The 21st century’s 100 greatest films, part 1

Until I read my own review, I had forgotten how much I liked this film

Requiem for a DreamThe BBC surveyed 177 film critics “from every continent except Antarctica. “For the purposes of this poll we have decided that a list” of the 21st century’s 100 greatest films “should include the year 2000” because the year “was a landmark in global cinema.”

Though I started this blog in 2005, and reviewed many of the films I’ve seen over the years, I wasn’t as detailed in the beginning. Still my reviews will be the items that are hyperlinked. A few movies I am not familiar with I’ve designated DK (don’t know)

Yes there are three films at 100

100. Toni Erdmann (Maren Ade, 2016) – DK
100. Requiem for a Dream (Darren Aronofsky, 2000) – saw this in a not-very-crowded theater; at least half of the audience had seen the before. It was astonishing, druggy psychological drama with Jared Leto and Jennifer Connelly. I thought the star, Ellen Burstyn, should have gotten the Best Actress Oscar instead of Julia Roberts in Erin Brockovich. It was in my Top Ten Films of the Aughts
100. Carlos (Olivier Assayas, 2010) – DK
99. The Gleaners and I (Agnès Varda, 2000) – DK
98. Ten (Abbas Kiarostami, 2002) – DK
97. White Material (Claire Denis, 2009) -DK
96. Finding Nemo (Andrew Stanton, 2003) – I enjoyed it quite a bit when I first saw it; classic Disney dead parent film. Still, I can’t but see this initially through the eyes of The Daughter , when she was about 4 or 5, when she was at a party and was terrified by certain scenes
95. Moonrise Kingdom (Wes Anderson, 2012) – I found it delightful, and the serendipity of seeing it was almost as much a part of the experience
94. Let the Right One In (Tomas Alfredson, 2008) – DK
93. Ratatouille (Brad Bird, 2007) – once I got over the idea of rats and edible food, I liked it
92. The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik, 2007) – thought to see it, but just never did
91. The Secret in Their Eyes (Juan José Campanella, 2009) – DK, though I had heard of the 2015 American remake, which I did not see

90. The Pianist (Roman Polanski, 2002) – I thought to see it, but, based on the previews, I knew I had to steel myself to see a Holocaust movie, and just never got to the theater before the film left
89. The Headless Woman (Lucrecia Martel, 2008) – DK
88. Spotlight (Tom McCarthy, 2015) – even though it won the Oscar for Best Picture, I think it’s somewhat underrated, because most of the performances were understated
87. Amélie (Jean-Pierre Jeunet, 2001) – I definitely bought into the whimsy of the waitress ((Audrey Tautou) who was a change agent in other people’s lives, even as she disconnected inside
86. Far From Heaven (Todd Haynes, 2002) – I found this film about 1950s Connecticut suburban bliss – but not really – quite powerful at the time in dealing with race, gender, sexual identity, and class. Starring Julianne Moore, Dennis Quaid, Dennis Haysbert, and Patricia Clarkson. I feel as though I should see this again to find out if it holds up.
85. A Prophet (Jacques Audiard, 2009) – I saw the previews of a French film about murder and drug dealing, and I just wasn’t interested
84. Her (Spike Jonze, 2013) – at some level, I thought it was not at all implausible, the way we are tethered to our devices.
83. A.I. Artificial Intelligence (Steven Spielberg, 2001) – I had meant to see it, and just didn’t
82. A Serious Man (Joel and Ethan Coen, 2009) – I really wanted to see this. It’s about the struggle with issues of faith. Didn’t
81. Shame (Steve McQueen, 2011) – saw the trailer about sexual addiction with Michael Fassbender and Carey Mulligan as grown siblings. It looked dark – I mean in many ways, including visually, lots of night scenes. If I had seen more films that year, this might have been one of them

