I was waiting impatiently for Dustbury’s take. And he did not disappoint: “Perhaps the very definition of ironic: the first I heard about the death of an iconic Liverpool star was from two girls trying to make it big in Liverpool fifty years later.”
I always associated Cilla with the Beatles, of course. Lennon-McCartney wrote a few songs for her, including Love of the Loved and It’s for You [LISTEN], and she covered Beatles tunes such as Yesterday, For No One, Across the Universe, and The Long and Winding Road.
Moreover, I bought LP The Big Hits From England & U.S.A. back in 1965, featuring songs by the Beatles, the Beach Boys, plus two L&M songs by Peter & Gordon. On Side 2 were songs for the “grownups” by Al Martino, Nat Cole, and two from Cilla, Suffer Now I Must [LISTEN], which was just OK, and the last song on the album You’re My World [LISTEN], which I really loved.
She was introduced to [Beatles manager Brian] Epstein by John Lennon, who persuaded him to audition her. Epstein had a portfolio of local artists but initially showed little interest in her. Her first audition was a failure, partly because of nerves, and partly because the Beatles (who supported her) played the songs in their usual vocal key rather than re-pitching them for Black’s voice. In her autobiography What’s It All About? she wrote:
I’d chosen to do “Summertime”, but at the very last moment I wished I hadn’t. I adored this song, and had sung it when I came to Birkenhead with the Big Three, but I hadn’t rehearsed it with the Beatles and it had just occurred to me that they would play it in the wrong key. It was too late for second thoughts, though. With one last wicked wink at me, John set the group off playing. I’d been right to worry. The music was not in my key and any adjustments that the boys were now trying to make were too late to save me. My voice sounded awful. Destroyed—and wanting to die—I struggled on to the end.
“There are two ways to be fooled. One is to believe what isn’t true; the other is to refuse to believe what is true.” – Soren Kierkegaard (1813-1855) On ISIS’ Terms: Courting a Young American.
Leonard Maltin remembers Omar Sharif. I noted that I knew him better from reading his bridge column, initially with Charles Goren, trying (and failing) to ascertain the art of the artificial bid.
Deep Dark Fears is “a series of comics exploring those intimate, personal fears that mostly stem from your imagination getting darkly carried away.” Read more about it.
One of my favorite movie quotes, maybe because it’s so meta: “That’s part of your problem: you haven’t seen enough movies. All of life’s riddles are answered in the movies.” (Grand Canyon, 1991)
This Sergio Aragonés masterpiece is included as a fold-out poster within Inside Mad. His priceless gift to all Mad fans shows over six decades of Mad contributors and ephemera within a mish-mash of Mad office walls. The only thing missing in this beautiful mess is a key. Doug Gilford will be attempting to label everything you see with brief (pop-up) descriptions and links to pertinent pages…
Our church, First Presbyterian Albany, hosted a work camp in the city the week leading to the 4th of July. Homes were repaired/painted throughout the city; 400+ youth and adults, from several states, including Hawaii, plus folks from Ontario, Canada, were hosted at Myers Middle School; 75+ First Pres folks volunteered to make it all happen. We received some media coverage, including one of the radio stations, WFLY present on opening day. Here’s the web link to the Times Union article. Plus nice coverage from a local public radio station.
Paul Mazursky wrote and directed Down and Out in Beverly Hills (1986), Moscow on the Hudson (1984), An Unmarried Woman (1978). But I saw (or heard) him in a number of TV shows and movies.
Some of SamuraiFrog’s favorite Marvel stories; nice reveal in Fantastic Four #21. Also, for round 15 of ABC Wednesday – YOU can still join! – Mr. Frog will “highlight a different Muppet for each letter, hopefully, some of the lesser-known Muppets and milestones in Muppet history.” So far, A is for Arnold, who you WILL recognize; B is for Bobo the bear.
Mark Evanier wrote about The Battle of the Network Stars, some cheesy TV competition c. 1977. What struck me is that I knew every actor and the associated show from CBS, all but one from ABC, but had serious trouble with the NBC stars. Even I knew of the actor, say, Jane Seymour, I had no idea what show she was representing.
Paul McCartney acknowledged the signs in the audience which led to a wedding proposal on stage involving a Rochester couple, with Jon singing When I’m 64 to Claudia.
c. 2014 K Durkot
I don’t know how to review seeing Paul McCartney in concert on July 5, what turned out to be the first stop on the US leg of his current tour. Want a review? Here’s one by Greg Haymes, and here’s another one by Greg, who I happened to see before the show, and I’d say they are pretty darn accurate.
Also saw Karen, one of my oldest friends, a Beatlemaniac before I was by a few weeks, and that was fab. (Sorry.) The Daughter and I took the CDTA down and back, and THAT was actually worked out almost perfectly.
So let me do a song-by-song musing:
Eight Days a Week – Karen saw his performance at Frank Sinatra School of the Arts last October, a highlight of her life, and he opened with that here as well. The Daughter (L) was so excited; this is the moment it became real, that she has actually seen a Beatle in person.
Save Us – a new song, the one with the line about “heat of the battle”. Enjoyable. I need to listen to that NEW album again.
All My Loving – The Daughter was in heaven.
