West Side Story Archives - Page 2 of 3

M is for music that moves me

But other hearts in other lands are beating,
With hopes and dreams as true and high as mine.

I experience this all of the time, ALL of the time. I find music that moves me in a most profound way: What Happens in the Brain When Music Causes Chills?

Once, I would have been surprised that EVERYONE did not experience this until I saw this article from a couple of years ago: The Actual Neuroscience Behind Why Some People Don’t Like Music, something called musical anhedonia.

But the subtitle of the story about that first story is “The brains of people who get chills when the right song comes on are wired differently than others.” So it could be all of God Only Knows by the Beach Boys or the guitar solo at the end of Let’s Go Crazy by Prince, that will take me to another plane.

I saw the movie West Side Story when I was 10 or 11, and it was the music bit at the very end – go to the 4-minute mark here – that absolutely devastates me EVERY TIME I hear it. EVERY TIME. Of course, this comes from what takes place before.

I’ve described in detail how the Adagio in G Minor, attributed to Albinoni leaves me weeping, EVERY TIME.

I was really taken by 10,000 singing Beethoven – Ode an die Freude (Ode to Joy). What it lacks in polish, it more than makes up for in pure love.

Sometimes, it’s a lyric that will combine with the music. Listen to Finlandia, for instance:

This is my song, O God of all the nations,
A song of peace for lands afar and mine.
This is my home, the country where my heart is,
Here are my hopes, my dreams, my holy shrine.
But other hearts in other lands are beating,
With hopes and dreams as true and high as mine.

My country’s skies are bluer than the ocean,
And sunlight beams on clover leaf and pine.
But other lands have sunlight too, and clover,
And skies are everywhere as blue as mine.
O hear my song, thou God of all the nations,
A song of peace for their land and for mine.

In what we call classical music, particularly in organ music, it’s often the chords that resolve the piece that feel like the power chords at the end of a rock song. Listen to Digital Fox, organ music of the late Virgil Fox on a CD I own. Note the endings of most of the pieces, but especially J.S. Bach: Toccata and Fugue in D Minor (0:00:00), J. Alain: Litanies (0:38:05), and C.M. Widor: Toccata from the Fifth Symphony (0:42:25), which I first heard at my graduation from library school.

This list of music that moves me doesn’t even scratch the surface.

ABC Wednesday – Round 19

Music Throwback Saturday: songs from The Beatles album Please Please Me

Musically, John admitted it was his attempt at “sort of Motown, black thing.”

My love for the Beatles is quite substantial, as most people who know me can tell. Here’s an article about how they influenced many other artists, and there are plenty more examples.

But they too were influenced by other musicians. I was reading Steve Turner’s “The Beatles: A Hard Day’s Write,” subtitled “the stories behind every song.” Fairly often, the members of the group are quoted as having been inspired by a piece for their own creations. So I thought I’d put some of their songs, from the Please Please Me album, and related singles, up against the source material, with links to all.

I Saw Her Standing There”:

Paul explained…the bass riff was stolen from Chuck Berry’s 1961 song ‘I’m Talking About You’. “I played exactly the same notes and it fitted our number perfectly. Even now when I tell people about it, I find few of them believe me. Therefore, I maintain that a bass riff doesn’t have to be original.”

I’m listening for it, and I barely can hear it.

Misery:

The ‘la-la-la-la-la’ outro appears to allude to Pat Boone’s ‘Speedy Gonzalez’, a single that entered the British charts in July 1962 and didn’t leave until October.

Even as a kid, I HATED Speedy Gonzales as a terrible stereotype.

Please Please Me:

The song’s… chorus having been suggested by the 1932 Bing Crosby song ‘Please’, written by Leo Robin and Ralph Rainger, which starts off by playing with the homophones ‘pleas’ and ‘please’.

Love Me Do:

During 1962, the American star Bruce Channel had enjoyed a British hit with ‘Hey Baby’ which featured a harmonica solo by Nashville session musician Delbert McClinton. When [John] met McClinton in June 1962…he asked him how he played it.

McClinton, who I was unfamiliar with until the late 1970s, tells his version of the story.

Do You Want To Know A Secret?:

[John’s] mother used to sing to him…’Wanna know a secret? Promise not to tell? We are standing by a wishing well’ (‘I’m Wishing’, words and music by Larry Morey and Frank Churchill)… from Walt Disney’s 1937 film Snow White and the Seven Dwarfs. George later revealed that the musical inspiration… came from ‘I Really Love You’, a 1961 hit for the Stereos.

George later covered I Really Love You.

There’s a Place:

Paul claimed the title was derived from the West Side Story song There’s a Place for Us (i.e., Somewhere) from 1957. Musically, John admitted it was his attempt at “sort of Motown, black thing.”

The Beatles, of course, covered several Motown songs, such as You’ve Really Got a Hold on Me, Money, and Please Mr. Postman.

Ask Me Why:

Reminiscent of Smokey Robinson and the Miracles’ 1961 song What’s So Good about Goodbye.

And, of course, Motown covered many Beatles tunes.
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Bonus Beatles music: In Spite Of All The Danger

Happy birthday to Beatles fan Fred Hembeck.

