODA -Screenplay by Siân Heder
DRIVE MY CAR – Screenplay by Ryusuke Hamaguchi, Takamasa Oe
WRITING (ORIGINAL SCREENPLAY)
BELFAST -Written by Kenneth Branagh
LICORICE PIZZA – Written by Paul Thomas Anderson
THE WORST PERSON IN THE WORLD – Written by Eskil Vogt, Joachim Trier. My favorite of the three.

It’s likely that I’ll get a short-term subscription to Netflix and see tick, tick…BOOM!, THE POWER OF THE DOG, and THE LOST DAUGHTER. Maybe catch some other films somehow.

The Hollywood Reporter: Who Will Win, Who Should Win

Movie review: CODA [child of deaf adults]

translated

CodaMy wife and I watched the movie CODA on Apple+ late last month, just before it won the Screen Actors Guild award for outstanding cast in a motion picture. We enjoyed it a lot.

It occurred to me that the framework of the story was fairly conventional, but that it worked exceedingly well. Part of it is the specificity of these particular characters. Another is the strong performances by the actors. But a big chunk of it is that we really hadn’t seen this narrative shown.

Ruby (Emilia Jones) is the only hearing member of a deaf family. CODA means child of deaf adults. She’s trying to fit in at school, though she’s taken some grief because of the idiosyncrasies of her family. In particular, her father Frank (SAG award winner Troy Kotsur) “speaks” his mind, as it were. Among other things, he adores his wife Jackie (Marlee Matlin).

Frank, and Ruby’s older brother Leo (Daniel Durant), work on the family’s struggling fishing boat, and Ruby helps out before school. But when she joins her high school choir, she finds her time conflicted. This is especially the case as her exacting choirmaster Bernardo Villalobos (Eugenio Derbez) is trying to mentor her so that she can ao apply to a prestigious music school. And she likes hanging out with her duet partner Miles (Ferdia Walsh-Peelo).

But how can she even about going when her family needs her? I “believed” this collective. The parents who want to hold onto their daughter but the brother may have a different need in the family dynamic. Miles doesn’t always do the right thing.

Not unlike the immigrant story

My wife noted that it is often the case that some of her English as a New Language students serve as interpreters for their immigrant parents. It turns the usual family dynamics on its head. So too with the story in CODA.

And one interesting element of the film is the David v. Goliath economic story, which all of the fishermen were subject to.

At the end of the credits were the names of the actors voicing the dubbed versions of the film into French, German, Italian, Brazilian Portuguese, Spanish, Castilian, Chinese (I think), and some Cyrillic language.

The reviews were largely positive (95% by the critics, 93% by the audiences).

Movie review: Drive My Car

Uncle Vanya

My wife and I saw the Oscar-nominated movie Drive My Car recently at the Spectrum Theatre, the Landmark venue in Albany. There were only a few things about the film I knew. It was three hours long. The movie was nominated for four Academy Awards including Best Picture and International Feature Film, what they used to call Best Foreign Film. And it was three hours long?

And here’s a spoiler that’s right in the trailer. Oto Kafuku (Reika Kirishima), the wife of Yûsuke, dies unexpectedly. They love each other dearly, though it’s… complicated. She’s a teller of tales. He listens to Uncle Vanya by Chekhov repeatedly in the car. The first forty minutes I found a tad tedious.

THEN the opening credits run. What? And the rest of the story is far more compelling. Yûsuke, “a renowned stage actor and director, receives an offer to direct a production of Uncle Vanya in Hiroshima.” The catch, which he doesn’t realize until he gets there, is that the stage company requires that the director use a driver.

Not related to the Beatles song

Misaki Watari (Tôko Miura) is a very good chauffeur of his beloved red Saab. But she’s not particularly communicative, at least at first. Meanwhile, Yûsuke is busy selecting the cast, which is a diverse group that communicates in Japanese, English, Korean Sign Language, and others.

One cast member is an impetuous and hot-headed television actor Koshi Takatsuki (Toshiaki Inomata), who is trying to befriend the director for some reason. There is a couple in the production that my wife and I truly enjoyed.

As the rehearsals unfold, involving a lot of driving from the hotel to the rehearsal hall, Yûsuke and Misaki each start to address the pain and complexities of their pasts.

My verdict: I wish the first 40 minutes of Drive My Car were edited down to maybe 30. Yet the remaining 2:15 seemed to fly by. If you should see it, be patient with the first section because I think the payoff is worth it. The Rotten Tomatoes score was 98% positive from the critics, and 80% positive from the audiences.

Social media & sharing icons powered by UltimatelySocial