The waiting is the hardest part

I’ve had TERRIBLE experiences when others have dropped me off later than I asked, ESPECIALLY at the airport.

Ken Levine wrote a blogpost recently indicating that one of his quirks is that he hates to keep people waiting. A fair amount of this is true for me as well, but not all of it.

“I am almost always on time.” Well, that’s not true of me, and even less so since I’ve been a father. But it does still aggravate me.

“I’d much rather be early than late.” That’s accurate. And especially at the movies, where my night blindness is acute. It was a decade or more ago when I got to a movie after the previews started and I attempted to sit where there was no seat; it was a carveout for a wheelchair. And. believe me, the lateness was NOT my idea.

“The fact that I’M keeping them waiting drives me crazy.” Very true.

“I’m one of those crazy people that will text saying I’m running two minutes behind.” No, I don’t text.

“When I get on a plane I can’t throw my bag in the overhead compartment and take my seat fast enough. Knowing I’m holding up thirty people while I adjust my carry-on makes my heart palpitate.” Not heart palpitating, but I’m keenly aware of this. The last time I was on a bus, I threw my stuff in the bin, then after the bus started rolling, I got out the stuff I wanted.

“When I’m at a checkout stand, I don’t take five minutes to count my change, rearrange the credit cards in my wallet, etc.” That’s me for certain.

“If I’m at a fast-food place I don’t wait until I get to the counter to look at the menu and decide what I want.” This is one of the few things that annoys me about other people. I mean, when they’re in line for four minutes on their device and they’re suddenly surprised that they’re in the front of the line and have to make a decision.

“And when there’s a long line at the bank I don’t ask the teller to show me the new designs they have available for checks.” I so seldom actually use a teller, this is not applicable. In the bank branch in my work building, there’s almost never a line.

“When the light is green I GO.” Here’s something my wife notices I do on the bicycle: I usually stop at the rear of the two lines at the intersection. When the other light turns yellow, I start rolling forward slowly, but not into the crosswalk, because some last-minute car might be plowing through. But I’m trying to keep the car facing me from making a left in front of me without actually getting myself killed.

“When I’m in TSA lines I take my computer out before I get to the conveyor belt. And I have my ID and boarding pass ready.” Absolutely. And in general, I’m really early for any form of mass transportation. I’ve had TERRIBLE experiences when others have dropped me off later than I asked, ESPECIALLY at the airport.

“I don’t know whether it’s common courtesy or an unhealthy obsession. But I do know this: I wish more people had it.” I tend to agree.

MOVIE REVIEW: The Florida Project

Brooklynn Prince is incredible.


The Landmark Theatres have some sort of electronic movie that I belong to. I was selected as a winner of an “admit-two” ticket for the Monday, October 23rd, 7:30 p.m. screening of THE FLORIDA PROJECT at Landmark’s Spectrum 8 Theatres.

Unfortunately, Monday night is the Daughter’s play rehearsal night, so it was impossible for both my wife and I to go. So I went with my friend Mary.

I had seen the trailer previously, which fortunately does not reveal too much. The film was directed by Sean Baker in a sort of a cinema verite. It was though the story, from a screenplay by Baker and Chris Bergoch, were a documentary.

It follows around Moonee (Brooklynn Kimberly Prince), a five-year-old leader of a group of kids – Valeria Cotto as Jancey, Christopher Rivera as Scooty – running relatively freely in these of extended-stay motels, probably once decent venues not far geographically, but miles away economically from Walt Disney World, which was originally dubbed The Florida Project.

Willem Dafoe is Bobby Hicks, the manager of The Magic Castle Motel – definitely not to be confused with The Magic Kingdom – just trying to do his job, collecting the rent, which is usually late, from Halley (Bria Vinaite), Moonee’s mom. But occasionally, he gets involved in his tenants’ lives, in spite of himself.

For a time, I wasn’t sure where the film was going, with its various vignettes. It only later occurred to me that the pastels of the housing units belie the difficult situation these folks find themselves in. By the end, the viewer will recognize the part of the population not often shown in film, as it “raises sobering questions about modern America.”