Kennedy Center Honors 2015

I remember buying my copy of Tapestry somewhere in Binghamton, NY, along with Sticky Fingers by the Rolling Stones.

As I’ve noted over the years, I LOVE the Kennedy Center Honors. The event generally takes place in DC the first weekend in December and is broadcast on CBS-TV at the end of the month. The celebration of the honorees’ Lifetime Artistic Achievements took place on Sunday, December 6, and will be aired on CBS on Tuesday, December 29 at 9:00 p.m., ET/PT. This year’s honorees are Carole King, George Lucas, Rita Moreno, Seiji Ozawa, and Cicely Tyson.

Rita Moreno – if she were in nothing but the movie West Side Story – a pivotal film in my life – I’d be a big fan, but she accomplished so much more and, as she indicated in this interview, had to fight the Latina actress stereotypes.

She’s won the EGOT:
OSCAR: Best Supporting Actress (1961) West Side Story (Anita del Carmen)
GRAMMY: Best Album for Children (1973) Electric Company
TONY: Best Featured Actress in a Play (1975) The Ritz
EMMY: Individual Performance in a Variety or Music Program (1977) The Muppet Show; Outstanding Guest Actress – Drama Series (1978) The Rockford Files

Even though I was in college by then, I was a huge fan of The Electric Company, and she was a big reason.

WATCH:
West Side Story-America
Electric Company – STOP!
Muppet Show – Fever
Rockford Files
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George Lucas – the writer/producer/director made a bunch of movies I enjoyed tremendously. The first was American Graffiti; a couple of the movie’s actors ended up in 1950s-based sitcoms, Ron Howard (Richie on Happy Days), and Cindy Williams (Cindy on Laverne &…) The film also featured some carpenter-actor named Harrison Ford, who later starred in Lucas’ original Star Wars trilogy, and the Indiana Jones trilogy, all of which I enjoyed (except Indy 2, which I’ve never seen).

All that hate for Star Wars 1: I didn’t enjoy it, but it was just a movie. All that nerdy nuance about the films, some brought on by Lucas himself – Han shot first! – is beyond my interest. Oh and he likes Star Wars 7.

I see Lucas’ wife, Mellody Hobson, on CBS News frequently.

WATCH:
American Graffiti (1973) – Original Trailer
Star Wars (1977) Original Trailer
Raiders of the Lost Ark (1981) Theatrical Trailer
READ:
The Other Side of The Other Side of Midnight
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Cicely Tyson – I wrote about her at length only a couple of years ago.

WATCH:
The Bold Move That Left Cicely Tyson’s First TV Director Speechless And Sparked A National Movement
The Autobiography of Miss Jane Pittman
Cicely Tyson on Roots, Grief and Strength
The Marva Collins Story (1981)
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Seiji Ozawa – Though he had been the conductor for the San Francisco Symphony early in his career, I know him best from him leading the Boston Symphony. I’d see him on TV fairly often, and as he got older I recognized him as much for his style, and his coif as anything.

WATCH:
What’s My Line? – Seiji Ozawa (1963, TV Show)
Tchaikovsky Overture 1812
Beethoven Symphony No 5
Seiji Ozawa’s 80th Birthday
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Carole King – Her life was so amazing that they turned it into a hit Broadway musical, Beautiful, which will be going on a national tour shortly. She is a songwriter, early on primarily with her then-husband, the late Gerry Goffin; they are in the Rock and Roll Hall of Fame. I found this list of 17 Popular Songs You Never Knew Were Written By Carole King, with links, but mostly, I DID know.

If you went to college in the US in the early 1970s, either you had a copy of her massively successful album Tapestry, or your roommate did; it may have been mandated by Congress. I remember buying my copy somewhere in Binghamton, NY, along with Sticky Fingers by the Rolling Stones. Tapestry was number one on the Billboard 200 for 15 consecutive weeks, and on the charts for over five years in a row.

Her Jazzman was covered by Lisa Simpson in an early episode of the TV cartoon The Simpsons. Where You Lead was the theme song of the TV show Gilmore Girls, sung by one Louise Goffin, daughter of Carole and Gerry.

LISTEN to Carole King:
Jazzman
It’s Too Late
So Far Away
Will You Still Love Me Tomorrow, with the Mitchell-Taylor Boy-and-Girl Choir

The Everly Brothers -Crying In the Rain (1962)

Dear diary, my short summer staycation

I’ve come to the conclusion that people dis blogging, even when they don’t read blogs, because they believe it’s just a bunch of personal entries, as though it were some sort of public diary. While, I’ve usually attempted to give you a much more diverse and eclectic record, every once in a while, I need a journal entry, if only for ME to keep track of my activities six or sixteen months from now.

July 23: After work, I met The Wife and The Daughter at Albany’s Washington Park at for a free Park Playhouse presentation of the musical Singin’ in the Rain. The family didn’t get there until close to 6 p.m. for a 7:30 performance, and that’s too late. We found probably the last seats in the amphitheater, in the last row, far to the right, with some obstruction from one of the light poles. This was the antepenultimate performance, and it had reviewed well.

