The #1 hits of 1914

By The Beautiful Sea

Sheet music. It’s a Long, Long Way to Tipperary. 1982.0736.05.

Here are the #1 hits of 1914. Joel Whitburn’s A Century of Pop Music notes: “Ballroom dancing…became a nationwide phenomenon, with 1913 as its peak year.” 

Also, “six new companies became talking-machine competitors to the Big Three [Edison, Columbia, and Victor] in 1914.” Of course, World War I began that year, though the US didn’t enter the fray until three years later.

I tried to find the best recording. The first one is subpar. In general, the ones from the78prof are quite good.

The Song That Stole My Heart Away – Henry Burr (Columbia), seven weeks at #1

It’s A Long Way To Tipperary – American Quartet (Victor), seven weeks at #1. In 1915, this became a big hit for John McCormack (#1) and the Prince’s Orchestra (#2). This is a very familiar song, and I’m not even 110.

Rebecca of Sunny-brook Farm – American Quartet (Victor),  six weeks at #1

I’m On My Way To Mandalay – Henry Burr, Albert Campbell, and Will Oakland (Victor) , six weeks at #1. Written by Al Bryan and Fred Fisher, the writers of Peg O’ My Heart, which I know well.

By The Beautiful Sea – Heidelberg Quintet (Victor), six weeks at #1. Or Quintette, per the label.  I know this song, at least the chorus. 

Comedy is so subjective

Cohen On The Telephone – Joe Hayman (Columbia), five weeks at #1, a gold record of spoken-word comedy

Too-Ra-Loo-Ra-Loo-Ral (That’s An Irish Lullabye) – Chauncey Olcott (Columbia), four weelks at #1. I knew it was familiar! Bing Crosby covered it and it went to #4 in 1944.

Ballin’ The Jack – Prince’s Orchestra (Columbia), three weeks at #1. An instrumental. 

I Love The Ladies– Arthur Collins and Byron Harlan (Columbia), three weeks at #1. A comedy record.

The Aba Daba Honeymoon – Arthur Collins and Byron Harlan (Victor), two weeks at #1, listed as a comedy record. This was a gold record for Debbie Reynolds and Carleton Carpenter as it went to #3  in 1951. This has nothing to do with Fred Flintstone.

By The Beautiful Sea– Ada Jones and Billy Watkins

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Time, Inc. v. Hill in 1966.  The Hill family case was argued by former vice president and future president Richard Nixon.  You can hear Nixon argue at about 51:30 in this recording.

  • Obergefell v. Hodges in 2015 required states to issue marriage licenses to same-sex couples.  The recordings are divided into three parts: question onequestion two, and the opinion.
  • Engel v. Vitale in 1962 decided that school-initiated prayer in public schools violated the First Amendment.
  • Gideon v. Wainwright from 1963 declared that indigent defendants must be provided legal representation without charge.
  • Roe v. Wade was argued over two dates: December 1971 and  October 1972.  The court declared abortion to be a constitutional right.
  • Loving et ux. v. Virginia struck down state laws that banned interracial marriage in 1967.

 

MUSIC
The American Dream Is Killing Me – Green Day [graphic]
Otis Redding: “(Sittin’ on) The Dock Of The Bay”, the first posthumous #1 pop song

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Andrew Lloyd Webber’s The Phantom Of The Opera film (2004)
Peter Sprague Plays The Wind Cries Mary featuring Lisa Hightower
John Lennon featuring the Plastic Ono Band: Jealous Guy
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Music of the early 20th century

Ezekiel 37

This music of the early 20th century became another mixed CD, which I’ll probably complete next month.

Maple Leaf Rag – Paul Schoenfeld. Right away, a bit of fiction. I did not have a Scott Joplin recording, which does exist (!), in my CD collection, so I went with another. But I can’t find that on YouTube, so you must settle for the original!

Who’s Sorry Now – the Rhythmakers. This song receives a very different take by Connie Francis (#4 in 1958). The tune hit the charts by five different artists in 1923, but it does not appear to include the Billy Banks-led group. Classic Ersie two-step.

Bizet Has His Day – Les Brown (1941). This is based on Bizet’s Farandole from L’Arlésienne-Suite. I’m a sucker for popular songs swiping classical themes.

