Tag: movies

Random 2024 post

Lempicka

This is the random 2024 post. I randomly pick the blog post date for each month, and then, within that post, randomly select a sentence. I’m sure I purloined the idea from near twin Gordon.

A serious blogger like Kelly would review his output and highlight his favorite and/or best work from last year. This is a great idea, but it would involve actual labor.

January: “Even though it’s an online bank, there are plenty of ways to access your money by visiting any of the over 40,000+ ATMs in the Allpoint network.” At the end of December, I got a Visa credit card from Varo in the mail. It was sent to our home but addressed to someone we never heard of, and we’ve been here for over two decades. I later suspected that when I lost my wallet in the autumn of 2023, the person who found it (but did not return it) ordered a Varo card to be sent to my address and figured they could remove it from our mailbox. Ha! Our mailbox has a lock. 

February: “Still, I didn’t bother voting for her because 1) she’ll get in without my help, and 2) she has a five-octave voice, which she often uses unnecessarily to the music’s detriment.” Why I didn’t vote for Mariah Carey for the Rock and Roll Hall of Fame on the fan ballot. 

March: “Bob Marley: One Love, Directed by Reinaldo Marcus Green.” It was the last film I saw at the Spectrum 8 Theatre before it closed. Fortunately, it reopened a few months later under different management. 

April: “The Average Body Temperature Is Not 98.6 Degrees” Linkage. 

Politics

May: “Jay Bernhardt, the newly installed president at Emerson College, got an earful about the arrest of more than 100 protesters at the Massachusetts campus.” About the pro-Palestinian demonstrations.

June:  “[Lauren] Blackman and [Nicholas] Ward met in a production of a Broadway musical called Lempicka, which had previously played in Williamstown, MA, where it went through several revisions, and La Jolla, CA.” A concert that was part of the Albany Symphony Orchestra’s American Music Festival. 

July: “It [Project 2025] claims that “centralized government ‘subverts’ families by working to ‘replace people’s natural loves and loyalties with unnatural ones,’ utilizing the biblical language of natural versus the unnatural.” I mentioned Project 2025 at least a half dozen times. 

August: “’The authors’ thesis is that the business world has a well-worn playbook that they roll out whenever anything that might cause industry to behave even slightly less destructively is proposed.'” Linkage about Corporate Bullsh*t: Exposing the Lies and Half-Truths That Protect Profit, Power, and Wealth in America.

How am I?

September: “My wife has some dry eye issues, so she’s become an expert at eye drops.” My end-of-summer health report.  

October: “One in three tree species at risk of extinction: report.” A linkage post. 

November: “Merry Christmas Darling – Carpenters (1970) – Only vaguely familiar.” This is the first of my holiday music posts.

December: “The play Titus Andronicus by Shakespeare, which I think I had to read in college freshman English class, was a bloody piece that frankly bored me.” A Sunday Stealing about books. 

So it’s reasonably representative. There’s Sunday Stealing, which I completed over 40 times during the year. Ah, three musical posts, which I did at least once a week. I hit three linkage posts, which I do two dozen times a year. Also, I mentioned politics, movies, and a day in the life. 

The picture of my kid was also randomly selected from the pictures I used in 2024.

Stats
My stats are consistent month over month, except for December, which had twice as many visitors and thrice the number of views. Rebecca Jade and the Dave Koz Christmas Tour 2024 (Dec 12) pumped up the number of views I got. However, Random Christmas stuff (Dec 17) surprised me by boosting the number of visitors.
Posts & pages for 2024; the most popular

Denzel Washington is 70

Suppose you were to look at the cover of season 1 of the St. Elsewhere DVD. In that case, you might think that Denzel Washington was the big star of the 1982-1988 NBC medical drama about “the lives and work of the staff of St. Eligius Hospital, an old and disrespected Boston teaching hospital.” This would not be correct; it was more of an ensemble cast.

