Tag: movies

V is for Vulcan

I blame New York Erratic, and those ears, for this post about Vulcan.

When I was in fifth or sixth grade, I learned the word vulcanization. It had to do with a heat process involving the manufacturing of rubber tires, usually involving adding sulfur to the mix. The word was derived from Vulcan, the Roman god of fire, from which the word volcano also evolved.

Thus, I was somewhat confused when I started watching the original Star Trek television series. I was not a big enthusiast initially, but my father was. The first officer was a character named Spock, not to be confused with the then-famous pediatrician Dr. Benjamin Spock.

This Spock was part Vulcan and part earthling, AND he was FROM the planet Vulcan, which didn’t make a bit of linguistic sense to me at all. Someone from Venus is a Venusian, or a Martian is from Mars, and the fact that “Vulcan” was used as both the noun and the adjective bothered me somewhat.

I was not enough of a fan to know this: “Its inhabitants were originally called Vulcanians; a name used by Spock in the Original Series episode ‘A Taste of Armageddon’, by Federation colonists in ‘This Side of Paradise’ and by Harry Mudd in ‘Mudd’s Women’.” Now THAT makes much more sense.

Of course, that TV show lasted only three years (1966-1969), and that was that for Star Trek. Well, except for the animated series (1973-1974); four spinoff television series that ran from 1987 to 2005, sometimes concurrently; and a dozen films, starting in 1979, which has kept the Star Trek universe alive, if not most of the Vulcans. Or Vulcanians. (Is that a spoiler?)

(I blame New York Erratic, and those ears, for this post.)


ABC Wednesday – Round 13

November Rambling: Candy, Poetry, and 50 Shades

SamuraiFrog, bless his heart, is writing 50 Shades of of Grey, as Summarized by a Smartass.

An Opinion Piece On A Controversial Topic. “Pretty awesome meta.”

Gettysburg Address at 150.

Heidi Boghosian joins Bill Moyers for a conversation on what we all need to know about surveillance in America. “Spying on democracy,” indeed.

The defense should not be permitted to refer to the prosecutor… as “the Government.” It might sound… prejudicial.

Texas Man Sued for Defamation by Fracking Company that Contaminated his Water Supply.

“You could get better if you wanted to.” “You should just try harder.” “You’re being lazy.” “You need to be more motivated.” “You’re so needy.”

Methodist Pastor Has 30 Days to Renounce His Gay Children or Be Defrocked; it’s a matter of right and wrong.

Always Go to the Funeral.

Exclusive excerpt from Art Spiegelman’s Co-Mix retrospective. Some lifetime ago, before Maus Continue reading “November Rambling: Candy, Poetry, and 50 Shades”

VIDEO REVIEW: The Sound of Music

Two new songs, I Have Confidence and Something Good, were added to The Sound of Music, written by Rodgers, after Hammerstein died.

One could reasonably make the case for movies one ought to see that came out this century. But there are SO many that I have never seen from the 20th Century that I don’t worry about the current stuff as much as I used to. Somehow, prior to this fall, I had NEVER seen The Sound of Music in its entirety. Oh, I’ve seen scenes, of course, but that’s not nearly the same thing.

It’s odd too because my mother had the LP soundtrack going back to nearly when it was released in 1965. I’ve had the CD of same for at least a decade and a half, and I love it dearly. I have great affection for the Morning Hymn that the nuns sing early on, and it’s in my Top Five movie soundtracks ever, along with West Side Story and Fiddler on the Roof.

Still, I had not seen many of the songs in the context of the film. Is there a more stunning opening of a movie than the background of the Alps while Maria (Julie Andrews) sings the title song? I didn’t realize Maria’s outdoor excursion was going to get her in trouble back at the abbey.

I knew somewhat of the clash of child-raising styles between Captain von Trapp (Christopher Plummer), a Naval officer widower with seven children, and the free-spirited new nanny, Maria, but I’d miss many of the particulars, such as the whistle. Do-Re-Mi is shot all over Salzburg, and the extra disc for the 40th anniversary let me know that the city is now a destination for movie buffs, largely for that song.

Of course, Maria and the Captain end up together, but somehow I was totally unaware of the subplot involving the Baroness (Eleanor Parker) that briefly bring Maria back to the abbey. And bringing the movie to the intermission. Yes, it’s included on the disc, and we went to bed at that point to finish the movie it the next night, because it is a LONG film.

The real story of Maria and the Captain was compressed in time, and the escape from Austria after the Nazi appeasement was far easier in real life than in the cinematic version. The real family feels that the Captain in the film was far less flexible than the father they knew.

Other features of the extra disc featured the REAL story of the Von Trapp singers as they settle in Vermont and become an international sensation. It also contains a reunion of the seven then-child actors remembering the goofs they made here and there that ended up in the film, a misstep here, a fall there.

Seeing the movie has given me a greater appreciation of the Rodgers and Hammerstein score, which changed from the Broadway version that Mary Martin and others had commissioned. At least one song was dropped, and two new songs, I Have Confidence and Something Good, were added, written by Rodgers after Hammerstein died.

There’s going to be a LIVE version of the STAGE musical on NBC-TV on December 5. I MUST watch.
***
A Complete Curmudgeon’s Guide To ‘The Sound Of Music’. On the other hand, a study suggests that Singing show tunes helps fight off dementia and Alzheimer’s disease.

