Albany steamed hams: “Greatest Comedy Scene”

“Skinner’s charade is woefully transparent, but the deception doesn’t completely fall apart until the very last line.”


Jaquandor saw this article from the UK. He wrote to me on Facebook: “‘It’s an Albany expression!’ Hmmm…really? Hey, do you call hamburgers ‘steamed hams’? (I’m guessing, no.)”

The piece from March 2017 refers to a scene from the TV show The Simpsons. I was a fervent viewer of the program in the first decade, but I rarely see it now. So I was unfamiliar with the particular segment.

“This scene comes in at about 340 words, and 67 sentences. Every line serves a purpose – either as a joke, or as character building.”

Cookywook goes into great detail about:

1. The script about principal Skinner trying to impress school superintendent Chalmers. “Skinner’s charade is woefully transparent, but the deception doesn’t completely fall apart until the very last line.”

2. The structure of a faux opening

3. The animation

4. The psychology of space

5. The climax, with “Skinner’s most extravagant lie by far”

Of course, “steamed hams” really isn’t “an Albany expression.” It’s probably a Schenectady thing.

I is for iatrogenic

Unlike an adverse event, an iatrogenic effect is not always harmful.

iatrogenicSomeone sent me this piece from an obituary: “…His demise was probably iatrogenic.” Iatrogenic was not a word I knew.

It means: “induced inadvertently by a physician or surgeon or by medical treatment or diagnostic procedures: an iatrogenic rash.”

The origin of the word comes from the Greek, iatros, meaning physician, plus the English suffix -genic. The word’s first known use was in 1924.

Some of the causes of iatrogenesis include side effects of a treatment and drug interactions, which may have been unanticipatable.

Also, “unlike an adverse event, an iatrogenic effect is not always harmful. For example, a scar created by surgery is said to be iatrogenic even though it does not represent improper care and may not be troublesome.”

Still, iatrogenic disease is the 3rd most fatal “disease” in the USA, with avoidable errors such as infection, and medication errors as leading causes of mortality.

Related: the dictum “first do no harm” doesn’t exactly come from the Hippocratic Oath, but it does come from the Hippocratic Corpus, at least in essence.
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Sam Simon has died at the age of 59; it was not iatrogenic. He was the co-creator of the hit animated show, The Simpsons. There’s a lovely article about him in Vanity Fair.

ABC Wednesday – Round 16

Watching that TV show again

There is even research to suggest that re-watching television shows is good for you.

good-wife-the-second-season-dvd-coverOne of the joyous experiences I have had recently is periodically watching episodes of the Dick Van Dyke Show (1961-1966) with The Daughter. I bought the complete five seasons a couple of years and we’re down to the last half dozen of 158 episodes. It’s interesting watching what she finds funny, or mystifying. I’m also fascinated by what programs I remember very well (the Christmas show early on, the ventriloquist Paul Winchell near the end), and others not so much. Mark Evanier has been revisiting the classic show too.

In some ways, I’m like this columnist who sometimes would rather re-watch a program she enjoyed, rather than venture out and try new stuff, even though there is a lot of quality stuff out there (The Wire, Mad Men, Breaking Bad) I’ve never seen. Especially, as she does (and I don’t) when she binge-watched it in the first place. Of The Good Wife, one of the few shows I now watch regularly, she notes:

I’d binged… on some excellent series… But by the time I was finished with “The Good Wife,” I was spent. No more new characters, please. No more new cliffhangers. I needed some consistency and predictability in my life.

A better person than I would have seen my exhaustion as a sign that it was time to finally read “Middlemarch.” Instead, I re-watched all of “The Good Wife” and made a discovery: It was better the second time around. No need to gobble up an episode just to get on to the next. One episode, maybe two, in an evening, and then sleep.

I already knew what Peter Florrick was up to, how things would play out with Alicia and Will. Free from the suspense, I could savor the subtleties of dialogue and acting, marvel at how much I’d missed in my initial mad dash from episode to episode.

In exchange for the adrenaline of the first watching, I got the comfort of the re-watching. It was like hanging out with old friends: predictable, but not without pleasure and surprise…

My survey of friends suggests that a lot more people are re-watching shows rather than hopping from series to series without a breather.

There is even research to suggest that re-watching shows is good for you. A couple of years ago, a researcher at the University at Buffalo’s Research Institute on Addictions published a paper claiming that watching a rerun of a favorite show – not just any show, but one you like – gives you a mental boost. Human beings seek novelty, but we also crave familiarity.

Yes, she points out something I feel may be true, but since I don’t do myself, I cannot verify: you miss out on the subtleties when you binge-watch.

This clip of the congregation in The Simpsons singing an I. Ron Butterfly hymn still makes me chuckle, more than 20 years later.

One of the shows I used to watch religiously was MASH. Indeed, I liked it so much, I’d often watch the summer reruns. But somewhere about season 8, I stopped watching the reruns. This article by Ken Levine, who wrote for the show in the later years, touches on why; they started, generally inadvertently, recycling plotlines. Why would I need to watch the rerun when the story itself was being replicated?

Also, the chronology of the stories was too incredible; Trapper in a story referencing 1952, a Winchester story mentioning Christmas 1951. I’ve long thought the show should have ended when Radar went home early in season 8, though there were some great episodes after that, such as Dreams.

So, I’ll catch an occasional random MASH episode, but there’s no compulsion on my part to watch it in order.
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Lost Cartoon Pilot: “Black, Kloke & Dagga” (1967) from Morey Amsterdam’s cartoon studio.

Dream three-hour night of television

In my mind Frasier was just an odd continuation of Cheers.

Someone asked Ken Levine, who wrote for the TV sitcoms Cheers, Frasier, MASH, and several other shows: “What’s your dream three-hour night of television, including any shows from any decade, including now.” He explained: “I’m going to cheat. I’m just going to concentrate on comedies. Dramas take up two slots. So here are my all-time favorite sitcoms.”
8:00 THE HONEYMOONERS
8:30 THE BILKO SHOW
9:00 THE DICK VAN DYKE SHOW
9:30 THE MARY TYLER MOORE SHOW
10:00 MASH
10:30 CHEERS

Keeping that in mind, I picked:
The Simpsons – OK I haven’t watched more than thrice in the last decade, but those first years are strong enough
The Dick van Dyke Show – compare and contrast the family dynamic of these first two shows
The Mary Tyler Moore Show – and back-to-back MTM
Barney Miller – one of those perennially underrated shows
MASH – even though it should have ended when Radar went home early in season 8, rather than dragging on a couple more years
Twilight Zone Hey, I have this (and Van Dyke) on DVD

But his respondents had some great cheats. One wrote: “My 10 o’clock hour would be a rotating mix like Four in One (1970-71) or its successor the NBC Mystery Movie, but would involve the hour-long MTM shows: Lou Grant, The White Shadow, Hill Street Blues, St. Elsewhere, etc.” I rather like that, even that short-lived James Earl Jones show called Paris. And indeed, if I could do the same with the comedies, all the better; Mary Tyler Moore would share the slot with Newhart, WKRP in Cincinnati, even The Tony Randall Show, in which he played a judge.

Also, in my mind, Frasier was just an odd continuation of Cheers. With that cheat:

The Dick Van Dyke Show
The MTM sitcoms
Cheers/Frasier
Twilight Zone
The MTM dramas

What would YOU pick?
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A production number from the 1986 Emmy Awards. “It’s a mess of TV stars singing snatches of — or merely walking on to — their shows’ theme songs.”

 

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