Tag: movies

Movie review: Ford v Ferrari

Wide World of Sports

fordvferrariI read the description of Ford v Ferrari in IMBD. “American car designer Carroll Shelby and driver Ken Miles battle corporate interference, the laws of physics and their own personal demons to build a revolutionary race car for Ford and challenge Ferrari at the 24 Hours of Le Mans in 1966.”

Frankly, this doesn’t sound too compelling to me. I’m not a car guy by any stretch. But as a critic put it: “Ford v Ferrari reaches beyond a niche car-enthusiast audience. The screenwriting team has really made it accessible for anyone with or without car knowledge.”

It’s partly an unlikely buddy movie with the clever, smooth-talking Texas-born Shelby (Matt Damon) encouraging, protecting and occasionally fighting with Miles, the prickly and creative Englishman. Certainly, it was a love story without a lot of hearts and flowers between Ken and wife Mollie (Caitriona Balfe). Their kid Peter (Noah Jupe) is nice without being movie-kid annoying.

Shelby exploits the corporate ego of the Ford Motor Company in getting them to let him and Miles build the car they wanted to create. Ford loses yet again to their Italian rival at the 24 hours at Le Mans. The jousting between Shelby and Ford executives such as the Henry Ford II himself (Tracy Betts) was quite delicious.

NOW I remember

Finally, it’s a sports story of speed, endurance, and technology which I ended finding fascinating.

These were real-life guys I had never heard of. But I suddenly remembered that I had seen television coverage of Le Mans when I was a kid. I was probably watching it with my grandfather McKinley Green in the second-floor apartment he shared with my grandma.

I’m guessing it was on ABC’s Wide World of Sports and that the late Keith Jackson was the announcer. The TV anchor certainly was a ringer for Jackson.

At two hours, 32 minutes, it is probably too long by a quarter-hour. But Ford v Ferrari was a film both my wife and I enjoyed when we saw it at the Spectrum Theatre in Albany in December 2019.

Movie review: Dark Waters (2019)

Hoosick Falls, NY water used for drinking is contaminated with PFOA

dark watersMy wife and I went to see Dark Waters at the Spectrum Theatre in mid-December. As we came home, we realized we were both really ticked off. But it wasn’t a flaw in the movie. Rather, it was too damn effective.

Robert Bilott (Mark Ruffalo) is a defense attorney for large corporations who just made partner at the firm. A neighbor of his grandmother’s, a West Virginia farmer named Wilbur Tennant (Bill Camp) shows up at Bilott’s office. Wilbur thinks something untoward is killing his cattle.

Negotiating with the managing partner Tom Terp (Tim Robbins), Robert decides to take a quick look see at the case. Soon, he’s conversing with duPont bigwig Phil Donnelly (Victor Garber). Donnelly buries Bilott in discovery, and other stalling tactics. Eventually, this process becomes an environmental lawsuit against the major chemical company that was creating PFAS chemicals that pollute the water and much more.

Robert’s wife Sarah (Anne Hathaway), a lawyer who retired to raise the family, tries to be supportive, but the cost in Robert’s time and their lifestyle begins taking its toll.

This is a very steady, credible film. In some ways, it reminded me of the 2015 movie Spotlight, in which Boston Globe reporters were investigated alleged sexual abuse in the Roman Catholic Church. No one wanted to believe that narrative either.

In Dark Waters, one of the young women who was getting her blood tested said, “But you won’t find anything . DuPont is good people.”

A better example might be The Firm, the movie based on the John Grisham novel, or maybe a low-key Erin Brockovich. Dark Waters is engaging and informative about corporate irresponsibility that affected millions of lives.

PFAS

When my wife and I got home that very night, we saw on NBC News a story about PFAS chemicals in the drinking water of a seemingly well-to-do Philadelphia suburb. I didn’t find that specific report, but note that PFAS chemicals have contaminated 17 sites in Pennsylvania. See also the NATIONAL map.

