Flicking through the channels in late December, which I seldom do, I came across something amazing. It was David Byrne and a troupe of like-dressed men and women. This must be the film of his American Utopia show on Broadway. They are performing Janelle Monae’s astonishing “Hell You Talmbout”, complete with images of murdered Black men and women.
Then some other songs, including Road to Nowhere, the Talking Heads tune. This involved the cast literally marching around the theater. My, I need to see this in its entirety, which I did on HBO about a week later.
Like the Stop Making Sense tour, where I saw Talking Heads at SPAC in the early 1980s, this show adds layers. First Byrne, then the two folks, a black woman and a white man, I describe as “interpreters.” They sing, but they also enact choreographed movements. The ensemble builds with keyboards, guitar, and percussion – a lot of percussion.
Peppered between the 20 Talking Heads and solo songs are Byrne’s musings, about the nature of things – how the brain develops. The show is political. Not capital P political, except for the Monae song. But he notes that most of the cast are immigrants, including himself, born in Scotland. He asks people to vote, though he does not say for whom.
One of the facets that made this show work so well is the technology. Everyone moves around the stage, in different arrangements. The instruments are all hand-held and wireless. It is a very freeing experience.
The right thing
The movie’s director is Spike Lee. Per NPR, he “works right alongside Byrne, bringing viewers into the show…, putting us right on stage with these talented artists, and transcending a mere recording of a live event.” He must have placed cameras all over. My favorite shot might be from above the stage, the musicians in the configuration of a pinwheel marching band.
I LOVED this movie. As RogerEbert.com notes, “David Byrne’s American Utopia is a joyous expression of art, empathy, and compassion.” The end credits feature Everybody’s Coming To My House by the Detroit School of Arts. It’s a better version than his version, Byrne opines.
Some semblance of connectivity. Zoom is good for Bible studies, the Dads group at church. Actually, it’s been great for communicating with my sisters. It’s fine for keeping in touch with the choir, but not nearly as good as singing together.
What did you want and not get?
The sense of the creative. I didn’t sing or see a lot of performances or read a lot of books.
What were your favorite films of this year?
This will be different because I didn’t see a lot of films at the cinema. Note these are not the BEST films, necessarily, which is probably Parasite or 1917, but the ones I most enjoyed.
Our church did a performance of Once On This Island the following day, just before the lockdown. So I spent much of the time at the dress rehearsal.
How would you describe your personal fashion concept in 2020?
Comfortable footwear. These long-sleeved shirts my wife bought from L.L. Bean that help prevent me from getting sunburned.
What kept you sane?
To the degree that is true – and one could argue that – I play music constantly. Compact discs, because I like the tangible. Then every three months, I put the ones I played away because it involves the mental exercise of alphabetization.
Yeah, most of it is already online, but listening to that doesn’t bring me… JOY. I love reading the liner notes – Ricky Fataar is on a 2016 Bonnie Raitt album; Emmylou Harris is everywhere.
And sometimes, I would alternate between listening to a CD and riding the stationary bike for 15 minutes. The CD might be 29 minutes, or 45, or 74. I like the asymmetrical nature of the process.
Which celebrity/public figure did you fancy the most?
Chadwick Boseman (RIP), Kobe Bryant (RIP), Lebron James. Ji-Man Choi – pronounced like Eliot Ness – the pudgy but amazingly athletic first baseman of the Tampa Bay Rays.
There are probably others. But it’s been a long year.
In fact, this is so true that I actually forgot Hugh Downs died in 2020. Of course, he did. And I mentioned it
What political issue stirred you the most?
My general belief that we may have already irrevocably destroyed the planet. Democracy in the USA may be unfixable. Oh, and that – surprise! – racism still exists in America.
Who was the best new person you met?
Who meets new people? Actually, one of the best things, in my telephoning exercise, is to reconnect with people I had not talked with in years, such as Janet, Diana, Jeff, Al, Judith, Kim, Maureen…
Tell us a valuable life lesson you learned in 2020
Sometimes, the workarounds are successful, and sometimes, not so much.
Small Zoom gatherings work. Or they don’t for reasons some of us can recite in our sleep. I’m betting Jeffrey Tobin’s ZOOM meeting was really boring. Someone failed to mute, so he forgot to turn off the camera.
“Parties” on Zoom I’m most uncomfortable with. If you’re at a real party, you talk for a while, observe for a while, haul empty cups to the kitchen. But online, you’re expected to be “on.”
At one gathering this year with three dozen people, someone asked ME specifically why I hadn’t said anything. It’s mostly because 1) it’s difficult to know when to speak and not talk over people and 2) I didn’t really have anything to say.
Takeout food. Some are great. Pizza, Indian food. I haven’t had Chinese this year, but I imagine it’d be pretty good. But some, from restaurants I love, are lackluster. Italian food is hit or miss, e.g.
Telemedicine, as noted – meh.
Performances – better than nothing, but an ersatz experience. It’s interesting that, because of the pandemic plus the technology, there are MORE opportunities to hear music online than I could possibly take in.
