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Movie Reviews: Oscar-nominated live-action short films for 2012

On my birthday this month, I decided to see the Oscar-nominated short films at the Spectrum Theatre in Albany. This was predicated on the fact that I might see Zero Dark Thirty on video, but might be less likely to find these. As it turned out, it was the very last day of its three- or four-week run. The program ran for 115 minutes. The films were interspersed with commentary by Luke Matheny who won a couple of years ago for God of Love, which as I noted at the time, was probably my least favorite of the nominees. Unlike the commenters for the animated films this year, I didn’t think Matheny brought that much insight to the table. It didn’t help that he was trying to be wryly humorous and the films, for the most part, were not.

Film descriptions were from the Spectrum website.

Death of a Shadow (France and Belgium/Dutch, 20 minutes) – A soldier attempts to ransom his soul from Death and return to the girl he loves. Directed by Tom Van Avermaet and Ellen De Waele.
This was the darkest of the five, and quite metaphysical, taking photos of people’s shadows at the moments of their deaths, any time in history. It was well done, but most uncomfortable.

Henry (Canada/English, 21 minutes) – Henry, an elderly concert pianist, undergoes a series of confusing experiences as he searches for his wife. Directed by Yan England.
The audience may be a bit confused by the action at first, intentionally so, but ultimately this is a very sweet story of aging. I’ve seen a couple of full-length films about getting old recently. This is not as cavalier as Quartet, but not nearly as depressing as Amour. In fact, this movie showed far more of the couple’s good times than Amour did. This was my favorite of the five.

Curfew (USA/English, 19 minutes) – A young man on the verge of committing suicide receives a call from his sister asking him to babysit his niece. Directed by Shawn Christensen
This film was the Oscar winner, and I can see why. It’s about second chances. The protagonist is the last person his sister knows she’d want to leave her daughter with. Possibly the most whimsical of the five, despite its beginning.

Buzkashi Boys (Afghanistan/Persian, 28 minutes) – Two boys in Afghanistan, a blacksmith’s son and an orphan living on the streets, dream of winning a popular and fierce polo match. Directed by Sam French and Ariel Nasr.
In many ways, Kabul, Afganistan itself is the star. Can you get out of this bleak place, or are you stuck by birth to your destiny? Very magnetic lads, especially the one playing the orphan. The ending is vaguely unsatisfying, but it was still a good film.

Asad (South Africa/Somali, 18 minutes) – A boy from a poor Somali village must decide between piracy and life as a fisherman. Directed by Bryan Buckley and Mino Jarjoura.
The pirates are some scary dudes who our young hero has to deal with, which he does with great skill. Then he is put to another test. An interesting, somewhat peculiar story, though I’m not sure of the ending belongs in this film, which, not incidentally stars a cast of actual Somali refugees.

All in all, a good crop of films worthy of nomination.

MOVIE REVIEWS: Oscar-nominated short animated films

From France, Dripped is about an art thief who really loves his work.

It’s rare that The Daughter has gone to the Spectrum Theatre in Albany; in fact, I’m not sure she’d EVER been there. While it is the preferred film venue for the Wife and me, it often has films not suitable for sensitive eight-year-olds. But the ads said that the films nominated for Academy Awards in the animated shorts category were “family-friendly.” This is useful to know because we saw last year’s entries, and A Morning Stroll most certainly NOT Daughter-friendly, to say the least.

On Washington’s Birthday – which was when the Wife and I went last year; a holiday tradition? – the three of us sojourned to the cinema. In previous years, they just showed the movies, but this year, there were interspersed conversations with William Joyce and Brandon Oldenberg, who created last year’s well-deserved winner, The Fantastic Flying Books of Mr. Morris Lessmore [watch it]. In fact, one of these guys looked a bit like Lessmore. They talked about the struggle to get their film made and the surreality of Oscar night.

Maggie Simpson in The Longest Daycare

The youngest character in the long-running show I used to watch for the first eight or nine seasons, but seldom since then. It was interesting enough for the Wife and me, though the Daughter missed out on the significance of the Ayn Rand School for Toddlers; she liked the ending, though. The piece was OK, not distinct enough to be Oscar-worthy, though; my wife’s third favorite film of the bunch.

