Movie Review: Made in Dagenham

Here, Sally Hawkins was matter-of-fact plunky without sinking to cliche. Indeed, once knows the basic outline, it is difficult to avoid a bit of predictability. Fortunately, the story, and performances were strong enough.


Late last year, my wife and I saw the trailer for the movie Made in Dagenham, and liked it well enough that we decided to go see the film itself. But for whatever reason, we didn’t make it.

Then we noticed that it was playing for three days at Proctors Theatre in Schenectady last week. So I took off early from work, went home, and we dropped off the daughter at the home of a teenaged daughter of a church member. We were running late for the 5:15 p.m. showing because of rush hour traffic, so Carol parked the car while I bought the tickets and popcorn. Walking from the ticket counter to the entrance, the door closed, and it was LOCKED!

So I walked back to the counter to comment on this. At that very moment, my wife showed up AND someone opened the door, we ran in and got led into the darkest theater I’ve ever gone into. Thank goodness for the guide’s flashlight.

We walked in during the opening credits, and I don’t know if there was anything before that; evidently, there were few or no coming attractions.

From the IMDB: In 1968, the Ford auto factory in Dagenham was one of the largest single private employers in the United Kingdom. In addition to the thousands of male employees, there were also 187 underpaid women machinists who primarily assemble the car seat upholstery in poor working conditions. Dissatisfied, the women, represented by the shop steward and Rita O’Grady, work with union rep Albert Passingham for a better deal. However, Rita learns that there is a larger issue in this dispute considering that women are paid an appalling fraction of the men’s wages for the same work across the board on the sole basis of their sex. Refusing to tolerate this inequality any longer, O’Grady leads a strike by her fellow machinists for equal pay for equal work. What follows would test the patience of all involved in a grinding labour and political struggle…

Sally Hawkins, who played Rita, was someone I wanted to see in the well-regarded Happy-Go-Lucky (2008), but didn’t. Here, she was matter-of-fact plucky without sinking to cliche. Indeed, once one knows the basic outline, it is difficult to avoid a bit of predictability. Fortunately, the story, and performances by Hawkins, Geraldine James as Rita’s friend Connie (who had a more interesting story arc), Bob Hoskins as her ally Albert (whose character has his own motivation), Daniel Mays as Rita’s trying-to-be supportive husband Eddie, and in particular the amazing Miranda Richardson as Cabinet member Barbara Castle, a glass ceiling breaker in her own right, were compelling enough. Another strong performance was by Rosamund Pike, who, like Hawkins, had a smallish role in the movie An Education (2009), which we did see.

The one complaint is that especially early on, we both had real difficulty discerning what was being said because of their accents. At least one reviewer had the same issue. I don’t know if my ear acclimated or the dialogue became easier to understand, but it did get better.

The movie had period music as its soundtrack, most of which I recognized, and it neither enhanced nor detracted from the movie for me.

Definitely inspiring without being mawkish, and worth the trip.
***

The UK trailer, I believe.

 

March Ramblin’

Carol and I got to see an amazing percussionist, Dame Evelyn Glennie, with the Albany Symphony Orchestra at the Troy Music Hall, performing a piece written by Academy Award-winning composer, John Corigliano (“The Red Violin”).


For my birthday this year, I had come across this Facebook thing whereby people could contribute $10 in my name to the American Red Cross. I picked them specifically, not only because they do good things, but because they helped me possibly save a life. Back in May of 1995, I successfully performed the Heimlich maneuver on an older woman in my church at the time who was choking on some meat, without breaking her ribs. I learned that at a Red Cross training that I took in high school.

Anyway, some people did this, some people were confused by how to do it electronically and instead gave me checks. Hey, it’s all good.

And that was before the Japan earthquake, and aid organizations such as the Red Cross in whatever country you are in can use your help even more.

Still, I got a couple of gift cards, one from Amazon, one from Borders. So I got my fix of new music for a while. From Borders, I got the greatest hits albums of the Guess Who (my previous copy had disappeared), and Peter, Paul, and Mary (I saw Peter and Paul at Proctors in the fall of 2010). And I was really pleased with myself with my Amazon purchase. I looked at my wish list and noted that a Sheryl Crow album had gone down from whatever to under $5. A Madeleine Peyroux album was down at least $3 to around $10. And Judy Collins’ cover album of Leonard Cohen songs, used to be $16+ but was down to under $11. The grand total was $25.15, plus 84 cents tax, for a total of $25.99, minus the GC for a massive charge of 99 cents to the credit card. ($25 was the minimum to get free shipping.) Oh, I may have purchased newish albums by Robert Plant, Mavis Staples, and R.E.M. as well.

Carol and I got to see an amazing percussionist, Dame Evelyn Glennie, with the Albany Symphony Orchestra at the Troy Music Hall, performing a piece written by Academy Award-winning composer, John Corigliano (“The Red Violin”). Thanks to our friends Philip and Marilyn who couldn’t use the tickets. In the same week, we also saw The Lion King at Proctors in Schenectady, which was great.

