Tag: movies

Movie reviews: Chef; and The Hundred-Foot Journey

We saw TWO food movies in four days.

chef-uoWARNING: do NOT got to the movie Chef if you’re hungry. The Wife and I saw this film Sunday at The Spectrum Theatre in Albany, and we were practically salivating by the end. We’ve seen a lot of foodie movies, notably the classic Big Night, and this was among the best. I mean, a grilled cheese sandwich looked “to die for.”

Moreover, the music was great. The Wife is chair dancing, in the theater, and she is not traditionally a chair dancer. (I am in my office, but I was too.)

Chef Carl Casper (the movie’s writer/director/co-producer Jon Favreau) is a high-powered chef at a chic Los Angeles restaurant, has a good crew (John Leguizamo, Bobby Cannavale), and an ambiguous thing with Molly (Scarlett Johansson), who runs the front. If he could only ignore the controlling owner (Dustin Hoffman), life would be great.

OK, not so great. His work ethic has wrecked his marriage to Inez (Sofia Vergara) and has strained his relationship with their young son Percy (a very solid Emjay Anthony).

I could explain more, but all I’ll say is that the Oliver Platt and Robert Downey, Jr. characters play important roles in what comes next in the film, which is a relationship movie, a road movie – did I mention the food? The Wife thought the first half could have been tighter, and some critics agreed, but I liked it all. A scene involving Carl and Molly was very sensuous, but it involved no sex, only food. The film is rated R, largely for language, which is salty.

hundred-foot-journey-quadThen on Wednesday, we saw The Hundred-Foot Journey, about a family forced to leave India, who ended up in a little town in France, aided by fate, and a young woman named Marguerite (the lovely Charlotte Le Bon).

This is another food movie, as the papa (Om Puri) decides to open a restaurant VERY close (see title) to a Michelin star restaurant, much to the resistance of his family, even his culinarily gifted son Hassan (Manish Dayal) and his siblings. But open it they do, much to the consternation of the competing establishment’s head, Madame Mallory (the always great Helen Mirren).

There’s a bunch of stuff about intolerance and acceptance and a fun little war between Madame and Papa. Marguerite is often enigmatic. But by the time Hassan makes a major breakthrough, you know how the film is going to conclude. And given the long exposition at the front end, it was a difficult film for me to love.

I mean it was fine, it was nice, it looked nice – filming in India and France helps. The language was much cleaner than Chef, rated PG. It’s your basic 2 1/2 to 3-star film; 65% positive on Rotten Tomatoes. It was like a movie you might expect to be produced by Steven Spielberg and Oprah Winfrey, which, with Juliet Blake, it was. But while there was lots of delicious food, it wasn’t filmed as beautifully as the cuisine in Chef, and I cannot explain, on a technical level, why.

I wish I had seen these movies in the opposite order.

Robin Williams has died. SHAZBOT!

It’s damn disconcerting that the comedic mask hid such despair.

public domain
public domain

I had heard that Robin Williams had passed away while I was hanging out with some Times Union bloggers Monday night, Chuck Miller and Don Rittner and David Kalish. My first thought that maybe it was a hoax, which says a lot about the news these days. But it wasn’t until I got home that I discovered that he had apparently committed suicide.

The FIRST person I thought of was Amy Biancolli, who I’ve met, whose husband – I have a signed copy of one of his books about faith – was a very public suicide. I wondered how she would react to the news. Unsurprisingly, she dropped her phone “onto the kitchen counter and wept. Really wept.” And at that moment reading that, so did I.

A friend of mine of 20 years wrote a lengthy piece that began: “My grandfather, aunt, and father committed suicide… Clearly, we must be more connected in a true, loving, helpful, connected way; we must reach to those who are struggling.” I had had no idea; I was slack-jawed.

SamuraiFrog was “rather surprised by the depth of the emotional reaction” he was having to the news. Me too, actually. (Here’s his follow-up.) It’s damn disconcerting that the comedic mask hid such despair.

I have few words. He was a comic genius, sometimes too “on”, as Evanier mentioned, but brilliant nonetheless. Dustbury noted that “seemingly everyone in my tweet stream posted a favorite comedy or dramatic bit — and in a full hour, there were no duplicates.” Here are a bunch of tributes. Even President Obama noted his passing. Got to read a story of his kindness.