Run On For A Long Time – Bill Landford and the Landfordaires (1949). As I noted here, this recording was the foundation of Moby’s Run On.

Little Brown Jug – Glenn Miller (1939),. It’s Glenn Miller.

Hit That Jive, Jack – Nat King Cole. When I was aware of Nat Cole, he released songs like Ramblin’ Rose, People, and Those Lazy-Hazy-Crazy Days of Summer, which were fine. But early Nat was great.

Which bone is connected to which?

Dry Bones – Delta Rhythm Boys. This song was inspired by Ezekiel 37 in the Hebrew scripture/Old Testament of the Bible. Here’s a version where the camera focuses on the parts of the singers’ bodies. I put this track on a Biblical sources Mixed CD. The CD I took the track from was the soundtrack to the movie Rain Man; I love the first half of that album.

Cow Cow Blues – Meade Lux Lewis (1951). It’s probably from an Atlantic Blues CD.

Rag Mop – the Ames Brothers (1950). This was a #1 song for two weeks. But I first heard a version of it on the Beany and Cecil cartoon show when I was a kid. I looked for a decent YouTube video but found a lot of remixes; here’s a snippet. You may know the song from the Muppet Show, as shown here.

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NFL: Saturday, Jan. 20 – I’m rooting for the visitors

AFC — No. 4 Houston at No. 1 Baltimore 4:30 p.m. (ESPN, ABC)

NFC — No. 7 Green Bay at No. 1 San Francisco, 8 p.m. (FOX)

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Game 9: NFC — No. 4 Tampa Bay at No. 3 Detroit, 3 p.m. (NBC)

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MUSIC

Until The End Of The World – U2

Samba Em Comun – Peter Sprague, featuring Sinne Eeg

On The Beautiful Blue Danube, followed by the Radetzy March. Vienna Philharmonic.

It’s Been A Long Long Day – Radka Toneff, a Paul Simon cover 

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Nothing Really Matters – Madonna

Carmen Suite – Rodion Shchedrin

Red Flags – Brittany Howard

Stuck Inside of Mobile with the Memphis Blues Again – Bob Dylan

Rainbow Connection dubbed into Japanese

Tomorrow Never Knows – The Beatles

The Covered Man – David Soul 

Midnight Special– CCR

Don’t Give Up On Us  – David Soul 

Mixed CD – Greetings

HELLO!

I called this mixed CD Greetings because it generally contains some salutation. It’s often Hello; sometimes that word is in the title, but not always.

What’s That You’re Doing – Paul McCartney and Stevie Wonder. From Macca’s Tug of War album. “Good morning. Or good afternoon. Good night.” Written by McCartney/Wonder.

Good Morning Good Morning – Big Daddy. I love the group’s cover of the entire Sgt. Pepper, in various styles from the 1950s.

Good Day Sunshine – the Tremeloes. Besides this being a cover of a song from the Beatles’ Revolver album, there is another Fab connection.  They were the group whom Decca Records signed in January 1962 instead of The Beatles.

Good Morning Starshine – Hair Original Cast album. “The earth says hello”.

Hello – Oasis. Some critics in their heyday had sonically compared Oasis with The Beatles if they were still recording in the 1990s.

Hello Hello – Sopwith Camel.  “Would you like some of my tangerine?”

Hello Hello – Mono Puff.  This is a product from John Flansburgh of They Might Be Giants. It’s on Hello Records.

Hitchcockian

Vertigo – U2. “Hello, hello (hola).”

Big Time – Peter Gabriel. “Hi, there.” From the So album.

Hello Hooray – Alice Cooper. “Hello! Hooray! Let the show begin. I’ve been ready.” I could have gone with the Judy Collins version, but it didn’t fit as well sonically.

Welcome – the Who. “Come to my house. Be one of the comfortable people.” The title is the last word sung on this track from the rock opera Tommy..

Karn Evil 9: 1st Impression, Pt. 2 – Emerson, Lake, and Palmer. From the Greatest Hits album. “Welcome back, my friends, to the show that never ends.”

Welcome To The Terrordome – Public Enemy. “Yo, who you trust, man? (Would you join me please in welcome-in-ing)”

Tommy’s Holiday Camp – the Who. Another Tommy track, ending with a sinister Welcome.

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