My wife was confounded as to what to get me for my birthday. She thought about getting a bicycle. But, using the $100 from the CSN stores I got from Lily Hydrangea, I bought a Mongoose myself for $59 additional. She thought to buy me a TV, to replace the one we have with only two volumes, inaudible and LOUD; but then my friend Uthaclena and his wife offered their spare set when they showed up with their daughter as a surprise on my birthday weekend; the following weekend, he brought up the set.

And the wife did buy me a book, the autobiography of Ed Dague, the local newsman I admire, but a friend from work had already given it to me.

So she let me have a card party, specifically a HEARTS party, on March 19. There was a period in the 1980s where a group of us would play hearts once, twice, even thrice a week, always at the home of our charismatic and maddening friend Broome and his “this woman is a saint” wife, Penny.

At the card party, I got to see my old friends such as Orchid, who I goaded by e-mail – “You HAVE an A game?”; Jeff and Sandy, Jendy, and of course Broome. As they say, a splendid time was had by all.

So it’s been a pretty good birthday month, thanks to many of you. Well, except for some major computer problems at work, but that’s finally fixed.

Second place in this crossword contest, by my boss, is not bad, especially when the winner was a ringer.

The Cheap Flights song, complete with dancing. And subtitles?

Lots of Elizabeth (“I hate being called Liz”) Taylor tributes out there; here’s the one from Arthur.

In answering my questions, Jaquandor says something shocking about Richard Nixon. Worse, I’m inclined to agree with him.
**
My buddy Steve Bissette writes about D.W. Griffith’s two Biograph caveman movies, Man’s Genesis (1912) and Brute Force (1914), with a link to the latter.
***
Diagram For Delinquents Kickstarter project:

“This is a documentary film about the most hated man in comics history: psychiatrist Fredric Wertham.

“Beginning in the late 1940s, Wertham began publishing articles linking comic books to juvenile delinquency. This work culminated in his now-infamous 1954 book, Seduction of the Innocent. Burnings of comics were reported across the United States, and Congress held hearings into the matter, which helped spur the creation of the self-censoring body the Comics Code Authority…”
***
Google Alert finds – other people named Roger Green:

Roger Green Pt 1/5 ‘Feng Shui & Building Biology’ ‘Conversations with Robyn’
Roger has a background in Chinese Medicine and was a pioneer in introducing the ancient knowledge of Feng Shui to the western world.
This clip also shares some info on the harmful effects of wireless broadband on our health and sleeping patterns.

Custom Knives Created By Roger Green

Patients who walk through the doors of Dr. Roger Green’s clinic are eagerly greeted by Izzy, Green’s 5-year-old Basset hound.

One of those passengers at Narita Airport in Tokyo, on flight No. 276, next in line on the runway when the earthquake hit, was the Rev. Roger Green, longtime pastor at Grace Baptist Church in Middletown.

The Cats’ Meow

The theological implication of CATS?!


CATS was playing at Proctor’s Theatre in Schenectady this past weekend (July 16-18). I had never been to a production. Other than knowing that it was based on some minor poems by T.S. Eliot and that Andrew Lloyd Webber and his ex-wife Sarah Brightman were involved, I knew surprisingly little about it. So the wife, daughter, and I went; we got some seats on the side, about 2/3s of the way back, and we had a good sightline, especially since much of the action seemed to skew stage left (audience right), where we were. Separately, my brother-in-law, his wife, and their two daughters also attended.

Did you ever see a performance, whether it be a band or orchestra or play, where you recognize the tremendous talent of the performers, the excellent technique of the stage crew (I rather liked the lighting, which was strewn into the audience section), the imagination of the set design, yet somehow feel really disengaged from the performance? That’s how I felt about much of the first act. Oh, there would be a song or two that gained my attention, followed by gaps where I nearly fell asleep. Then near the end of the first part, a song I recognized: Memory. Oh, THAT song.

The second act featured a bizarre segment that none of the people I knew who had seen it years earlier remembered: a what the @#$! pirate motif. Still, the second act was stronger, if only because there was some sense of linear storytelling. The one downside, a reprise, and another reprise and maybe a third, of Memory.

Other distractions, not the fault of the production people. The guy in front of me needed to scratch his head, but does he need to hold his arm perpendicular to the top of his head, thus obliterating my sightline? And the guy behind me eating M&Ms; the eating wasn’t the problem, it was the repeated pouring them into his hand.

Afterward, we saw folks from church who told us about how someone from their previous church wrote a sermon about the theological significance of the story. I suppose this refers to the cat who goes up on a hovercraft that reminded both my wife and me of Close Encounters of the Third Kind. The sermon writer wept at the end of Cats; wish I had had such a visceral reaction.

I mentioned to the group gathered after the production that CATS was the second-longest Broadway production ever. People asked me what was first, and I was drawing a blank – I HATE when that happens. Was it Chorus Line, Rent? No; I knew I’d know it if I heard it.

Turns out to be Phantom of the Opera, another Lloyd Webber product I’ve never seen. Check out the Wikipedia site, which seems to be updated weekly, or the Internet Broadway Database – IBDB.com, for the current status of each show.

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