80. The Return (Andrey Zvyagintsev, 2003) – may have seen the trailer of this Russian film about growing up
79. Almost Famous (Cameron Crowe, 2000) – enjoyed this a lot, actually. A music film is in my emotional wheelhouse.
78. The Wolf of Wall Street (Martin Scorsese, 2013) – I picked off most of the Best Picture nominees that year, and I had seen this one. My parents-in-law HATED it, it’s very long, and ultimately I never saw it
77. The Diving Bell and the Butterfly (Julian Schnabel, 2007) – until I read my own review, I had forgotten how much I liked this film
76. Dogville (Lars von Trier, 2003) – saw the trailer, but it didn’t capture me
75. Inherent Vice (Paul Thomas Anderson, 2014) – saw the trailer several times, and was never sure if I wanted to see it; didn’t, apparently
74. Spring Breakers (Harmony Korine, 2012) – saw the previews, thought it looked TERRIBLE
73. Before Sunset (Richard Linklater, 2004) – I have to see the Before trilogy one of these days
72. Only Lovers Left Alive (Jim Jarmusch, 2013) – DK
71. Tabu (Miguel Gomes, 2012) – DK
far from heaven
70. Stories We Tell (Sarah Polley, 2012) – though a mostly low-key documentary, I liked it a lot
69. Carol (Todd Haynes, 2015) – maybe a little TOO understated, but I enjoyed it
68. The Royal Tenenbaums (Wes Anderson, 2001) – I disliked virtually every character in this film, which may have been the point, but I did not enjoy this film. At all.
67. The Hurt Locker (Kathryn Bigelow, 2008) – I took this out from Netflix for four months, and never found the two-hour bloc to watch it. I need to watch a video the first time as though I were in the theater, which means in one solid bloc
66. Spring, Summer, Fall, Winter…and Spring (Kim Ki-duk, 2003) – DK
65. Fish Tank (Andrea Arnold, 2009) – DK
64. The Great Beauty (Paolo Sorrentino, 2013) -DK
63. The Turin Horse (Béla Tarr and Ágnes Hranitzky, 2011) – DK
62. Inglourious Basterds (Quentin Tarantino, 2009) – wasn’t sure I wanted to see another gory Tarantino film, so I didn’t
61. Under the Skin (Jonathan Glazer, 2013) – a horror film with ScarJo; the former turned me off

60. Syndromes and a Century (Apichatpong Weerasethakul, 2006) – DK
59. A History of Violence (David Cronenberg, 2005) – the Daughter was one y.o. We saw few movies in this period, and I’m not sure if this would have been a contender
58. Moolaadé (Ousmane Sembène, 2004) – DK
57. Zero Dark Thirty (Kathryn Bigelow, 2012) – sometimes the politics of the film gets in my way
56. Werckmeister Harmonies (Béla Tarr, director; Ágnes Hranitzky, co-director, 2000) – DK
55. Ida (Paweł Pawlikowski, 2013) – DK
54. Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011) – DK
53. Moulin Rouge! (Baz Luhrmann, 2001) – I have the soundtrack to this movie, some of which is fine, even spectacular, but other bits uncomfortably trite, rather like the movie
52. Tropical Malady (Apichatpong Weerasethakul, 2004) – DK
51. Inception (Christopher Nolan, 2010) – this actually intrigued me, the idea of stealing information by infiltrating the subconscious. Maybe I should rent it

Well, that’s the first half. The next part is where I show that I did not enjoy movies some of you love.

Movie review: Café Society

The Woody tropes are there, including disdain for all things Los Angeles.

cafe-societyI view the new Woody Allen movie Café Society at the Spectrum Theatre. At the end of the film, the man in front of me asks, “That can’t be the end of it, can it?” The next day, The Wife sees the film, and she says pretty much the same thing.

Conversely, I enjoyed the ambiguity of the ending. I have had a few relationships like that.

In 1930s New York City, Bobby Dorfman (Jesse Eisenberg is the Woody character) lives with his mother Rose (Jeannie Berlin) and father Marty (Ken Stott), a jeweler. With few prospects there, Rose calls her brother Phil Stern (Steve Carell), a very successful agent in Hollywood, hoping that Phil could find a job for his nephew.

After days of waiting around, Bobby finally gets to talk with Phil about his prospects. Phil has his secretary Vonnie (Kristen Stewart in arguably the best performance in the film) show Bobby around town. Bobby is taken with Vonnie, but she tells him she has a boyfriend, a journalist named Doug.

And then emotions get turned around. There are three scenes, pretty much in a row, that I particularly loved – they made my wife really sad – where the characters discover missing pieces of the puzzle.

Meanwhile, back in New York, Rose and Marty (Ken Stott) have two other children: schoolteacher Evelyn (Sari Lennick), who is married to philosopher Leonard (Stephen Kunken), and nightclub owner and gangster Ben (Corey Stoll).

There is really only one section of dialogue that is laugh-out-loud funny, and it’s near the end, a conversation with Rose and Marty about Christianity v. Judaism.

The movie also stars Blake Lively as Veronica Hayes and Brendan Burke as Evelyn and Leonard’s nasty and obnoxious neighbor Joe.