This worked to Denzel’s advantage. Because he wasn’t in every scene, he got to go out and make movies. The only one I saw in that period was Cry Freedom (1987), in which he played the South African patriot Stephen Biko. Even though the story was mostly about his friend, journalist Donald Woods (Kevin Kline), attempting to investigate Biko’s death, Denzel is compelling. He was the NAACP Image Award winner as Outstanding Lead Actor in a Motion Picture. I bought the soundtrack: The Funeral (September 25, 1987).

Glory (1989) – His Oscar and Golden Globe-winning performance in a supporting role. The James Horner soundtrack, which I own, can be listened to here. It won a Grammy.

Mississippi Masala 1991. NAACP Image Award as Outstanding Lead Actor in a Motion Picture

Formerly Malcolm Little

Malcolm X (1992) -He was nominated for Best Actor in a Leading Role. But he won various other awards. I have this soundtrack too.  Listen to Someday We’ll All Be Free – Aretha Franklin.

The Pelican Brief (1993) – Denzel was nominated for an MTV award as Most Desirable Male

Philadelphia (1993) – Tom Hanks said working with Washington on the movie was like “going to film school.” Hanks said he learned more about acting by watching Denzel than anyone else. I have this soundtrack as well. Here’s the final scene with the Neil Young title song.

Crimson Tide (1995) Denzel won another NAACP Image Award as Outstanding Lead Actor in a Motion Picture.

Devil in a Blue Dress (1996) – I saw this at Page Hall at the SUNY Albany downtown campus. Walter Mosley, author of the book and co-writer of the script, was supposed to be present but he could not make it.

The Preacher’s Wife (1996)—with Whitney Houston. I’m sure I saw this on TV, but I don’t particularly recall it.

The Hurricane (1999), in which he plays boxer Rubin Carter. He won the Golden Globe for  Best Performance by an Actor in a Motion Picture – Drama but lost the Best Actor Oscar. Once again, he won the NAACP Image Award as Outstanding Actor in a Motion Picture

Remember The Titans (2000) – not only did Denzel win the Image Award again, but the film was deemed Outstanding Motion Picture. This I saw on TV as well, but I remember it quite well.

Best Actor Oscar

I did not see Training Day (2001), for which he won the Oscar for Best Actor in a Leading Role, the first black man to do so since Sidney Poitier did so for Lilies of the Field. Denzel was also the winner of the Golden Globe for Best Performance by an Actor in a Motion Picture – Drama and the NAACP Image Award as Outstanding Actor in a Motion Picture

I did see the following films:

Manchurian Candidate (2004) – I STILL need to see the original

Unstoppable (2010) – in case you don’t remember this one: “With an unmanned, half-mile-long freight train barreling toward a city, a veteran engineer and a young conductor race against the clock to prevent a catastrophe.” It’s entertaining.

Flight (2012) Denzel was nominated for an Oscar for Best Performance by an Actor in a Leading Role, as well as other awards

August Wilson

Fences (2016) – the film was nominated for four Academy Awards, including Best Picture (Todd, Black, Scott Rudin, and Denzel); Best Performance by an Actor in a Leading Role (Denzel); and Best Adapted Screenplay (August Wilson, posthumously). Viola Davis won for Best Performance by an Actress in a Supporting Role

Denzel played the same role on Broadway for about two and half months in 2010. It was nominated for seven Tonys and won three: Best Revival of a Play (Produced by Carole Shorenstein Hays and Scott Rudin), Best Actor in a Play (Denzel Washington), and Best Actress in a Play (Viola Davis).

Fences was one of six Broadway productions in which he  appeared. He will be in Othello in 2025.

Denzel is committed to producing all ten of August Wilson’s plays for film. He’s already produced Ma Rainey’s Black Bottom (2020) and The Piano Lesson (2024).

His life

Of course, he’s more than his performances. Check out this 2017 interview. 

