Requiem Archives - Page 2 of 3 - Ramblin' with Roger

April snow

Lion King

The first time I wore boots in the winter of 2015-2016: April 5, 2016.
The first time I SHOULD have worn boots in that period: April 4, 2016, which ended up generating four inches, about 10 cm. I should have worn them mostly because people seem to have forgotten how to shovel snow. This includes, BTW, the building I work in. With temperatures hitting 70F (21C) in the past couple of weeks, temperatures in the 20s F (just below zero C) are a shock to some.

But it was a non-event winter here, so I’m not complaining about a little April snow. It has snowed in Albany in April before, in 1982 and 2000, two times I specifically recalled. It snowed on May 18, 2002, the year The Wife graduated from grad school, and they had to bring the ceremony inside.

Invasion of the vote seekers

Democratic presidential candidate Hillary Clinton, center, stands with Rep. Paul Tonko, D-N.Y., and Sen. Kirsten Gillibrand, D-N.Y., after speaking at a rally at Cohoes High School on Monday, April 4, 2016, in Cohoes, N.Y. (AP Photo/Mike Groll)

Uncharacteristically, New York State matters this year in both parties’ presidential primaries on April 19.

I managed to have gotten invited to see Hillary Clinton when she stopped in Albany County on April 4. I opted against it, in part because The Wife had been home with a sick child all day, and I wasn’t that feeling great myself, certainly not well enough to wait out in the cold to get into the event.

Also, I wasn’t planning on voting for her in the primary. Still, she’s a former First Lady, former Secretary of State, and twice elected U.S. Senator from my state, when I DID vote for her.

Later that evening, I tuned into the CBS Evening News, which I had recorded, and discovered WRGB Channel 6 had pre-empted it to show the intros by Tonko and Gillibrand, plus the first 13 minutes of HRC’s speech, then presumably cut away to a game show. I reckon the Time Warner news probably covered it more thoroughly.

Ted Cruz was in Scotia in nearby Schenectady County yesterday. John Kasich (rhymes with basic) and Bernie Sanders may be in the area soon as well.

Speaking of Bernie: I read about the Message Requests function on Facebook from Mark Evanier this week. Turns out I had five messages there. Four seemed spammy. The fifth, from February 9 asked me to promote a march for Bernie on February 27. I probably would have.

The cringeworthy Donald was looking for an Albany venue for a rally next week. I mentioned to my spouse that maybe I’d stop by, not to participate or to protest, but merely to observe. She, uncharacteristically, scowled, “Be careful. I MEAN it!”

Culcha

Last month, the family caught The Lion King at Proctors Theatre in Schenectady (near Albany) Maundy Thursday evening; there’s a story about the timing, but it involves someone else. The Wife and I had seen it before, maybe five years ago, but The Daughter had not.

Since then, she played young Nala at church, so we knew she’d enjoy the spectacle, and she did. She could sing along with several songs, notably Chow Down, which she never sang, but heard often as the hyenas practiced their threats to eat Simba and Nala.

Good Friday, our church choir performed Charles Gounod’s Seven Last Words, which was very moving. Even more so, Ah, Holy Jesus, an arrangement by Ferguson, featuring the viola.

I’ve been to the Massry Center at the College of Saint Rose twice in recent weeks, which is within walking distance of our house. Before Easter, I listened to the Mozart requiem, a piece of music I’ve sung thrice in my life and truly love.

This past Sunday, I attended the senior recital of Maria Rabbia, a CSR senior who has been singing at our church choir. There was a large First Presbyterian contingent in the audience.

She performed pieces by Bach, Beethoven, Brahms, Debussy, Prokofiev, and Chopin. Scanning the program beforehand, I wondered why she hadn’t put the Chopin before the Debussy, which would have put the music in both alphabetical and chronological order. But Chopin is a barn burner, and thus a more suitable ending.

Maria has been studying piano since she was five. the and organ – she played the postlude at church once, quite well – since she was 12. Mark my words: Maria Rabbia will be a notable musician someday.

Lenten Music Friday: Fauré Requiem

Fauré’s Requiem is noted for its calm, serene and peaceful outlook.

Of all the Requiems, and I have participated in the singing of quite a few, one of my two favorites, along with Mozart, is the Fauré. I know I sang this in both 2000 and 2002, and perhaps later.