Listen to What the Man Said -while I turned L on to a lot of Beatles’ music, I haven’t done nearly as good a job with Paul’s Wings and solo career. It was after this when Paul McCartney took off his electric-blue blazer and noted, “That will be the only wardrobe change of the evening.”
Let Me Roll It – it was at the end of this song (I believe) when the band segues into some Hendrix, after which Paul tells this story about Jimi hearing Sgt. Pepper, the title song, and playing it two days later, but asking Eric Clapton, who was in the audience, to tune his guitar; Clapton demurred.
Paperback Writer – some artwork by Richard Prince, an artist who lives in this area on the background screen. Among them were the nurses’ paintings.
My Valentine – his one new song on his 2012 album of standards, dedicated to his third wife Nancy. Later, L and I had this conversation about how often celebrities get married. But, I explained, “his first wife, Linda, died!” She knew of Heather, wife #2, from Dancing with the Stars.
Nineteen Hundred and Eighty-Five – even though L didn’t know it at all – I REALLY need to start with the Band on the Run album – she got into the uptempo sections of this.
The Long and Winding Road – the last song on Beatles #1s, which I gave her when she was five, to start the Beatles brainwashing.
Maybe I’m Amazed – the guy who was sitting on the other side of me was having a religious experience. It’s my favorite too, dedicated to Linda. No songs dedicated to Heather.
I’ve Just Seen a Face – after L and I saw the movie Help in 2009, I gave her a copy of the Help! album. (Yet because I grew up on the US LP, I STILL associate it with Rubber Soul.)
On My Way To Work – an impromptu addition to the setlist, unknown to the techies
We Can Work It Out – L’s second- or third-favorite Beatles song
Another Day – always thought this was a dopey song, but it’s better live
And I Love Her – I’ve long thought that, while Sgt. Pepper and Abbey Road were major accomplishments, putting out the songs for A Hard Day’s Night in the midst of Beatlemania was amazing. Probably the second album the Daughter received.
Blackbird – by this point, he’s solo on the stage, in this forestage that rises as he sings. He tells the familiar tale of writing this during the Civil Rights struggle, particularly in the American South.
Here Today – his song remembering John Lennon. When I first heard it, on the 1981 Tug of War album, I thought it was a bit cloying, but after seeing his 2009 concert in New York City on ABC-TV, which I subsequently got on DVD, I found it amazingly affecting, and I did so again.
Queenie Eye – L and I liked this new song, but it may have gotten the most tepid applause of all his songs.
Lady Madonna – love that psychedelic piano. There were pictures of women and girls throughout on screen, from Marilyn Monroe and Ella Fitzgerald to Anne Frank and the Mona Lisa.
All Together Now – this is a silly song, but the cartoon graphics onscreen were quite appropriate
Lovely Rita – at this point, L is hungry. Actually, she has been for the last several minutes. We squeeze past the other patrons and go down to the concession, where she opted for fried dough, with powder. I decide going back to our seats with this treat, while allowable, is not optimal. So we watch the next several songs from the large screen.
Everybody Out There – you know, he looks very good for 72. The left eye is slightly droopy, perhaps, at least on the big screen.
Eleanor Rigby – another of L’s favorites.
Being for the Benefit of Mr. Kite – missed the laser light show, apparently. Love that he does a John song.
Something – Paul tells the story about being at George’s place and George playing the ukulele, so Paul starts the song playing a uke.
Ob-La-Di, Ob-La-Da – L thinks it’s “weird” that I’m writing down all the songs we heard. That’s OK, I think it’s weird that she’s watched that Disney teen beach movie more than once.
Band on the Run – we return to our seats. This song has been mildly spoiled for me ever since I heard side two of THE SPASTIC PHONO BAND, “WINGS UNDER JAPAN”, a parody of Paul’s 1980 marijuana bust. I’m sure that the song came out before John died. (Go to www.blotto.net, click on MP3s, then AUDIO.)
Back in the U.S.S.R. – Paul talks about going to Russia and finding officials who bought Beatles records, learning to speak English in the process.
Let It Be – I notice throughout the audience little white lights swaying to and fro.
Live and Let Die – I tell L that this might be a little scary. The song starts off a bit meh, and suffers from the terrible line, “But in this ever-changing world in which we live in.” But then the pyrotechnics come! My stars! I’ve seen it on TV several times before, but there is nothing like this live. L held my arm tightly; after she got over the initial fear, she really liked it.
Hey Jude – the usual ending, with him asking the guys then the “girls” to sing by themselves the “na na” parts.
He returns for the ENCORE, carrying a large American flag on a pole, while others had a New York State flag, and a UK Union Jack.
Day Tripper – another of L’s favorites, and mine.
Hi, Hi, Hi – Paul reminds us he means a natural high.
Helter Skelter – Paul plays this a LOT in concert. I think he wants to be seen as a real rocker, not the guy with just the sweet songs.
Golden Slumbers/Carry That Weight/The End – another failing on my part; L does not recognize the closing suite from Abbey Road!
As I suggested, a great, magical night. Happy am I.
And interesting how much of this show is different from the setlist of that aforementioned 2009 show. That suggests that he’s not just mailing it in, which was pretty evident by his energy and demeanor.
Priscilla Maria Veronica White OBE, the singer and, later, UK television personality, better known as Cilla Black, died this past weekend at the age of 72. 