Here are a couple of paragraphs from Wikipedia:.  “On June 25, 1983, Washington married Pauletta Pearson, whom he met on the set of his first screen work, the television film Wilma. They have four children: John David (born July 28, 1984), also an actor and a former football player; Katia (born November 27, 1986), who graduated from Yale University with a Bachelor of Arts in 2010; and twins Olivia and Malcolm (born April 10, 1991). Malcolm graduated from the University of Pennsylvania with a degree in film studies, and Olivia played a role in Lee Daniels’s film The Butler. Malcolm made his directorial debut with The Piano Lesson, with Denzel producing and John David starring in it.  In 1995, Washington and his wife renewed their wedding vows in South Africa with Desmond Tutu officiating…

“Washington has served as the national spokesman for Boys & Girls Clubs of America since 1993 and has appeared in public service announcements and awareness campaigns for the organization. In addition, he has served as a board member for Boys & Girls Clubs of America since 1995. Due to his philanthropic work with the Boys & Girls Club, PS 17X, a New York City Elementary School decided to officially name their school after Washington.”

In 2022, he received the Presidential Medal of Freedom. 2024 also marks ten years of Denzel’s sobriety.  He was baptized just this month and was given a minister’s license by the church.

Movie: A Real Pain

pilgrimage

My wife and I recently went to a Friday matinee of the movie A Real Pain at Albany’s Spectrum 8 Theatre.  Here’s a description from a positive review in the New York Times. “Jesse Eisenberg races straight into life’s stubborn untidiness in…a finely tuned, melancholic and at times startlingly funny exploration of loss and belonging that he wrote and directed. He plays David, a fidgety, outwardly ordinary guy who, with his very complicated cousin, Benji (Kieran Culkin), sets off on a so-called heritage tour of Poland. Their grandmother survived the Holocaust because of ‘a thousand miracles,’ as David puts it, and they’ve decided to visit the house where she grew up. Theirs is an unexpectedly emotionally fraught journey and a piercing, tragicomic lament from the Jewish diaspora.”

Benji points out that David was more emotional as a kid, in a way only family can hone in on. Still, David is a relatively successful businessperson with a wife and a kid.  The cousins have drifted away, yet they still care quite a bit about each other.

While he can be maddening, Benji has a “frenetic exuberance that draws people to him when it doesn’t overwhelm them.” Among them are the British tour guide James (Will Sharpe), Marcia (Jennifer Grey), the sad yet perky newly divorced, Eloge (Kurt Egyiawan), a survivor of the Rwandan genocide who converted to Judaism, and Diane and Mark (Liza Sadovy and Daniel Oreskes), an older bourgeois Jewish couple.

I believed in the pain these people, especially the leads, felt. A reference to Binghamton made me laugh.
OTOH

The Rotten Tomatoes critics were 96% positive, but the audience was only 80%. An audience poll showed that about half of the 235 responses gave it a five out of five rating. However, about a third of them gave it but one star.

Here’s one example: “The plot is non-existent; it is just some random events that do not tell any story in particular. Characters are flat, with no development whatsoever. The two mismatched cousins are just as flat, inadequate, and unrealistic at the end as they were at the beginning. They didn’t go through any personal challenges or transformation. Just had a fun trip to Poland to goof around the war monuments.” It wasn’t the movie I saw, but many people HATED it.

Two last things. David Oreskes is one of those actors who some used to refer to as “Oh, THAT guy.” He’s been in many things I’ve seen, though I could not have placed any of them.

The other weird thing is that four people remained seated after the movie ended and the lights came up. A  young man in his 20s or maybe 30s explained the story they had just seen. He started, “The story was about these two brothers…” I wanted to interrupt to say they were cousins. Very odd.

Movie review: Anora

not Pretty Woman

I went to see the new movie Anora, largely because it had been so widely acclaimed.  Sean Baker won the Palme d’Or, awarded to the director of the Best Feature Film at the Cannes Film Festival; he also wrote the story. The film was nominated for several other awards. I saw it at the Spectrum Theatre in Albany, one of only two people present on an early Wednesday matinee.

