Television as a cultural anthropological prism

Recently, I referred to my wife as Ramsey Gordon, which was that she was the total opposite of Gordon Ramsey, that mean chef on whatever that cooking show he’s on that I have actually never seen five minutes of.

Ike and Mamie watching TV

I think I keep reading about, and therefore writing about television, despite the fact that I watch it in decreasing amounts because I find it a fascinating cultural phenomenon. I was at our choir party this month, and we were talking about how networks, particularly ABC, will start broadcasting a serialized show and either never show the ending (The Nine, which I watched) or truncate it badly (this season’s Last Resort, which I wouldn’t watch for that reason). I saw the ads for the Dana Delany show Body of Proof; first, the season premiere was supposed to be the first week in February, but then it got kicked back to the third week in February. Why? Because they failed to realize that they had never broadcast the last show of the previous season, after which wholesale cast changes took place.

What particularly interested me is Mark Harris’ case against binge-watching in Entertainment Weekly, which I really related to. He has binged himself, but: “Sometimes your deep engagement with a series turns out to be intertwined with your patient willingness to spend weeks and months in the company of its characters, getting to know them in what feels like real-time and living their evolution as you live your own.”

His piece was in response to the disappointment some have felt over the fourth season of Arrested Development, 15 episodes available en masse on Netflix. I tried to watch the first season, but never got engaged. Some folks, particularly Gordon, suggested I give it another chance, and I saw seasons two and three, mostly enjoying them. Whether I ever see Season 4 – on DVD, because I’m not getting Netflix – depends on my time and inclination at that point. If I DO watch, it’ll be one or two episodes at a time.

I admit I liked the Daily Kos piece on How ‘Arrested Development’ explains the Republican Party. Also enjoyed the NSFW video parody of Girls: Season 38, featuring the original SNL’s Laraine Newman, even though I’ve never seen one minute of the Lena Dunham show.

Here’s an interesting side-by-side comparison of three cable news networks with their coverage of President Obama in Germany.

Recently, I referred to my wife as Ramsey Gordon, which was that she was the total opposite of Gordon Ramsey, that mean chef on whatever that cooking show he’s on; I’ve not viewed it. Weird how the brain picks that up.

Speaking of food shows, Paula Deen is getting booted from hers because of some nostalgic racist language. Heck, I thought she should have been let go after continuing to promote her high-calorie meals while hiding her Type II diabetes last year.

Apparently, the first season-ending of Game of Thrones, featuring a beheading (can that be a spoiler, from two seasons ago?), was not nearly graphic enough, so this season has the infamous ‘Red Wedding’. Big time thanks, but NO thanks.

Another show I’ll never see is Pregnant & Dating on the We network; Ken Levine’s description could have come from The Onion. It is “complete with the usual crying, angst, pretty people, upscale settings, cloying background music, and jaw-dropping stupidity.”

Read about the Latina stereotyping that’s endemic in a show such as Devious Maids. Someone once said to me that I can’t judge a show fairly unless I watch it; I totally disagree.

On the other hand, I TOLD you seeing the Tonys was worth it. Here’s the opening number which was THE highlight of the show.

I watched Paul McCartney on the Colbert Report, of course. Watching TV with commercials is brutal, and Colbert’s schtick wore thin but loved seeing Sir Paul, especially on Being For The Benefit of Mr. Kite!, which he said he’d never performed before. On the other hand, I loved what Colbert said about his late mom this month.

Still, most of my affection for television is nostalgic. This video about Johnny Carson, delving into his Nebraska roots, is quite entertaining; it features Dick Cavett, one time Carson writer, then a competitor. Cavett writes about going to his high school reunion. Ken Levine shows – part 1 and part 2 – what a CHEERS outline looks like. Although he met him only a couple of months ago, Levine has an interesting story about the late James Gandolfini.

Chuck Miller reminded me of all the weird pets fictional people had. Ah, a picture of MTM and DVD on the set of the Dick Van Dyke Show. And Evanier showed my absolute favorite TV commercial when I was a child; it was that nifty 4th verse. Unfortunately, he has no idea who the singers were, and neither do I.

The Anoinette Perry Awards 2013

In the past several seasons, by commercial necessity, a lot of product on Broadway is based on familiar concepts, just as film and TV tend to be.

The Tony Awards, championing Broadway’s finest, are on Sunday on CBS-TV. My wife and I and about 927 other people not involved in the theater will watch them – it’s traditionally a low-rated program – despite the fact that, of all the award shows, the entertainment value is the greatest.

We also watch them because, when a Broadway show goes on tour – in our case, to Proctors Theatre in Schenectady – we will be more familiar with the offerings.