It’s a problem in my neck of the woods. The water depended upon by the people of Hoosick Falls, New York, for drinking and cooking is contaminated with PFOA (perfluorooctanoic acid). PFOA is a subset of PFAS, one those C8 “forever” substances.

As the farmer Wilbur noted, you can’t count on industry or the government to protect us. We have to count on ourselves.

Mary Elizabeth “Sissy” Spacek turns 70

Recommended: In the Bedroom; The Straight Story

Sissy Spacek
I know nothing about this album.
Although I never saw either Carrie or Coal Miner’s Daughter, I’ve seen Sissy Spacek in a slew of movies, so many that I had to look them up on IMDB.

Three Women (1976). Robert Altman film about three women in a western desert town. It was creepy, as I recall.

Missing (1982). It was a Costa-Gavras (Z) political drama in a South American country on the precipice of a military coup. American activist Charles Horman (John Shea) suddenly disappears. Spacek plays his wife Beth, who can find no information from either the new rulers or from the American consulate. Her father-in-law Ed Horman (Jack Lemmon) joins Beth in the search, despite their political differences. A real thriller.

Crimes of the Heart (1986). “Three sisters from a rather dysfunctional family in the South are gathered together for a birthday. One can’t seem to stay in a relationship for long, one was just released on bond for shooting her senator husband, and the other is an aspiring actress.” Well-acted but stagey, if memory serves.

The Nineties

The Long Walk Home (1990). The Mongomery (AL) bus boycott of 1955/1956 was “a decided inconvenience for Miriam Thompson (Sissy Spacek), a well-to-do white woman. Now, Miriam must drive to the black section of town to pick up her maid Odessa Cotter (Whoopi Goldberg) and bring her to work.” I recall it as pretty good, albeit sober.

JFK (1991). Spacek played the wife of the crusading district attorney wife of the Louisiana district attorney Jim Garrison (Kevin Costner), who is skeptical that Lee Harvey Oswald and Jack Ruby each acted alone. Liz Garrison served as a sounding board, I believe.

If These Walls Could Talk (1996 TV movie). An anthology “about three disparate women coping with unexpected pregnancies.” Spacek is in the middle section in 1974 “when Barbara, who already has four kids, tackles another one. A pretty good, if overly earnest, film.

The Straight Story (1999). A G-rated David Lynch film about “a trip made by 73-year-old Alvin Straight (Richard Farnsworth in his final role) from Laurens, Iowa, to Mt. Zion, Wis., in 1994 while riding a lawnmower. The man undertook his strange journey to mend his relationship with his ill, estranged, 75-year-old brother Lyle (Harry Dean Stanton). Spacek plays Alvin’s daughter Rose. This was REALLY good and quite touching.

21st Century

In the Bedroom (2001). “A New England couple’s college-aged son dates an older woman who has two small children and an unwelcome ex-husband.” This is Spacek’s best performance among the ones on this list. “Quietly wrenching…”

Tuck Everlasting. I’m fairly certain I saw it, but the details of the book adaptation are failing me.

North Country. I recall that Charlize Theron was quite good as “Lori Jenson, who took a job at a Minnesota iron mine in 1975. She and other female miners endured harassment from male co-workers.” But I’m not remembering Spacek.

Get Low (2009). I saw the movie. Fortunately, I wrote about it, and the details are refreshed.

The Help (2011). She played the old woman pushing back against her daughter’s bigotry.

Sissy Spacek turns 70 on Christmas Day 2019.

A Beautiful Day in the Neighborhood

Beautiful Day in the NeighborhoodThe movie A Beautiful Day in the Neighborhood I thought was going to be some sort of biopic about Mr. Fred Rogers. But it really wasn’t.