Fandango describes it as “an audacious, thrilling, and comedic variation on a modern-day Cinderella story.”  Ani (Mikey Madison) is a young sex worker from Brooklyn who is good at her job.  One of her clients is a young, brash, fairly obnoxious, but very rich young man of Russian heritage named Ivan or  Vanya (Mark Eydelshteyn), who specifically asked for an escort who at least understood Russian. Anora’s grandmother had never learned how to speak English.

They are having a good time, in a wretched excess way, with him shelling out beaucoup bucks for her exclusive company, and in short order, they decide to get married. This is a problem for Vanya’s handlers when they find out. They worked for his parents and were supposed to keep him on a loose leash.  Now, the marriage must annulled, which is complicated.

Evolution

The early part of the film was a bit boring to me. There’s a lot of sex, not just with Ani, and it’s very unsexy. 

The film finally starts getting interesting when two of Vanya’s handlers rush to the lavish home where he and Ani are staying. These guys are intimidating but not lethally scary. Still, they and their immediate boss are determined to get their way and have the means to grease the legal machinery. At this point, I see Ani’s strength and vulnerability come through. And the film becomes a black comedy.

So I liked the latter half of it, although, as some critics pointed out, “Anora’s outbursts of fury, incessant trash talking, and relentless screaming can wear on the ear.” The Rotten Tomatoes reviews were 96% positive with the critics and 90% with the fans. 

I’m reminded that when the movie Pretty Woman was being made, it started as a “gritty dark comedy about the dehumanizing nature of sex work,” much darker than the frothy tale that Garry Marshall engineered with Julia Roberts and Richard Gere’s characters. This is NOT Pretty Woman. 

Movie review: Conclave

the opposite of faith

The pope is dead. Cardinal Lawrence (Ralph Fiennes), as Dean of the College of Cardinals, is tasked with organizing the conclave to select a new pontiff. That’s the premise of the movie.

The candidates emerge. Cardinal Bellini (Stanley Tucci) is a liberal favorite, while Cardinal Tedesco (Sergio Castellito) is a conservative alternative. Could Cardinal Trembley (John Lithgow) emerge as a compromise? And there’s never been an African pope—how about Cardinal Adeyemi ( Lucian Msamati)? And there are others.

A potential scandal or two colors the proceedings. On the face of it, this should be a boring, stuffy process based on issues that people not seeped in Catholicism would not care about. It is not. The wardrobe and set look realistic, and the cinematography is lovely. “Costume Designer Lisy Christl on Why the Cardinals’ Crosses Were an Important Character Detail.”

The acting—including by Isabella Rosellini as Sister Agnes—is wonderful. The nuns may be invisible, but they do see. Even cardinals struggle with the notion of their calling. One of the resonating quotes is that “the opposite of faith is not doubt; the opposite of faith is certainty.”  What are the perils of ambition?

A review I saw notes that Conclave is “among other things, an actual thriller, of character rather than jeopardy.” Well, maybe a little bit of jeopardy. It was surprisingly riveting.

Smoky back rooms

It reminded me somewhat of political conventions, not the ones we have more recently where the outcomes are preordained, but the old-fashioned smoky back rooms, where there was horse trading for votes amongst the delegates. The favorite sons from a given state held their delegates in abeyance for some trade-off.

I saw Conclave at the Spectrum Theatre in Albany on a Thursday afternoon. The room was about 1/3 full, which is not bad for that time of day. The reviews on Rotten Tomatoes were 91% positive with the critics and 85% positive with the audiences.

One of the negative reviews was from Hosea Rupprecht from Pauline Media Studies, who wrote: “From the perspective of the Catholic Church, Conclave offends by taking this sacred ritual which is supposed to inspire faith, humility, and trust in the providence of God, and turns it into a disturbing commentary on human weakness and ambition.”

I’m not feeling it. As a Protestant kid who’s had an utter fascination with the papacy from childhood, I think it reflects what people of faith have told me over the many decades about internal struggle.  Others complain about the “final twist that is, arguably, one twist too far.”It’s a fictional story, but the conclusion seems internally consistent.

I highly recommend it.

Ramblin' with Roger
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