I saw him in a LOT of things. His last TV show, The Crazy Ones, I caught only about 15 minutes of.
2008 Law and Order: Special Victims Unit (TV series – episode) Not a show I tend to watch, but he did well.

2006 Night at the Museum – as Teddy Roosevelt

2006 Happy Feet (voice)
2002 One Hour Photo – good in a serious role

1998 Patch Adams – cloying, but that seemed to be what was called for. CLIP.
1998 What Dreams May Come – for the life of me, I don’t remember how this ended.
1997 Good Will Hunting – liked him in this a lot. CLIP.
1997 Deconstructing Harry – a small role.
1996 The Birdcage – actually played the more straightlaced part against Nathan Lane; liked that.
1995 Jumanji – I bought into the schtick

1994 Homicide: Life on the Street (TV Series – episode) Here’s an interesting remembrance.
1993 Mrs. Doubtfire – I totally related to this, a desperate situation required desperate measures. CLIP.
1992 Aladdin – brilliantly wacky as the genie. CLIP. Plus the Williams-Disney fight.
1991 The Fisher King – plays a person trying to find his way back quite convincingly. CLIP.

1990 Awakenings – he plays a doctor convincingly. CLIP.
1989 Dead Poets Society – I liked him as the inspirational teacher. Hear some music from the film. PLUS this CLIP.
1987 Good Morning, Vietnam – he was great as the crazy DJ; I have the soundtrack on LP, I just recalled. CLIP.
1984 Moscow on the Hudson – a tad hokey, but I enjoyed it anyway.
1982 The World According to Garp – strange film, as I recall, but I liked him.

1978-1982 Mork & Mindy (TV Series) – was there ever a better season of comedy than the first season of Mork and Mindy? Got strange later, especially Jonathan Winters as their son, but before that, quite entertaining
1980 Popeye – don’t think it worked
1978-1979 Happy Days (TV Series, as Mork) – funny stuff

More CLIPS.

Read this 2010 interview.

A very serious piece from CRACKED: Robin Williams and Why Funny People Kill Themselves

 

MOVIE REVIEW: Words and Pictures

As a teacher, The Wife appreciated the non-traditional ways both main characters in Words and Pictures attempted to engage their students.

wordsandpicturesAt some point in July, the Wife and I saw Words and Pictures at the Spectrum 8 Theatre. I forgot to write a review straight on, partly because I was busy, but also because I don’t particularly enjoy scribing negative reviews. ESPECIALLY when I REALLY wanted to like the film.

The premise is that prep school English teacher Jack Marcus (Clive Owen), once an acclaimed writer himself, is a burned-out, functional alcoholic. He tries to motivate his students to value the written word.

He starts this contrived competition with the new teacher Dina Delsanto (Juliette Binoche), a well-regarded abstract painter now struggling with rheumatoid arthritis, about whether…well, read the title… are more important.

Some of it is mildly inspirational in the teacher-motivates-students plot in a number of better movies. Some of it is hokey, such as a scene in which she struggles to paint with nice classical music, while he drinks to excess while raucous David Bowie is the soundtrack. But the ending of this movie I didn’t believe AT ALL.

The Wife liked this quite a bit more than I. As a teacher, I think she appreciated the non-traditional ways both characters attempted to engage their students. And I did as well, but it wasn’t enough to ignore its failings.

I loved Binoche in Chocolat, and apparently, she does her own painting here, credibly. I think the failure of Words and Pictures is not with her. It’s not with Owen, either, though his character is never as charming as we’re supposed to believe. The real issue is the somewhat hackneyed script.

MOVIE REVIEW: The Grand Seduction

Taylor Kitsch is best known for the acclaimed TV series Friday Night Lights.

grand-seductionThe Wife and I went to the Spectrum Theatre on a recent Saturday night. I knew little about any of the movies, so we opted for the film down from four showings per day to two, The Grand Seduction.

From the IMDB description:
“The small harbor of Tickle Cove [probably Newfoundland, Canada] is in dire need of a doctor so that the town can land a contract to secure a factory which will save the town from financial ruin. Village resident Murray French (Brandon Gleeson) leads the search, and when he finds Dr. Paul Lewis (Taylor Kitsch) he employs – along with the whole town – tactics to seduce the doctor to stay permanently.”

