Tag: music

A Spotify surprise

J. Eric Smith

Has anything like this ever happen to you? I was visiting the site of one J. Eric Smith, as I am wont to do. In the then-current post, he noted: “It has been almost a year since I reluctantly caved to streaming my music.” He discussed the pros and cons of that.

“On the upside: I do like the ability to create playlists quickly, and there seems to be more of the musical arcana that I like available on Spotify than there was/is on iTunes, which I’d used exclusively for the prior 12 years. We’ve sort of defaulted to themed playlists around the house, ranging from 50 to 100 to 150 songs.

“(I’m obsessive about tidiness on such matters, and couldn’t stand to have a 52-song or 147-song list, no sir, that would not do, not at all).” I could definitely create a 52-song list. There are 52 cards in a standard deck of cards, after all.

Eric posted a great Africa playlist, 100 of his “favorite songs from that continent’s myriad musical cultures. ” I decided I didn’t want to listen to 30-second snippets of songs. So I figured I would finally get a free registration to Spotify.

Oops

Except, it appears that I had already done so. Of course, I didn’t record the password anywhere.  So I had to get another one. They had the damnedest Captcha methodology I had ever seen. They showed a series of dice, some standard pips, and Arabic numbers, and you had to match the dice with a number three times. 

I discovered that not only did I have an account, but I had made a playlist of my own: 12 Paul Simon songs. I have no recollection of having done so, let alone when or  HOW I did that. 

This falls into the category of a truism about me. Confronted by almost any technology that I don’t use regularly, it is like I’d never seen it before. When I figure it out again, maybe I’ll create more playlists. I have some particular ideas. And heck, I might even take requests.

Tactile

Or not. I came across this New York Times article. Want to Enjoy Music More? Stop Streaming It. Build a real music collection. Reintroduce intimacy to the songs you care about. Though Denise Lu is much younger than I, she gets me.  “Maybe that’s why I never latched onto streaming services — I didn’t like depending on a third-party platform, or being part of a social experiment that feeds Spotify data that it then sells to advertisers.”

Something that Chuck Rozanski/Bettie Pages, the President of Mile High Comics, Inc. wrote on October 9 resonates with me. “I… drove to Jason St. mid-afternoon each day to sort comics until 8 PM. I don’t know why, but there is something about the Zen of spending hours sorting old comic books into categories that has the capacity to soothe the ache in my heart, and to restore my spirit.

“In many regards, for me, it is like visiting with old friends, as I can look at any given title and/or issue number and remember quite vividly where I was (and who I was…) when that issue was first released.”

About every four months, I have to resort all of the CDs I have played. You’d think it would be boring. Not for me. I, too, experience the joy of remembering how I got that album,  maybe looking at something on the liner notes I forgot. 

More Hot 100 Xmas Hits, 1955-2004

Nuttin’

Here are some more Hot 100 Xmas hits. These ones are far less familiar to me. Some of the songs I know, but by different artists.

Please Come Home For Christmas – The Eagles, #18 in 1978. I prefer the Charles Brown version that came out in 1960 and topped the Christmas charts in 1972.

The Christmas Song (Chestnuts Roasting On An Open Fire) – Christina Aguilera, #18 in 1999

Santo Natale (Merry Christmas) – David Whitfield with Stanley Black and his orchestra, #19 in 1955. I am used to unfamiliarity with the newer songs, but I don’t know this one either.

Nuttin for Xmas – Joe Ward, orchestra conducted by Dave Terry, #20 in 1955. What is it about 1955 that allowed three versions of this song to reach the Top 30? And no consistency in the spelling of the title.

Rudolph the Red Nosed Reindeer – The Chipmunks, #20 in 1960

Pre- and post-Twist

Jingle Bell Rock – Bobby Rydell and Chubby Checker, #21 in 1961. This is the period between when The Twist by Chubby Checker was #1 in 1960 and The Twist by Chubby Checker was #1 in 1962 and namechecked some of Checker’s other songs.

(I’m Gettin) Nuttin’ for Christmas – Ricky Zahnd and The Blue Jeaners, with the Tony Mottola Orchestra, #21 in 1955

Santa Claus Is Coming To Town – The 4 Seasons, arranged and conducted by Sid Bass, #23 in 1962. It’s your standard Bob Crewe production for the group. I wrote a whole blog post about naughty and nice in April 2019.