Tell you what, 2021. If you don’t suck as much as 2020 did, my summary about you will be half as long. Deal?
December 36, 2020
Hey, 2021, you’re not starting off very well. Sluggish COVID vaccine distribution.
And such a blatant attempt to steal the election by the Republican party that all living former defense secretaries have condemned GOP attempts to overturn the election and involve the military.
Sen. Tom Cotton (R-AR), who I do not like, nevertheless is partly correct in opposing challenging the Electoral College tally. “Congress would take away the power to choose the president from the people, which would essentially end presidential elections and place that power in the hands of whichever party controls Congress.”
Newsmax, having sold its soul, said that it has “reviewed the full tape and transcript of [his] call to Georgia Secretary of State Brad Raffensperger.
It claims “The transcript shows [Trump] pressed the Secretary on serious vote fraud issues in Georgia and Trump never acted improperly.”
Naturally, Newsmax blames the mainstream media for “duplicity” in spreading “false” information. The man said on tape, “I just want to find 11,780 votes” and alternately berated, flattered, begged, and threatened with vague criminal consequences if the secretary of state refused to pursue his false claims. He is soliciting election fraud, in his increasingly desperate attack on democracy, dammit.
The year 2021 has been designated as Be Kind year. Designated by me, because 2020 was so damn difficult.
I was motivated specifically by two things, one positive and one not. On the upside is this article about Promoting the power of kindness. There is “a new documentary, ‘The Antidote,’ on Amazon Prime. Directed by Kahane Cooperman and John Hoffman, the film was inspired by what Hoffman sees as an increasingly dangerous cultural and political climate.
“‘There has been such division and such rancor that if that division starts eating away at these common decencies that we exhibit towards one another, then our democracy might truly be in danger,’ Hoffman said.” The “film highlights people for whom kindness isn’t a random act, but a full-time commitment. Cooperman said, “Kindness is a fierce tool and a weapon for change.”
Movie on computer
So I watched The Antidote (2020). The theme seemed to based less on kindness and more on actions of fairness and justice. The CBS piece highlights Dr. Jim O’Connell. Thirty-six years ago, “his mentor suggested he work for a year at a shelter. The shelter’s chief nurse told Dr. O’Connell to set aside the stethoscope and the medical bag. ‘And she put them aside, and I had to soak feet,” he recalled. Yes, soak the feet of the homeless.”
Reporter Mo Rocca asked, “When we pass a homeless person on the street, what should we do?” Dr. O’Connell replied, “The most important thing you can do is to look the person in the eye and just acknowledge them. Really, what they’re looking for is not to be ignored. Just saying hello to somebody, rather than ignoring them, is really, really powerful.”
Interlocking the movie segments is a classroom in Modesto, CA that requires a comparative religions class. You may not be surprised by the takeaway that most major religions have a similar creed, basically the Golden Rule. But what matters is that the eyes of the kids in the classroom were opened.
Other reviews
I found only a couple of reviews. One was a brief but scathing one-star user screed on IMDB calling the film “delusional.” The other was from the Austin Chronicle by Richard Whitaker, which I’m going to quote at length.
“It’s told exactly how you think it would be told. Lots of pretty shots of different locations, with stirring strings and maudlin arpeggio piano… It’s undoubtedly a Kumbaya chorus but is that a bad thing?… [Its] Panglossian philosophy often made the show seem a little glib.
“But maybe we do need to be beaten over the head with the idea that being considerate should not be regarded as a political act. ‘We need more of that,’ says one amiable gentleman who performs his one selfless act in his own moment of paying everything forward. When kindness seems in such short supply, [we require] a little reminder that it’s easy and takes so little effort.”
Invisible
I said there were two things that inspired my 2021 Be Kind campaign. The other was a post by fillyjonk. It really irritated me. She was waiting in a store for a package of meat. “When the man finally came out, ANOTHER MAN stepped up from the side of the case and said, before I could even open my mouth, ‘I need a pork shoulder’ even though I WAS STANDING RIGHT THERE.” The title of the piece, “Again, I’m invisible.”
I surely recognized that feeling. It is awful and infuriating and demoralizing. We can do better. We MUST do better. Rev. Jennifer Butler from Faith in Public Life noted this recently. “In Jewish tradition, we are called to the work of ‘Tikkun Olam,’ repairing the world. All our faith traditions echo this charge by requiring us to move beyond proclaiming our faith with our words to living out our faith in our deeds.”
James Kendrick described it as “a road comedy about two men trying desperately to get home for Thanksgiving and having every obstacle imaginable thrown in their way. The men are played, in a feat of pitch-perfect casting, by Steve Martin and John Candy as complete opposites who, at the beginning of the film, don’t know each other, but by the end have found that they have more in common than they thought.”
Candy himself was quoted about the script. “I just cried with laughter when I read it. It’s like it was written with me in mind, which makes a big difference. I could see just see the movie in my mind.”
