But she also had a Waitress cookbook and even promised to bake me a pie before I retired. (She tried to, but the pie failed, so she bought me one.)
When my wife, daughter and I saw it back in June, I thought it was… fine. Pleasant. It reminded me structurally to the TV show Alice. Alice never fell for her gynecologist, as Jenna (Christine Dwyer) did, though. Becky, the black waitress (Melody A. Betts), reminded me of the white, wisecracking Flo on the TV show. The timid Dawn (Ephie Aardema) is not dissimilar to the flaky Vera.
Even the diner managers, Mel, and Cal (Ryan G. Dunkin) were guys with rough exteriors but with hearts of gold. Odd that I didn’t get that deja vu feeling with the movie.
All she found was Earl
In the musical, Jenna’s abusive and controlling husband Earl (Jeremy Woodard) made my daughter extremely uncomfortable. In both stage and screen, Earl reminded me of the villain in the Dixie Chicks’ video for Goodbye Earl with Jane Krakowski, Dennis Franz, and Lauren Holly.
Another difference is that in Waitress, the actual diner owner was an older man named Joe, played in the show I saw by Richard Kline. You may remember Kline best from the sitcom Three’s Company as Larry Dallas.
The most interesting/bizarre character in Waitress is Ogie (Jeremy Morse), who is wooing Dawn. A local reviewer suggested that he seemed to belong in another play entirely, he was so off the wall. He was the most entertaining part of the production.
Waitress opened on Broadway on April 24, 2016, and has over 1450 performances. But it will close on January 5, 2020. Several people I’ve actually heard of have played Jenna, including Sara Bareilles, who wrote the serviceable music, and former American Idol contestants Katharine McPhee and Jordin Sparks. Meanwhile, the touring show continues through at least mid-2020.