Adam and Dog

This retelling of the Creation is beautifully rendered as lovely watercolors. The sound of walking on the grass was terrific. There’s a guy whose opinion I value who said it was the best picture of the bunch, and he may be right. Yet the latter part of the story left me cold.

Fresh Guacomole [watch it]

Two minutes of stop motion zaniness is fun. My wife’s second-favorite of the films; third for the Daughter and me.

Head Over Heels

This is my second-favorite, and the Daughter’s. It’s from the UK, and uses quality Claymation to show a middle-aged couple whose relationship is in trouble because of the husband’s difficulties with gravity. Will they find a way to save the relationship?

Paperman [watch it]

Yet the Daughter and I still liked this seven-minute Disney offering the best, though we had seen it before; it was my wife’s favorite, and it was new to her. It looks old-fashioned in that it is hand-drawn, and in black and white (except for red lipstick); it is quite romantic.

(Another set of opinions.)

To fill out the program, there were three shorts that were “highly commended”:

Abiogenesis

From New Zealand, it’s another Creation story. But this art is computer-generated, and the story is futuristic. I wasn’t engaged until the very end.

Dripped

From France, it’s about an art thief who really loves his work. It’s surreal and manages to work several art styles – impressionism, cubism, abstract – into the storyline. “Dedicated to the memory of Jackson Pollock,” one has to think Pollock would have approved. This piece should have been a contender for the prize instead of Maggie Simpson.

The Gruffalo’s Child

The only piece with dialogue, and by far the longest short at 27 minutes, it is a CGI piece. It’s a follow-up, I understand, to a 2009 BBC Christmas special The Gruffalo. It’s nicely rendered and shares a message about the power of legends. It made my daughter a little nervous, though no cartoon animals were really harmed. Here’s a review.

One other point: both Adam and Dog, and, to a much lesser extent, Dripped, had men with full-frontal male nudity, and their members were obliquely rendered; it was actually distracting.

Movie Reviews: Wreck-It Ralph, and Paperman

It’s rather clear that, in Wreck-It Ralph, Disney is trying to create that layered, interconnected universe that is typical of Pixar movies.

The local Police Athletic League was sponsoring movies at the nearby Madison Theatre Monday morning, $3 for kids, $5 for adults, and this included a small popcorn and a drink. There were three PG-rated choices playing: Life of Pi, which I thought might be too intense for the Daughter; Parental Guidance, with Billy Crystal and Bette Midler, which was the most attended, but not something I particularly wanted to see; and the animated Disney film Wreck-It Ralph. The cartoon won out.

There was an utterly charming animated short called Paperman, which was done with no dialogue whatsoever; one of the best pieces I’ve seen in a while. No wonder it’s Oscar-nominated for best animated short.

Wreck-It Ralph is about an arcade video game called Fix-It Felix; think Donkey Kong or maybe Mario Brothers. Ralph (voice of John C. Reilly) wrecks and Felix (Jack McBrayer, sounding a bit like Kenneth from 30 Rock, only a little more confident) fixes an apartment building. At the end of the day, the folks in the apartment building fete Felix. Meanwhile, Ralph lives alone in the dump. How can a game’s bad guy get more respect, maybe become a hero?

Ralph leaves his game for another one and creates chaos, especially for Sgt. Calhoun (Jane Lynch, sounding like Sue Sylvester from Glee, if she were armed like Rambo). Ralph does have some accidental success – catch Dennis Haysbert in a cameo – but then ends up yet in another game, having to negotiate with little Vanellope (Sarah Silverman) and King Candy (Alan Tudyk). If Ralph doesn’t get back to his own game soon, it might be unplugged forever.

It’s rather clear that, in this film, Disney is trying to create that layered, interconnected universe, in this case, of arcade games, that is typical of the Pixar movies. It works well much of the time. One does not have to be an aficionado of video games to understand it, but it wouldn’t hurt. So adults, as well as children, can appreciate it. The art and voices are great, and it’s no surprise that the movie was nominated for an Academy Award for Best Animated Picture. Check out the trailer.
***
The movie started later than its scheduled 10 a.m. start time, and I managed to miss President Obama’s entire inaugural speech. Fortunately, I could see it online. It was a great speech, as Chuck Miller will attest. I particularly liked the “Seneca Falls, and Selma, and Stonewall” part.

Book Review: After All by Mary Tyler Moore

Mary Tyler Moore’s her second marriage, to television producer Grant Tinker, seemed to epitomize the emotional distance both of them operated on when things were less than optimal.