 

Reflecting on the movie “12 Angry Men”

We ought to have the trial anyway, even though “everybody knows” he or she is guilty.

Have you seen the 1957 movie, 12 Angry Men? I highly recommend it. It was nominated for three Oscars: Best Picture, produced by Henry Fonda and Reginald Rose; Best Director, Sidney Lumet; and Best Writing, Screenplay Based on Material from Another Medium, Reginald Rose.

The Golden Globes nominated the film, the director, lead actor Fonda, and supporting actor Lee J.Cobb. “A dissenting juror in a murder trial [played by Fonda] slowly manages to convince the others that the case is not as obviously clear as it seemed in court.”

Had a chance to watch it again this summer. I was doing apheresis at the blood bank which takes two hours, and this DVD, which I got for free about eight years ago by mailing some coupons from a Cheerios box, fit the bill at 95 minutes.

I was struck again by the racial/class issues. The defendant, who we see only at the very beginning of the film, with the judge’s charge to the jury, is young (18), Hispanic, and from a troubled neighborhood. The jury seems to think the case is a slam dunk, and quickly votes 11-1 to send the young man to his death. But as the Fonda character talks, he gets a second supporter. Immediately one juror thinks it’s the juror from the slums (played by Jack Klugman), but it’s not.

This film also starred Martin Balsam, John Fiedler, E.G. Marshall (who I know best from the 1960s lawyer show The Defenders, which also had a huge impact on me), Edward Binns , Joseph Sweeney, Ed Begley, George Voskovec (whose character has the best speech about the obligations of a jury) and Robert Webber.

The Fonda character, and his eventual allies, make observations about the inconsistencies in the testimonies, something a decent defense lawyer might have done. The young man, though, apparently had a court-appointed attorney who was going through the motions.

The film has always informed me or reinforced in me, several issues. 1) People with means generally have better legal representation than poorer folk. 2) We ought to have the trial anyway, even though “everybody knows” he or she is guilty. 3) Because of 1) in particular, I’ve long opposed the death penalty. 4) Because of 2), I wish we had more of a limit on pretrial and trial scuttlebutt.

Incidentally, there was a TV movie of 12 Angry Men in 1997, with a cast including recent Tony winner Courtney B. Vance; Ossie Davis; George C. Scott in the Cobb role; Armin Mueller-Stahl; Dorian Harewood in the Klugman role; the late James Gandolfini; Tony Danza; Jack Lemmon in the Fonda role; Hume Cronyn; Mykelti Williamson; Edward James Olmos; and William Petersen. I feel I should check it out soon, now that the original is fresh in my mind.

MOVIE REVIEW: Cloudy with a Chance of Meatballs 2

I enjoyed the music of Cloudy with a Chance of Meatballs 2, which included Paul McCartney’s new song, “New.”


Sunday morning, my brother-in-law calls; he’s fixing up a house in my area. His wife’s trip back from Ukraine has been delayed a day – he’s planning on picking her up at JFK airport then driving back to Pennsylvania with their daughter. With some extra time on his hands, did we want to go to the movies? He’ll pay. OK! The choice they made was Cloudy with a Chance of Meatballs 2.

My family (wife, daughter, and I) meet them (BIL, daughter) at Colonie Center, and actually don’t enter the theater until the previews were already going for three minutes, then we see 10 MORE minutes of animated coming attractions, most of which convinced me NOT to see them.

By happenstance, my family had seen the first movie in the series and had liked it. This take, even in 2-D, was brighter visually, and better drawn – probably a result of a bigger budget – and I loved it. The recap of the first film was handled quite efficiently before launching into the new adventure.

Inventor Flint Lockwood (voiced by Bill Hader), who created the mess in the first film, is invited by his “idol Chester V (Will Forte) to join The Live Corp Company, where the best and brightest inventors in the world create technologies for the betterment of mankind.” Ultimately, Flint is sent on a sensitive mission involving his most infamous creation, which is creating food-animal hybrids; Chester tells him he can save the world. Flint’s supposed to do it alone, but he brings his crew, including girlfriend Sam Sparks (Anna Faris) and his dad (James Caan), with whom he finally connected at the end of film 1.

I liked it for what it was: a lot of funny visual jokes/food puns, and a narrative that suggests that work, in lieu of your friends, isn’t a good choice. It also suggests that hero-worship is highly overrated. The plot was serviceable, not great, but I enjoyed it, and the characters therein; my wife, and my daughter, did not. The story was not compelling enough for the Wife. It is true that the character upon which the resolution of the story fell was clear to me fairly early on. My sensitive daughter was scared by some seemingly hostile foods.

Subsequently, I listened to the Bat Segundo Show when Ed Champion interviewed writer Kathryn Davis, and about halfway through, they had a riff on the misunderstood monster. II then realized that perhaps there was more to the narrative of the film than I had originally realized.

The voice actors, which also included Andy Samberg, Benjamin Bratt, Neil Patrick Harris, Terry Crews, and Kristen Schaal, are all quite good. I enjoyed the music, which included Paul McCartney’s new song, “New,” some Mark Mothersbaugh, and Yummy Yummy” by the 1910 Fruitgum Company.

On a scale of 1 to 4, I’d give it 3 stars. Looks great, seemingly less filling (despite the food theme). The mixed positive reviews I’ve seen are mostly accurate. I do love how the storyline continues through the early part of the credits – WHY do people leave during them?

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