Dafoe, of course, is the name performer, and he is quite fine. But Brooklynn Prince is incredible in the lead. Check out the very positive reviews on Rotten Tomatoes (96%), though less so from the public (75%), who might be impatient that the narrative doesn’t “spell it out” more quickly.

The Color Purple: screen to stage

Cynthia Erivo as Celie in the Broadway revival
I never finished reading Alice Walker’s powerful 1982 novel The Color Purple, though I had read good chunks of it.

The movie came out in late 1985, so I would have seen it in the first three months of the following year. I thought it was strong, powerful, and occasionally difficult to watch. Danny Glover played Mister/Albert, who was a brute. Whoopi Goldberg as Celie Johnson, Margaret Avery and Shug Avery, and, surprisingly, Oprah Winfrey as Sofia were quite good, as was the rest of the cast.

The film garnered 11 Academy Award nominations, including for those three women, winning zero, making it the film with the most noms with no Oscars. Goldberg and director Steven Spielberg did win the Golden Globes, and the film was named best drama.

Then there was the first Broadway production which ran from December 2005 to the end of February 2008, nominated for 11 Tonys, and winning one, LaChanze as Celie. Renée Elise Goldsberry, later of Hamilton fame, played Celie’s sister Nettie. The touring company production ended a couple years later.

The musical was revived at the end of 2015 and closed early in 2017. It was nominated for four Tonys, and won Best Revival of a Musical and Best Performance by an Actress in a Leading Role in a Musical, Cynthia Erivo as Celie.

The touring show started on October 17, 2017 in Baltimore. But wait. What did I see on October 8 at Proctors Theatre in Schenectady, featuring “director John Doyle’s deceptively simple set design, a towering array of angled, broken barn boards and mismatched wooden chairs that rise up from the stage to the overhead fly-space”?

Technically, it was a preview show, working out the bugs in the story and technical problems. I’m told the cast in the earlier production was quite large, but only 17 in this iteration. The story is strong, especially in the first half. The songs are very inspirational, especially in the second half, and performed well throughout.

A couple actors weren’t miked well, and I couldn’t really make out what they were saying.

A bigger problem for me, though, was the transformation of Mister/Albert from Act 1’s bully to Act 2’s saint. It didn’t feel earned, and as my wife noted, when a child is left in hs care, she worried about the baby’s welfare, unnecessarily so, as it turns out.

I’m sure that the technical issues will be fixed. Whether the storyline will be, I don’t know. Still, even with that caveat, it was well worth seeing.

September rambling #2: Len Wein

Congress’ most unapologetic feminist is the junior senator from my state

Share this post if you agree
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Newly-coined portmanteaux:
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When I heard Len Wein, the legendary comics writer-editor, passed away at the age of 69, I was surprisingly sad. I had never met him, but he started writing comics professionally almost simultaneously to when I started reading them. Mark Evanier, his long-time friend wrote “Len Wein died… and it feels so odd to type those words even though I’ve known for a long time I would have to.” I also know people IRL who knew him IRL, and I experience their sadness as well. Condolences to his wife Christine Valada

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100 greatest movie comedies of all time

literally fell out of my seat laughing, in the movie theater

Some Like It Hot

Some Like It Hot[/caption]My problem with of most rosters such as the “greatest movie comedies” is that there’s a good chance I’ve seen substantial portions of them. But they don’t count unless I’ve seen them in their entirety.

So I’ve seen chunks of:

87. Gentlemen Prefer Blondes (Howard Hawks, 1953)
80. Office Space (Mike Judge, 1999)
65. Caddyshack (Harold Ramis, 1980)
54. Harold and Maude (Hal Ashby, 1971)
33. Anchorman: The Legend of Ron Burgundy (Adam McKay, 2004)

28. It Happened One Night (Frank Capra, 1934)
27. The Apartment (Billy Wilder, 1960)
25. The Gold Rush (Charlie Chaplin, 1925)
21. City Lights (Charlie Chaplin, 1931)