Rather, the story concentrated on a hard-bitten journalist Tom Junod. He’s called Lloyd Vogel in the film, played by Matthew Rhys (The Americans; Brothers and Sisters). Lloyd is assigned to write a puff piece on the television performer (Tom Hanks). He interviewed Rogers extensively for what was supposed to be a 400-word piece in Esquire magazine. Because of that very clever angle, the story worked.

Tom Hanks, nominated for Best Supporting Actor in the Golden Globes, embodies Fred Rogers without overtly imitating him. I was astounded by a couple of interviewers suggesting to Hanks that playing Mr. Rogers must have been easy. Fred Rogers was nice. Tom Hanks seems nice. Those reporters showed no understanding of the craft in creating a specific persona.

Even though it it less Fred’s story than Lloyd’s, the values of guy in the cardigan sweater are clearly infused. One of the funny moments was in the trailer, but still worked. Lloyd’s wife Andrea (Susan Kelechi Watson) says to her husband, “please don’t ruin my childhood.” Chris Cooper is strong as Lloyd’s estranged father.

For its time

As Ken Levine put it in his review: “As I was watching it I thought, if Fred Rogers hadn’t really existed no one would ever buy this film. We’d all be saying, ‘No one is that genuine and kind-hearted.’ But of course he was. And my second thought was ‘Boy, we sure could use him now.'” That last sentiment shows up at least in the subtext of many of the reviews I read.

I’m glad this was not the standard biopic because the 2018 documentary Won’t You Be My Neighbor, which I loved, already covered that territory. And if it isn’t quite as strong as the doc, the biopic nevertheless stands on its own.

(Conversely, I had a much different feeling after seeing two films about Ruth Bader Ginsburg. The documentary RBG was great. The biopic On the Basis of Sex was extraneous unless you’d never seen RBG.)

I recommend A Beautiful Day in the Neighborhood, which did made me feel better about the world. Oh, and check out a piece from the Washington Post: “What happened when I showed vintage Mister Rogers to my 21st-century kids.”

Actor Jeff Bridges turns the Big 7-0

Starman: I do know the rules.

Jeff BridgesSomehow, I have a difficult time thinking of Jeff Bridges turning 70 because of Sea Hunt. Jeff appeared in four episodes, and his eight-years-older brother Beau a couple of times in the series. Sea Hunt starred their late father Lloyd, an early syndicated show in the late 1950s.

You probably know Lloyd Bridges best from the movie Airplane! Actually, Jeff and his brother both made their film debuts, without billing, alongside their mother Dorothy Dean Bridges (née Simpson) in the film The Company She Keeps (1951).

While I’ve seen Jeff in a few films, I’ve NOT seen most of his iconic roles. Need to fix that, surely. I did catch him in The Last Picture Show (1969), The Fisher King (1991), Iron Man (2008), and Crazy Heart (2009).

Starman (1984) which I loved, has one of my favorite pieces of dialogue:
Starman [Jeff Bridges]: Okay?
Jenny Hayden [Karen Allen]: Okay? Are you crazy? You almost got us killed! You said you watched me, you said you knew the rules!
Starman: I do know the rules.
Jenny Hayden: Oh, for your information pal, that was a yellow light back there!
Starman: I watched you very carefully. Red light stop, green light go, yellow light go very fast.

I have soundtracks of two Bridges films that I did not see, Against All Odds (1984) and Tucker: The Man and His Dream (1988), the latter containing Joe Jackson songs. I also have the Crazy Heart soundtrack, on which Bridges gives credible performances.

Bowling

But I missed TRON (1982), The Fabulous Baker Boys (1988), and Hell or High Water (2016), among others. And I have never seen, all the way through, The Big Lebowski (1998). I’m quite aware of its cultural significance of The Dude.

The Big Lebowski played at the Madison Theatre, three blocks from my house, less than a half-decade ago, but the timing didn’t work out. Now I have seen large chunks of it, and for that matter, TRON, on TV from time to time. If the Madison ever reopens and brings it back, I’ll be in line.

Jeff Bridges turns the Big 7-0 today.

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