There are good and not-so-good Woody Allen movies in the 21st century. Café Society is pretty good, #20 in this list of All 47 Woody Allen movies – ranked from worst to best. The Rotten Tomatoes summary called it “amiable,” which is quite accurate. Yes, the Woody tropes are there, including disdain for all things Los Angeles, but it works here.
***
Woody Allen’s Biographer Tells All Id meet ego. Ego, id. The celebrated, controversial, highly self-aware filmmaker’s new ‘Café Society’ is about himself — but who is that? By David Evanier

Tommy Lee Jones turns 70

The Fugitive (1993) – One of my favorite movie trailers ever.

tommyleeJonesOn these Facebook ads I see often, one of the questions is which actor was former Vice-President Al Gore’s roommate in college. Yes, it’s the guy from Texas, Tommy Lee Jones.

In fact, “in 1970 he landed his first film role, coincidentally playing a Harvard student in Love Story (Erich Segal, the author of Love Story, said that he based the lead character of Oliver on the two undergraduate roommates he knew while attending Harvard, Jones, and Gore).”

“At the 2000 Democratic National Convention, he presented the nominating speech for…Gore, as the Democratic Party’s nominee for President of the United States.”

He was a guest star in a bunch of dramatic shows such as Barnaby Jones and Baretta that I used to watch. But it was before I knew who Tommy Lee Jones was. I did see him in these movies, and almost always like HIM, even when the movie is not great.

Lincoln (2012) – Thaddeus Stevens. I was rather fond of his portrayal. Jones received his fourth Oscar nomination, for Best Supporting Actor
Hope Springs (2012) – as a part of a couple aging.
Captain America: The First Avenger (2011)
A Prairie Home Companion (2006)
Space Cowboys (2000) – a bunch of aging astronauts

Men in Black (1997) – the movie that sealed Tommy Lee Jones as a bankable actor
Batman Forever (1995) – as Two-Face / Harvey Dent
The Fugitive (1993) – One of my favorite movie trailers ever. Richard Kimble (Harrison Ford): But I’m innocent! US Marshall Samuel Gerard (Jones): I don’t CARE!” No wonder he won Best Supporting Actor for his performance
JFK (1991) – as Clay Shaw. If I’m remembering right, he was sleazily great. He earned another Oscar nomination

Lonesome Dove (TV Mini-Series, 1989) – he earned another Emmy nomination for his portrayal of Texas Ranger lawman Woodrow F. Call in the acclaimed mini-series, based on the best-seller by Larry McMurtry
The Executioner’s Song (TV Movie, 1982) as Gary Mark Gilmore. Chilling. He received an Emmy for Best Actor for his performance as the murderer in an adaptation of Norman Mailer’s book
Coal Miner’s Daughter (1980) as Doolittle Lynn; for which he earned his first Golden Globe nomination for his portrayal of country singer Loretta Lynn’s husband

August rambling #2: how ridiculous xenophobia is

Will Your Prescription Meds Be Covered Next Year? Better Check!

Syrian children

It’s not just Freddie Gray. The Justice Department’s new report shows how wide and deep Baltimore’s police problems are

My four months as a private prison guard, which has led to the US phasing out private prison use

US: The Real Way the 2016 Election Is Rigged

Joseph Goebbels’ 105-year-old secretary: ‘No one believes me now, but I knew nothing’ – she said, Nothing!

Germany finally apologizes for its other genocide—more than a century later

Does Henry Kissinger have a conscience?

At what point is it impossible to separate art from the artist? (Nate Parker’s The Birth of a Nation)

Tote bag proves how ridiculous xenophobia is

“Christian” groups are handing out these creepy ‘gay cure’ comics to children

If your pastor says “RACISM ISN’T A SKIN PROBLEM, IT’S A SIN PROBLEM” you need to find another church

Pew Research: Choosing a New Church or House of Worship; Americans look for good sermons, warm welcome

In today’s troubling times, where are our faith leaders? But Even Reinhold Niebuhr could not be Reinhold Niebuhr in 2016

YOU THROW, GIRL: AN OLYMPIC SHOT-PUTTER’S FEMINIST MISSION

Michael Rivest: The Wall That Heals

Cartoon: The future of climate denial

174 Heroin Overdoses in Six Days in Cincinnati

NPR is closing its comments section – can’t blame them

Flat earth Theories

When New Parents Refuse Vitamin K Shots And Their Babies Get Brain Bleeds

Race and poverty

America’s wealth gap is split along racial lines — and it’s getting dangerously wider

Affluent and Black, and Still Trapped by Segregation

The Original Underclass; Poor white Americans’ current crisis shouldn’t have caught the rest of the country as off guard as it has

‘Hillbilly Elegy’ Recalls A Childhood Where Poverty Was ‘The Family Tradition’

Michele Bachmann: “White People Have Suffered More In The Last 8 Years Than Blacks Did During Couple Years Of Slavery”

Why Poor People Stay Poor -Saving money costs money. Period.