That said, the performance of the musical was quite fine. Great singing and dancing, even though only the guy playing Donald (the Gene Kelly role in the movie) was an Equity union actor. And, as advertised, there was actual singing, in the controlled “rain.” BTW, in case of real rain, the show might be postponed or even canceled. My friend Susan, who plays the oboe in the orchestra, and who the Daughter and I happened across at intermission, said only one show was canceled, though a couple were delayed over the four-week run.

The problem is that, because the stage gets wet, and has to get mopped up during the break, there’s not much story left afterward; a small complaint.

July 24: I took a day off from work, and we headed for the Albany Institute of History and Art. The baseball exhibit was also on its antepenultimate day on display. While the info on the major league teams was interesting, I was most intrigued by the local history. It showed the Capital District from our now-defunct minor league Yankees showcasing future stars such as Derek Jeter and Bernie Williams to the Albany Senators playing an exhibition game against Babe Ruth to the 1880s team in Troy that was a precursor to the San Francisco Giants.

After lunch, we went to the New York State Museum. There was an exhibit of art from students from the 64 education campuses comprising the State University of New York. There was also a fine display of photos and tools of the Shaker communities, several of which were around the area back in the religious organization’s heyday.

July 25: The folks putting on Park Playhouse had also produced a two-day run of Rodgers and Hammerstein’s Cinderella, with child and teen actors, at Albany’s Palace Theatre. This is the iteration in which Cinderella was played at various times by Julie Andrews, Lesley Ann Warren, and Brandy. I love this show, and this version was quite good, especially the title actress and the girl playing the herald.

However, because it was for free, and was presumably kid-friendly, parents brought their infants and toddlers, who couldn’t be still, or QUIET, for a 55-minute presentation, so it was occasionally difficult to hear. Outdoors, the noise may have been more diffused. Indoors, in the 2800-seat theater, at least 2/3s full, it was amplified.

July 26: I’ve previously touted the amazing work that happens on the very small stage of the Mac-Haydn Theatre, in Chatham, 45 minutes from Albany, where the entrances and exits become part of the set. My love for West Side Story is even more well established. This combination did not disappoint, from the very athletic mixing between the Sharks and the Jets, to the fine use of space to show Maria’s balcony.

The Wife thought the guy playing Tony was too pretty, though I disagreed. The problem with theater in the round, though, is that it may take a few seconds to find the highlighted action, such as when Maria and Tony first meet, and Tony is, for us, briefly obscured by the crowd at the dance.

What particularly worked for me was the Somewhere dance. Often a ballet that stops the action, it was quite effective with, e.g., “Anybodies”, the “tomboy” Jet dancing with Bernardo, the now slain Shark leader. Hey, maybe there IS “a place for us.”

And to nail that down, as we found our way to our car, we saw the actors playing Tony and Bernardo get in their vehicle and drive away together.

A faint, yet perceptible streak

A few months back, I was thinking about how Independence Day has traditionally made me cranky. I was going to do a piece called The Wrong Question/The Right Question, and I even asked folks to help me.

Some examples:

The Wrong Question: Whether we need voter ID.
The Right Question: Whether we have polling places open long enough, and staffed well enough, to accommodate voters. Failing that, whether mail voting would be a credible solution.

The Wrong Question: Whether people on food stamps should use them for buying steaks.
The Right Question: Why many of the working poor make so little that they’re eligible for food stamps.
The Wrong Question: Let’s worry about wacko conspiracy fantasies.
The Wrong Question: Let’s worry about reality-based conspiracies.

The Wrong Question: Why don’t we spend more on war?
The Right Question: Why don’t we spend more money on infrastructure?

Then the piece got scuttled by something I don’t usually look for in me: a faint, yet perceptible streak of…I’m afraid to say it, lest I jinx it…bridled optimism.

Since I have a difficult time articulating that, I’m going to suggest reading The Progressive Agenda to Combat Income Inequality “identifies the pillars upon which healthy social structures can be built.”

Toni Morrison called for a return to citizenship spoke to me.

But the piece that sounded most like the voice in my ear had to be “We are in a revolutionary moment”: Chris Hedges explains why an uprising is coming — and soon. Yes, as he notes, “If things unravel [in the U.S.], our backlash may very well be…a very frightening rightwing backlash.” Or:

If you look at what’s happened after Occupy, it’s either spawned or built alliances with a series of movements; whether it’s #BlackLivesMatter, whether it’s the Fight for $15 campaign, whether it’s challenging the TPP [even though TPP unfortunately seemed to have succeeded]. I think they are all interconnected and, often times — at least when I’m with those activists — there is a political consciousness that I find quite mature.

Just last week, same-gender marriage was affirmed: “The petitioners, far from seeking to devalue marriage, seek it for themselves because of their respect — and
need — for its privileges and responsibilities.” Oh, and Obamacare survived.

I’ve had that first song from West Side Story stuck me my head, but I need to alter the lyrics:

Could it be? Yes, it could.
Something’s coming, ~~something~~ hope it’s good,
If I can wait!
Something’s coming, I don’t know what it is,
~~But~~Pray it is
Gonna be great!