Back in 1972, John was accepted in the Second City comedy troupe’s Chicago group. For two years, he worked with folks such as John Belushi and Gilda Radner. He then returned to Toronto in 1974, working with Second City’s Toronto group.
SCTV
John “helped bring the troupe’s skits and sketches to Canadian television in 1977 as SCTV. The series also featured Martin Short, Eugene Levy, and Harold Ramis. That’s where I first him. “John Candy’s Johnny LaRue, Josh Shmenge and Gil Fisher (“The Fishin’ Musician”) were about as different from each other and Candy himself as you could possibly get.”
He reportedly turned down offers to be in the SNL cast. Interesting, then that he ended up in ten movies with SNL alums.
Among the movies I saw, he appeared in The Blues Brothers, Stripes, National Lampoon’s Vacation, Splash, and Home Alone. One of his best performances was in a more serious role. “During his screen-time as Dean Andrews in JFK (1991), the nervous sweat seen on his face is real, as the thought of acting in a dramatic film opposite such heavyweight actors as Donald Sutherland and Gary Oldman made him very scared.” He was very good.
Another solid role was as the title character in Uncle Buck (1989). He said, “In the movie, Uncle Buck doesn’t talk down to these kids. And I think that’s why they like him. He treats them as an equal.”
A sad demise
I’ve learned that John Candy lost his father Sidney to a heart attack when John was only five years old. Sidney was 35; HIS father also died of a heart attack. “John was a heavy smoker for most of his adult life. He officially quit smoking cigarettes a few months before he passed away.” And the large man was sensitive about his weight and periodically tried to shed some pounds.
Still, he too died of a heart attack, on March 4, 1994 at the age of 43. He was in Durango, Mexico filming the western spoof Wagons East. According to fellow SCTV alum Catherine O’Hara, “just before going to Mexico, Candy talked to her on the phone and told her that he feared going to Mexico because he felt that ‘something bad is going to happen there.'”
Sadly, John Candy, who was born 31 October 1950 in Toronto, Ontario, was only 43 when he died. He was well-loved by his compatriots.
I’ve now gotten to the part of the Marvel Cinematic Universe where the release dates and the chronology of the movies – or most of the films – diverge. And the various TV shows, none of which I ever saw save for a handful of SHIELD eps, fit in there as well. Fortunately, I’m going to mostly ignore those facts. The titles in italics I saw in July 2020.
Captain America: Civil War (2016). When I used to read comic books, the creative teams often developed fights among the superheroes. Sometimes it’d be a brief misunderstanding. Occasionally, it’d be a more elaborate brawl. Too often, though, the motivation seemed sketchy. Not here.
The Hero Registration Act, designed to limit the actions of superheroes, was embraced by Tony Stark/Iron Man, but Steve Rogers/Captain America balks. I found this film surprisingly emotional, especially with the big reveal. Why it’s a Captain America movie, I don’t know, since most of the combatants were Avengers, but whatever.
Doctor Strange (2016 ) -it was an origin that took too long to get going. And it felt formulaic. But I did like the weird dimensional stuff, walking on the sides of buildings.
Guardians of the Galaxy Vol. 2 (2017). Apparently, this takes place before Avengers: Age of Ultron, not that it particularly matters. Odd that despite the massive amount of comic book violence, the story was much more interesting to me than the first Guardians. Part of that is Kurt Russell as Ego, whose presence makes the Star-Lord character feel less of a Han Solo wannabe. I also like Sly Stallone’s appearance and the curious character of Mantis. And Baby Groot is cuter.
Heck, even when the music was too much on the nose – Fathers and Sons by Cat Stevens, really? – I found it touching. Speaking of music, it also featured my favorite Fleetwood Mac song ever, The Chain.
Dorky high school kid
Spider-Man: Homecoming (2017) – There was a movie called The Birdman starring Michael Keaton as an actor pigeon-holed as someone who had played a superhero. I didn’t love it, though it reviewed well. Yet I projected that character onto his playing the Vulture in THIS movie, and it worked, especially his threat to Peter while the young man was on a date.
I’m starting to warm up to Tom Holland as this version of the web-slinger. His classmates are appealing, though incredibly patient with Peter. And while he’s hanging out with Tony Stark, he still feels like your friendly neighborhood dude.
Thor: Ragnarok (2017) – Despite the serious theme – save Asgard! – this turned out to be a very funny film, with great action to boot. Even Doctor Strange was fun in a cameo. Valkyrie (Tessa Thompson) is as stubborn as the Thunder God. Hela (Cate Blanchette) appears invincible. The Grandmaster (Jeff Goldblum) is very Goldblumesque. Did I mention the Hulk?
I take it that director Taika Waititi deserves some of the credit. Clearly, the best Thor film.
Black Panther (2018) – I saw it when it came out before I was aware of the events of Captain America: Civil War. This actually makes the accomplishments of this film more impressive. Because the real star of Black Panther is Wakanda itself.
Well, those last two Avengers films and a couple of others will have to wait until next time.