As a television personality, there is probably no one I enjoyed more than Mary Tyler Moore. She appears on my Top Five favorite TV shows of all time, The Dick Van Dyke Show; her eponymous show is on my Top 20 list.

Looking forward to reading her autobiography, I was mystified by the fact that, for much of her professional life, she was a bundle of insecurities. Her success on her own show and Van Dyke’s she attributed to the talented performers, writers, and producers around her. Her failures, on other shows and on stage, are her fault. Such insecurity is odd, and not particularly appealing.

There is a certain arm’s length in her retelling of her growing up with a distant father and alcoholic mother, told in short chapters. A neighbor briefly molests her when she was six, and her mother refused to believe her; it’s told, as much of the book is, in this matter-of-fact manner. Later, the deaths of her younger sister and her son are likewise relayed.

Interestingly, her second marriage, to television producer Grant Tinker, who ran her production company, MTM, seemed to epitomize the emotional distance both of them operated on when things were less than optimal, though they appeared fine when things went well.

The book became so frustrating that, halfway through reading it, I actually blogged about it. Chris Honeywell nailed it: tanha, “a Buddhist idea which seems to correspond to ‘cravings, lusts, and focusing on self without introspection.'”

Then I started having second thoughts. I spoke to a friend of mine who has gone through therapy. The therapist has said to my friend, “Why aren’t you screaming” about the painful events being shared? Maybe when one has experienced enough emotional venting, one may come off as cavalier about the tough issues.

The most interesting chapter, and, at 12 pages, one of the longest, is when Mary finally gets sober. She went to the Betty Ford Clinic and was incensed by the tough treatment. “Then leave,” one nurse said.

After All, by the end, was a rather honest book. Not always pleasant, not what we might have expected from “our Mair,” but thorough.
***
Mary Tyler Moore nearly skipped the audition for “The Dick Van Dyke Show”.

Dick Van Dyke: “I’d go to work with terrible hangovers. Which if you’re dancing is hard.”

52 minutes of Carl Reiner talking about writing. He created The Dick Van Dyke Show.

Movie Review: Silver Linings Playbook

Silver Lings Playbook tells an ultimately orthodox story in such an unorthodox manner.

It’s a rom dramedy! It’s a sports movie! It’s about anger management! It’s a floor wax! It’s a dessert topping!

I read all sorts of things about the new movie Silver Linings Playbook (except those last two, which are from an old Saturday Night Live skit). Still, I didn’t get much of a clear sense of the film beforehand, except who starred in it.

The Wife and I went to see the movie at the Spectrum 8 in Albany, our favorite cinematic haunt, Saturday past. Pat, Jr. (Bradley Cooper, who I had previously seen in absolutely nothing; never caught The Hangover movies) is getting out of a mental institution, after eight and a half months, following a violent incident. He moves back in with his parents (Jacki Weaver, previously nominated for Animal Kingdom; I hadn’t seen her in anything; and Robert DiNiro – HAVE seen him a few times, most recently in New Year’s Eve on TV). Pat wants to woo back his estranged wife, which is complicated by a restraining order.

He seems to have found an ally in his endeavor the friend of a friend (Jennifer Lawrence, who I didn’t see in Hunger Games or anything else) who has issues of her own.

The Wife and I liked the film, though it traveled from this character study – Pat dealing with a Stevie Wonder song that triggers untoward behavior – to an almost conventional film about winning the big game, of a sort.

Sidebar: we spent much of the conversation on the way home talking about what is “crazy” in this society and what is not. Pat Jr. may have been a bit disconnected from reality. But was it much worse than Pat Sr. being banned from the Philadelphia Eagles’ stadium, or his various superstitions concerning sports?

I think it’s getting so many positive reviews and so many Oscar nominations (Best Picture, Best Director, four acting categories, screenplay, plus) because it tells an ultimately orthodox story in such an unorthodox manner. Cooper is better than expected, and Lawrence has more range. Weaver and DeNiro may have gotten their nominations in no small part for one scene, which I won’t describe except that the Led Zeppelin song What Is And What Should Never Be was playing.

I liked the film, but I was surprised by the change in tone. Still, I think it is that turn that made it work for me. Yet, I’m not sure yet whether it was Best Picture material; I’ll have to see some more movies this winter.