Baby’s First Christmas – Connie Francis, orchestra and chorus conducted by Don Costa, #26 in 1961

If We Make It Through December – Merle Haggard, #28 in 1973, written by the artist. This is a downbeat and not particularly Christmasy track, which may be why I like it. The New York Times reported: “This one might be a Christmas song because it appears on a Christmas album (‘Merle Haggard’s Christmas Present’; please note the cover art), but Merle Haggard only decided to cut that album after the success of this stand-alone single — the biggest pop crossover hit of his entire career. There’s mention of gifts under the tree (or rather, a lack thereof), but the true subject of this melancholy tune is the plight of the down-and-out working man, meaning it is, first and foremost, a Merle Haggard song.” 

A bonus from fillyjonk which you of a certain vintage will likely recall: Attention Kmart Shoppers – 8 hours of vintage department store Christmas music (Customusic tapes)

Hot 100 Christmas Songs, 1955-2004

Ross Bagdasarian

These are the top 10 Hot 100 Christmas Songs in the rock and roll era, starting in 1955. While there was a particular Christmas chart from 1963 to 1972 and again from 1983 to 1985, the songs here charted on the pop charts.

Many of these will be quite familiar to you, though I’ll admit to being totally unaware of the NKOTB track, the only one I don’t own in a physical form.

The Chipmunk Song (Christmas Don’t Be Late) – The Chipmunks, #1 for four weeks in 1958. My family owned the single. I particularly liked it because I thought l did a passable imitation of the rodents. Ross Bagdasarian also had a #1 hit in 1958 with Witch Doctor as David Seville.

Jingle Bell Rock – Bobby Helms, #6 in 1957. Background vocalists were the Anita Kerr Singers. The electric guitar was by Hank Garland.

Nuttin’ for Christmas – Barry Gordon with the Art Mooney orchestra, #6 in 1955. I never heard this until I heard it on a compilation CD. Fingernails on a blackboard.

This One’s For The Children – New Kids On The Block, #7 in 1989

White Christmas – Bing Crosby, #7 in 1955. This is the 1947 version, which supplanted the 1942 version.

Mary’s Boy Child – Harry Belafonte, #12 in 1956. The remarkable Jester Hairston, who had a fascinating life as a composer and actor, wrote the song.

The Little Drummer Boy – the Harry Simeone Chorale, #13 in 1958. We owned this single growing up, too. There was a 1965 remake of this song, which takes the ending much slower; I prefer the original.

Also Paul Young

Do They Know It’s Christmas? – Band Aid, #13 in 1984. It features members of Kool & the Gang, U2, The Boomtown Rats, Genesis, Ultravox, Bananarama, Culture Club, Heaven 17, Spandau Ballet, Duran Duran, Wham!, Status Quo, The Police, The Style Council and others

Rockin’ Around the Christmas Tree – Brenda Lee, #14 in 1960, and #1 in 2023!

Pretty Paper – Roy Orbison, #15 in 1963. I never heard this until I bought Orbison’s Greatest Hits CD collection.

Sunday Stealing – Identity

hot under the collar

mytrueidentityThe Sunday Stealing this week is about identity, an intriguing topic.

1. if someone wanted to really understand you, what would they read, watch, and listen to?
Read: see #8 below
Watch TV- JEOPARDY, 60 Minutes, CBS Sunday Morning, The Dick Van Dyke Show, The Twilight Zone, Rocky and Bullwinkle, Mission: Impossible until Landau and Bain left. See movies: Young Frankenstein, Annie Hall, Casablanca, West Side Story, 13th.
Listen to: see #4 below

2. have you ever found a writer who thinks just like you? if so, who?
He is not exactly like me – he is far more technologically knowledgeable, e.g. But Arthur is a political science guy, sometimes activist, and is open to stealing ideas from me. In fact, he’s doing his Ask Arthur Anything event, which he admittedly purloined from me.

3. do you care about your ethnicity?
Yes, and yes. Yes, it still seems to matter to others; we aren’t in that post-racial society yet. And yes, because it’s interesting to me. Ancestry occasionally recalibrates my DNA percentages. Presently:
Mister Music
4. what musical artists have you most felt connected to over your lifetime?
In response to blog posts J. Eric Smith shared, I wrote a series of pieces that featured Prince, the Temptations, Jethro Tull, Steppenwolf, Johnny Cash, Steely Dan, Talking Heads, Peter Gabriel, Harry Belafonte, plus a bunch of people also mentioned in the previous links. If I HAD to pick three, it’d be The Beatles, Stevie Wonder, and Paul Simon.

5. are you an artist?
Suppose art is drawing, painting, or sculpting; then absolutely not. If art includes singing, then arguably yes.

6. dog person or cat person?
I had cats from when I grew up until 40 years ago. Then, a decade ago, there were two cats, one of whom was certified demented by his vet. The one dog we had when I was a kid bit me; we got rid of that dog when he also bit the minister’s daughters. There are a handful of dogs I’ve liked, especially Random.