This film is an English language remake of the French-Canadian Seducing Doctor Lewis (2003), originally called “La grande séduction”. Here’s a trailer of the current movie.

It takes a bit to set up the premise, but eventually, there are lots of laughs, coming from these folks who are looking for meaning in their life that work used to provide. We enjoyed it quite a bit and related to many of the characters. It also provided an interesting parallel about the value of honesty.

Gleeson is a versatile actor who often plays the heavy. Kitsch is best known for the acclaimed TV series Friday Night Lights. The last movie in which I saw Gordon Pinsent, who played Simon, Murray’s aide de camp, was in the very different Away from Her (2006).

The reviewers were mixed on this, 61% positive in Rotten Tomatoes. One of the negative reviews read, “Loved Local Hero? Charmed by Waking Ned Devine? Then go watch Local Hero and Waking Ned Devine.” Funny that, because right as the movie ended, this woman sitting right behind us said, “It was good but not as good as Ned Devine.” I did see that quirky film 15 years ago, and liked it fine, but don’t remember it well enough to make the comparison.

Don’t know that you need to run out to your local theater to see it – if you can even find it – but it’s worth at least a rental. Here’s a video review that doesn’t reveal too much.

NSFW video: Earl Butz and “Loose Shoes”

About an hour into the film Loose Shoes was a short musical sketch based on Earl Butz’s joke that also gave the movie its title.

ButzA3622-19Earl Butz, who was born 105 years ago today, was one of the worst US government officials ever. He was Secretary of Agriculture in the Cabinets of Presidents Richard Nixon and Gerald Ford. “His policies favored large-scale corporate farming” which has damaged the family farm to this day, and arguably “led directly to overproduction of corn and a subsequent rise of obesity in the United States.” But “he is best remembered for a series of verbal gaffes that eventually cost him his job.”

Butz resigned his cabinet post on October 4, 1976… News outlets revealed a racist remark he made in front of entertainer Pat Boone and former White House counsel John Dean while aboard a commercial flight to California following the 1976 Republican National Convention. The October 18, 1976 issue of Time reported the comment while obscuring its vulgarity [which I will only mildly do so here]:

…When the conversation turned to politics, Boone, a right-wing Republican, asked Butz why the party of Lincoln was not able to attract more blacks. The Secretary responded… “I’ll tell you what the coloreds want. It’s three things: first, a tight p****; second, loose shoes; and third, a warm place to s***.”
After some indecision, Dean used the line in Rolling Stone, attributing it to an unnamed Cabinet officer. But New Times magazine enterprisingly sleuthed out Butz’s identity by checking the itineraries of all Cabinet members.

Butz was later convicted of tax evasion. He died in 2008 at the age of 98. As Arlo Guthrie said: “But that’s not what I came to tell you about.”

There was a 1980 movie called Loose Shoes, a/k/a Coming Attractions, which was probably filmed two or three years earlier. The premise was rather intriguing, to make a series of trailers for films that actually did not exist. The movie did not fare particularly well critically. It featured author Kinky Friedman, Buddy Hackett, Howard Hesseman (WKRP), Jaye P. Morgan, songwriter Van Dyke Parks, Avery Schreiber, Betty Thomas (Hill Street Blues), and Mark Volman of the singing group The Turtles, with voiceovers by, among others, Gary Owens and Harry Shearer. The reason it probably got released at all was the ascendant star power of Bill Murray, who had starred in Meatballs and Caddyshack, plus his tenure on Saturday Night Live.

But there was one segment of the comedy that was almost universally praised. From HERE: “A sketch movie along the lines of Kentucky Fried Movie, it was racially and sexually offensive and mostly unfunny, except…about an hour into the film was a short musical sketch based on Earl Butz’s joke that also gave the movie its title. This sketch is pure offensive genius. I can’t/won’t describe it, but its effect is on the order of the ‘Springtime for Hitler’ scene in The Producers.”

The reason I found it at all humorous, in its vulgar sort of way, was, in skewering the bigot Butz, that it is an almost letter-perfect take on jazz great Cab Calloway’s band. It was SO good, in fact, that Internet references ask whether the song was some lost Calloway ditty; it was not.

OK, if you like it, fine. If you’re offended, don’t say you weren’t warned. Watch Darktown After Dark HERE or HERE.

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