17. Bringing Up Baby (Howard Hawks, 1938)
16. The Great Dictator (Charlie Chaplin, 1940)
15. Monty Python and the Holy Grail (Terry Gilliam and Terry Jones, 1975)
14. His Girl Friday (Howard Hawks, 1940)
13. To Be or Not To Be (Ernst Lubitsch, 1942)
12. Modern Times (Charlie Chaplin, 1936)
11. The Big Lebowski (Joel and Ethan Coen, 1998) This was playing at the local cinema recently, and I didn’t make it

10. The General (Clyde Bruckman and Buster Keaton, 1926)
5. Duck Soup (Leo McCarey, 1933)
2. Dr Strangelove or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964)
1. Some Like It Hot (Billy Wilder, 1959) – I’ve probably watched every scene, but never from beginning to end

Odd thing about 100. (tie) The King of Comedy (Martin Scorsese, 1982) is that I have the soundtrack on LP but I never saw the film

I have seen, almost always in a cinema:

99. The Jerk (Carl Reiner, 1979) – on TV
95. Ghostbusters (Ivan Reitman, 1984)
85. Amarcord (Federico Fellini, 1973) – probably at college
84. Waiting for Guffman (Christopher Guest, 1996)

78. The Princess Bride (Rob Reiner, 1987) – saw this, again, recently, in the cinema with the family
74. Trading Places (John Landis, 1983)
73. The Nutty Professor (Jerry Lewis, 1963) – as a kid, at the movies
72. The Naked Gun: From the Files of Police Squad! (David Zucker, 1988)
71. The Royal Tenenbaums (Wes Anderson, 2001) – didn’t particularly like it

69. Love and Death (Woody Allen, 1975) – I’ve seen virtually all of Woody’s films in the 20th century
58. Zelig (Woody Allen, 1983)
57. Mean Girls (Mark Waters, 2004)
56. Broadcast News (James L Brooks, 1987)- when I saw it in the cinema, I loved it at the time
55. Best in Show (Christopher Guest, 2000)
53. The Blues Brothers (John Landis, 1980)

47. Animal House (John Landis, 1978) – I can always listen to the “Germans bomb Pearl Harbor” speech
46. Pulp Fiction (Quentin Tarantino, 1994) – ah, this was a comedy. OK, I guess
44. Bridesmaids (Paul Feig, 2011)
43. M*A*S*H (Robert Altman, 1970) – when Albany got an independent TV station in the early 1980, now its FOX affiliate, it showed this movie at 8 a.m. on the first Sunday it was on the air

40. The Producers (Mel Brooks, 1967) – my second favorite Brooks movie
38. The Philadelphia Story (George Cukor, 1940) – on TV
36. A Fish Called Wanda (Charles Crichton and John Cleese, 1988)
35. Singin’ in the Rain (Stanley Donen and Gene Kelly, 1952) – saw it on DVD with the family
34. Clueless (Amy Heckerling, 1995)
32. Raising Arizona (Joel and Ethan Coen, 1987) – possibly THE best movie before the opening credits that I’ve ever seen. Six people the movie theater.
31. Tootsie (Sydney Pollack, 1982)

29. When Harry Met Sally… (Rob Reiner, 1989) – made a star out of Carl Reiner’s wife Estelle
22. Young Frankenstein (Mel Brooks, 1974) – literally fell out of my seat laughing, in the movie theater
20. Blazing Saddles (Mel Brooks, 1974)

9. This Is Spinal Tap (Rob Reiner, 1984)
7. Airplane! (Jim Abrahams, David Zucker and Jerry Zucker, 1980) – I’ll Roger that
6. Life of Brian (Terry Jones, 1979) – I never really understood he controversy; Brian CLEARLY wasn’t Jesus. One of my favorite segments is about what the Romans have done for us
4. Groundhog Day (Harold Ramis, 1993) – one of the first movies I bought on VHS
3. Annie Hall (Woody Allen, 1977) – my touchstone movie, and also one of the first I got on VHS

Only 34 of the greatest movie comedies, meh. There are also links to interesting articles about the gender preferences in the selection.

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