Back in March, Proctors gave a preview of what it would be offering this coming season. While Phantom of the Opera has been a perennial favorite, and Book of Mormon was a big hit, the production I’m most excited to see in 2013-2014 may be War Horse. These horses are operated by three guys, who you can see (think the staging of Lion King). Yet you still get a sense of the horses’ motions and sounds as this trio of actors brings these creatures to life. It was OMG awesome. I wouldn’t have been familiar with this – except as a Spielberg film, a whole different animal, so to speak – if I hadn’t seen it highlighted on the Tonys a few seasons ago. Nor would we have been familiar with Memphis or The Drowsy Chaperone, which we’ve since gotten to see.

In the past several seasons, by commercial necessity, a lot of product on Broadway is based on familiar concepts, just as film and TV tend to be. Once (2012 winner for Best Musical), Catch Me If You Can (2011 nominee), Sister Act (2011 nominee, which we will see in the fall), and Billy Elliot (2009 winner, which we’re seeing this week) came from films.

It’s always advantageous to the Tonys, TV audience-wise when the familiar is nominated. I suspect that’s one of the reasons why they always have Best Revival of a Play (Golden Boy, Orphans, The Trip to Bountiful, Who’s Afraid of Virginia Woolf?) and Best Revival of a Musical (Annie, The Mystery of Edwin Drood, Pippin, Rodgers + Hammerstein’s Cinderella). The host once again is Neil Patrick Harris, currently of the TV show How I Met Your Mother.

More names you might recognize, nominated this year:

Best Original Score (Music and/or Lyrics) Written for the Theatre
Hands on a Hardbody – Music: Trey Anastasio, of Phish (with Amanda Green, who also wrote the lyrics)
Kinky Boots – Music & Lyrics: Cyndi Lauper (I suspect she will win)

Best Performance by an Actor in a Leading Role in a Play
Tom Hanks – Lucky Guy
Nathan Lane – The Nance
David Hyde Pierce (of Frasier) – Vanya and Sonia and Masha and Spike

Best Performance by an Actress in a Leading Role in a Play
Laurie Metcalf (of Roseanne) – The Other Place
Holland Taylor (of Two and a Half Men) – Ann; this is about the late Texas governor Ann Richards; thanks to Senator Kirsten Gillibrand’s book club, I’ve actually read the script, written by Holland
Cicely Tyson – The Trip to Bountiful

Best Performance by an Actor in a Featured Role in a Play
Richard Kind (of Mad about You) – The Big Knife
Tony Shalhoub (of Monk) – Golden Boy
Courtney B. Vance – Lucky Guy

Best Performance by an Actress in a Featured Role in a Play
Judith Light (of Who’s The Boss?) – The Assembled Parties

Best Performance by an Actress in a Featured Role in a Musical
Andrea Martin (of SCTV) – Pippin

Motown the Musical was also nominated for some awards.

We’ll be watching.
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Who is Tony?

From Evanier: “The Theatermania website picks out some of their favorite acceptance speeches at the Tony Awards. Make sure you don’t miss Michael Jeter’s for Grand Hotel. But my favorites are still Mark Rylance’s. Here’s what he said on the two occasions when he won…”

Without the Tonys, EGOT is just EGO

Unfortunately for the Tonys’ commercial appeal, this year’s list of recognizable names is dwarfed by last year’s roster.


The Antoinette Perry, or Tony Awards, which honor Broadway’s finest, airs Sunday, June 12, 8 pm EDT on CBS-TV. Of the four US major entertainment awards – Emmys, Oscars, Grammys, Tonys – it is the most mysterious to the general public. I watch it because I find it to be the most entertaining of the programs, even though, or maybe because I’m least familiar with the source material.

Reasons you should watch it:
It’s unique. Music has the American Music Awards, movies and TV have the Golden Globes, not to mention the People’s Choice Awards, plus a plethora of others.
Nothing else is on. Prime time shows are over, summer movies are showing on 30,000 screens each.
Neil Patrick Harris is hosting, and The Book of Mormon is up for 14 awards, either of which would make it interesting.
If you do have something else to watch, such as Sunday Night Baseball, tape or DVR the Tonys; it’s not as though the Tony show is water cooler fodder, though it should be.
*It’s informative. When Memphis showed up on the roster for our local theater, I actually knew the plot, from seeing it on the Tonys.

Also, you can tell people what your favorite TV and movie actors have been up to in the last year, such as Ellen Barkin, John Larroquette, Frances McDormand, Al Pacino, and Vanessa Redgrave.

Unfortunately for the Tonys’ commercial appeal, this year’s list of recognizable names is dwarfed by last year’s roster. In the best actor in a play category alone, there was Jude Law, Alfred Molina, Liev Schreiber, Christopher Walken, and winner Denzel Washington. Other “names” included Kelsey Grammer, Valerie Harper, Sean Hayes, Linda Lavin, Laura Linney, and Catherine Zeta-Jones, and those were just in the starring categories.

I’ve been particularly fascinated by the career of one Brian Stokes Mitchell. As Brian Mitchell, he appeared in a bunch of serviceable roles such as Jackpot on the TV show Trapper John, MD. But as a Broadway performer, he’s a star, even a legend.

Can’t wait for the Tonys!
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EGOT winners.

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