He composed the Requiem between 1887 and 1890. From Classic FM:

Traditionally, at its heart, [a requiem] is a prayerful lament for the dead. Fauré’s Requiem was altogether different, though, because here was a composer who, unlike many of his contemporaries, had no clear religious beliefs.

By contrast, he was very much a doubter, described by his own son as ‘a sceptic’. In place of the sombre nature of many requiems that had gone before, Fauré’s is noted for its calm, serene and peaceful outlook.

The best recording may well be one I own, the iteration with Robert Shaw (Conductor), Atlanta Symphony Orchestra & Chorus (Orchestra), Judith Blegen (Soprano), James Morris (Baritone). It also contains the Duruflé Requiem. I bought that CD for my sister Leslie, who will be singing it in the San Diego area this Lenten season.

LISTEN to Gabriel Fauré’s Requiem, Op. 48
1. Introït et Kyrie (D minor) 0:00
2. Offertoire (B minor) 6:24
3. Sanctus (E-flat major) 14:36
4. Pie Jesu (B-flat major) 18:07
5. Agnus Dei et Lux Aeterna (F major) 21:48
6. Libera Me (D minor) 27:55
7. In Paradisum (D major) 32:16

Fridays in Lent: Mozart Requiem

Some or all the music from the Mozart Requiem appears in at least 70 movies and television episodes.

I’ve sung the Mozart Requiem in D minor at least thrice, once in 1985, once or twice in the 1990s, and once on September 11, 2002. I LOVE this piece of music.

The one problem singing it is that I have to keep from crying. As was made clear in the movie Amadeus, this is as much about the composer’s own death as Jesus’.

Some or all the music from this work appears in at least 70 movies and television episodes, plus a number of commercials.

Here is a live recording.

Requiem of the week- Mozart

The last time I sang the Mozart Requiem was on September 11, 2002.

The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart is almost certainly the best known requiem, since its creation (and non-completion) was presented in the 1984 movie Amadeus. Here’s a segment in which Salieri helps Mozart write his Confutatis. Parts of the Requiem show up in some three dozen TV shows and movies, such as The Big Lebowski and Watchmen.

As noted in Wikipedia, it was “composed in Vienna in 1791 and left unfinished at the composer’s death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife’s death. It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death.

“The Sussmayr completion of the Requiem is divided into fourteen movements, with the following structure:
I. Introitus: Requiem aeternam (choir and soprano solo)
II. Kyrie Eleison (choir) {used in commercials, too]
III. Sequentia (text based on sections of the Dies Irae):
Dies irae (choir)
Tuba mirum (soprano, contralto, tenor and bass solo)
Rex tremendae majestatis (choir)
Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
Confutatis maledictis (choir)
Lacrimosa dies illa (choir) [which almost always make me cry]
IV. Offertorium:
Domine Jesu Christe (choir with solo quartet)
Versus: Hostias et preces (choir)
V. Sanctus:
Sanctus Dominus Deus Sabaoth (choir)
Benedictus (solo quartet, then choir)
VI. Agnus Dei (choir)
VII. Communio:
Lux aeterna (soprano solo and choir)”

It is clearly my favorite requiem, as it is one of the two scores I ever purchased so that I can sing along, the other being Messiah by Handel. I have sung this in performance at least thrice. Once was in the spring of 1985 for which I had a now long-long cassette recording. Another time was sometime in the mid-1990s. The last time was on September 11, 2002, when my friends Tim and Gladys, and I crashed the Albany Pro Musica performance to honor the first anniversary of 9/11. (Wasn’t REALLY “crashing” as such.)

Here’s the Wiener Philharmoniker performance, with those nice section breaks. And here are scores and more performances.

Requiem of the Week: Verdi

I have never had the chance to perform the Requiem by my cousin Joe Green, I mean by 19th-century composer Giuseppe Verdi, but I listen to it each year. The piece has an interesting history, with one segment initially written in honor of Rossini’s death, but the project was abandoned. Verdi then wrote the whole requiem in honor of another late colleague.

One can hear the whole piece HERE and I’m sure elsewhere. Probably the most famous segment is the beginning of the Dies Irae which has been used in films and on TV, as this extensive list of Verdi on soundtracks will attest.