7. inside or outdoors?
I like the outdoors when it’s temperate. I like April, May, and September. But I hate heat and fear burning. My tolerance for the cold has diminished with age.
Literature
8. five most influential books over your lifetime
I dunno. How To Be An Antiracist by Ibram X. Kendi regarding how I see inequity. Life Itself by Roger Ebert is about how I see movies. The Sweeter The Juice by Shirlee Taylor Haizlip is about how we’re the same. The Good Book by Peter J. Gomes is a philosophical treatise. One of those Joel Whitburn books about music – Top Pop Singles – is about how music rules.

.
9. would you rather be in Middle Earth, Narnia, Hogwarts, or somewhere else?
By default, Hogwarts. I’ve never read any of the books, but I’ve seen all the movies.

10. list the top five things you spend the most time doing, in order.
Sleeping, reading, sorting through stuff, blogging, eating (including food prep or purchase)

11. have you ever felt like you had a “mind-meld” with someone?
Yes, at random times. A few times on the Amtrak.

12. could you live as a hermit?
That’s what COVID felt like. If I had a phone, Internet, a source of food delivery, maybe for a year before I started going bonkers.

13. do you feel like your outside appearance is a fair representation of the “real you”?
Most people who know me well recognize that my outside appearance is not particularly a high priority for me. So I haven’t a clue.

14. three songs that you connect with right now.
Here are songs by artists who have birthdays in December: Nothing Compares 2 U – Sinéad O’Connor, who died in July 2023;  Something So Right– Annie Lennox from her all-covers album, where she reorders the Paul Simon lyrics;  Love and Affection– Joan Armatrading, which has one of my favorite first lines:  “I am not in love. But I’m open to persuasion.”
made into a PBS series
15. pick one of your favorite quotes.
When I get this question, I pull a book off the shelf and randomly pick something. From The Story of English by McCrum, Cran, and MacNeil: “Phrases like hot under the collar and bite the dust are an everyday reminder of the powerful influence the cowboy has had on the English language. Perhaps this is because, of all of the frontier heroes, the cowboy was the beneficiary of nineteenth-century technology. The camera and the railroad exported the cowboy lifestyle and language back to the east so vividly that a New York dentist, Zane Gray, who was virtually ignorant of the real West, could create a believable picture of cowboy society from the information available to him in New York, thousands of miles from the range.”

More Early Pop Chart Xmas Hits

Harry Stewart

Here are more early pop chart Xmas hits.  There were no specific Billboard holiday charts until 1963.

Winter Wonderland – Johnny Mercer and The Pied Pipers, #4 in 1947. Issued on the 78 flipside of the Mercer hit “A Gal In Calico.”  Orchestra conducted by Paul Weston.  I think of Mercer more as a songwriter and producer than a performer.  He “co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs.”

I Yust Go Nuts at Christmas – Yogi Yorgesson, #4 in 1949,with The Johnny Duffy Trio, and the B-side of Yingle Bells.  It’s a parody of ‘Twas The Night Before Christmas. Who IS this guy? He’s “the creation of Harry Stewart, who delighted audiences in the 1940s and 50s with parody songs” in a Swedish accent. He was born Harry Skarbo, the son of a Norwegian immigrant father and a second-generation Norwegian-American mother.

White Christmas – Frank Sinatra, orchestra and chorus conducted by Axel Stordahl, #5 in 1945. The song is from Holiday Inn, written by Irving Berlin. I’ll have to remember to play a LOT of Frank at Christmastime in 2025 when he would have been 110.

Jingle Bells – Glenn Miller, with vocals by Tex Beneke, Ernie Caceres & The Modernaires, #5 in 1941.

Frosty the Snow Man – Gene Autry and the Cass County Boys, orchestra conducted by Carl Cotner, #7 in 1950. Like many of my generation, I’m more familiar with the Jimmy Durante version from the 1969 animated film.

Not the same

Silent Night – Bing Crosby with Victor Young and his orchestra, #7 in 1935. This is a “markedly different arrangement from his much more familiar Decca re-makes of 1942 and 1947.”

Christmas Island– The Andrews Sisters, Guy Lombardo, and His Royal Canadians, #7 in 1946. I loved the Sisters. I have several seasonal cuts with them and Bing.

Let It Snow! Let It Snow! Let It Snow! – Woody Herman, #7 in 1946. Sammy Cahn and Jule Styne wrote it. I got a Herman album from my late FIL’s collection.

Yingle Bells – Yogi Yorgesson, #7 in 1949.

Rudolph, the Red-Nosed Reindeer – Spike Jones, #7 in 1950.

Chevy

Chuck Miller recently posted three long-form (four to six-minute) Chevrolet commercials for the holidays from the past three years. It was touching stuff.

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