Auto Lending: Last Week Tonight with John Oliver

Will Your Prescription Meds Be Covered Next Year? Better Check!

The culture of the smug white liberal

What I said when my white friend asked for my black opinion of white privilege

A C-SPAN caller asked a black guest how to stop being prejudiced; Here’s how she responded

The infamous Stop White Genocide video

Lottery of Indencency

Arthur’s Internet wading

When Elite Parents Dominate Volunteers, Children Lose

Thurgood Marshall’s interracial love: ‘I don’t care what people think. I’m marrying you.’

Dashcam Video Captures Highway Pileup, Woman Rescued from Burning Car in Binghamton, NY

Larry Wilmore on the End of The Nightly Show and the Show’s Greatest Legacy

Arthur@NZ is getting better and his hospital bill; damn Kiwis!

Dustbury goes grocery shopping 2.0

At my alma mater at SUNY New Paltz, College mourns death of emeritus biology professor Heinz Meng, known for recovery of peregrine falcon – he was very cool

The only movies I’ve seen with Gene Wilder are The Producers, Willy Wonka & the Chocolate Factory, Everything You Always Wanted to Know About Sex * But Were Afraid to Ask, Silver Streak, Stir Crazy, and one of my favorite movies ever, Young Frankenstein, which he co-wrote. They were all released between 1967 and 1980. But he was always excellent then and in a couple of episodes of Will and Grace early this century. Gene Wilder on The Truth | Blank on Blank | PBS Digital Studios, plus Evanier and Tom Straw remember.

Steven Hill, D.A. Adam Schiff on ‘Law & Order,’ Dies at 94

A Marvin Kaplan story

Jack Riley, RIP

‘I’ve had a good life’: Donna Wold, the ex-flame who inspired the Little Red-Haired Girl in ‘Peanuts,’ dies

Your Guide to the Fall Broadway Season

50 things about comics, featuring ME

The 10 most Influential Poets in History

Art is about surrender – Stop asking for it to be custom-tailored

Chuck Miller at the State Fair and Don Rittner at the county fair, and Jaquandor at the county fair

Now I Know: David’s Garden and Horse, Off-Course

Ken Levine HATES Robert Hall

The Casual Sex Project

Music

Harmonica legend Toots Thielemans, Known for ‘Sesame Street’ Theme, Dies at 94 and The Getaway – End credits – Quincy Jones – Toots; more Quincy and Toots; John Barry, Toots – Theme from “Midnight Cowboy” (mostly stolen from Steve Bissette’s Facebook)

U2 Live Albany New York – 13 November 1981

John Denver, Glen Campbell, Johnny Cash & Roger Miller – Rocky Top

Herb Alpert Foundation to donate $10.1 million to Los Angeles City College — making studies for music majors tuition-free

It’s only rock ‘n’ roll – and sometimes it’s better in mono

35 Years Ago: Violent Femmes Discovered by the Pretenders While Busking in Milwaukee

Movie review: Life, Animated

The trailer of Life, Animated suggested more of a Disney happy ending.

life-animatedThe trailer was so intriguing that the whole family went to the Spectrum Theatre in Albany on a Saturday night to see the movie Life, Animated.

Back in 2014, I happened to see Pulitzer Prize-winning writer Ron Suskind being interviewed on some program, talking about his then-new book, Life, Animated: A Story of Sidekicks, Heroes, and Autism. He, his wife Cornelia, and their older son Walter were dealing with Ron and Cornelia’s younger son Owen’s autism. Much less was known about the disability in 1993, when Owen was first diagnosed, than now.

Ron Suskind’s book discusses the struggle, and the breakthrough, when he and his wife realized that Owen was attempting to communicate with them through Disney dialogue. The movie takes on that same path, but it can illustrate the desire of Peter Pan not to want to grow up, or the fear of Bambi, or being an outcast like Quasimodo in The Hunchback of Notre Dame.

Owen starts a Disney movie club with others with disabilities and developed relationships with a couple of Disney voice actors. He also travels abroad to explain his condition, and I was intrigued by how little his writer/father gave him.

The trailer suggested more of a Disney happy ending, but the movie delves into what happens when Owen is ready is getting ready to live semi-autonomously. Sometimes the Disney dialogue is insufficient, as when brother Walter tries to explain the birds and the bees to Owen.

What makes this movie, though, is the animation, not by Disney, but by Mac Guff, a French visual effects company, which takes a fantasy of Disney sidekicks and brings it to life.

One of the few negative reviews notes: “It never addresses Disney’s wholly manufactured stranglehold on turning adolescent desire into a consumerist impulse.” True enough, and rather beside the point to a family looking for a way into their child’s mind.

Life, Animated was definitely worth your 90 minutes.

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